Tuesday, February 10

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Andréa Chenier – Metropolitan Opera
REVIEWS

Andréa Chenier – Metropolitan Opera

Nicolas Joël’s staging of Umberto Giordano’s epic verismo opera of revolution and forbidden love is brought back to life by Revival Director J. Knighten Smit with the orchestra under the baton of Daniele Rustioni in his first season as Principal Guest Conductor at the Metropolitan Opera. At a glittering party in 18th-century Paris there are distinctly two tiers of society on display from the lowly footman Gérard (Igor Golovatenko) who follows in the footsteps of his father who has been in service for sixty years, to the sumptuous host, Contessa di Coigny (Nancy Fabiola Herrera), whose daughter Maddalena (Sonya Yoncheva) straddles both as she eschews the fancy dress and faux manners in favour of intellectual discussion, so when the poet Andréa Chenier (Piotr Beczała) delivers an impa...
4Play – Traverse Theatre
Scotland

4Play – Traverse Theatre

The Traverse’s 4PLAY has form, a new-writing pressure cooker where short pieces are aired, tested, and occasionally launched into something much larger. Last year’s Colours Run was proof enough that this collective can produce work that grows real legs. This year’s quartet, though, is more uneven, with flashes of real quality offset by structural quirks and the odd misjudgement. The evening opens with Chips by Ruaraidh Murray, a micro-play in every sense. Running no more than seven or eight minutes, it dramatises a real-life Edinburgh gangland robbery, not for cash, but for microchips, with a premise that promises much more than the piece has time to deliver. There’s energy and intent here, but it barely gets started before it’s over. As an amuse-bouche, it’s intriguing, as drama, it’s ...
Gawain and the Green Knight – Park Theatre
London

Gawain and the Green Knight – Park Theatre

Based on the medieval Arthurian poem, Gawain and the Green Knight is a new reinterpretation by Felix Grainger and Gabriel Fogarty-Graveson, that transposes the story to a modern-day corporate setting. Cybersecurity firm Camelot Corp is undergoing major restructuring and rebranding. The CEO Arthur (Cara Steele) has decided to adopt a new model that mimics stories of the heroic Knights of the Round Table. Gary (Felix Grainger) – redubbed Gawain – is being sacked (exiled) just before Christmas for being too boring and lacking “spark”. When a mysterious green stranger shows up at the office Christmas party and proposes a game, Gawain accepts the challenge, beheads the stranger, and wins the respect of his boss. One year later, Gawain must uphold his end of the game and journey by elevator t...
Revenge: After The Levoyah – Soho Theatre
London

Revenge: After The Levoyah – Soho Theatre

Following the death of their grandfather, in the midst of the 2019 allegations of antisemitism within the Labour Party, Jewish twins Lauren (Gemma Barnett) and Ben (Charlie Cassen) are recruited by Malcolm Spivak to “do something about it”. Malcolm’s plan is to kidnap Labour Party leader Jeremy Corbyn. Nick Cassenbaum’s hilarious script satirises the media’s frenzied attacks on Jeremy Corbyn in the lead up to the 2019 General Election. Although set in 2019, there are clear modern-day parallels; claims of antisemitism are frequently used to discount any criticism of the State of Israel and its actions in Gaza. As well as being a sharp satire, the play excels as a spoof of gangster, heist, and spy movies. The playful script, dynamic direction, and evocative sound and lighting design perfe...
Evita Too – Southbank Centre
London

Evita Too – Southbank Centre

A joyously inventive dissection of Isabel Perón’s life, 'Evita Too' is an unforgettable piece of theatre. Questing to write a musical about Isabel - who is still alive, according to Wikipedia - Rebecca Biscuit and Louise Mothersole artfully interweave historical facts with the comic iconography of 'Evita'. Having already completed a run at Soho Theatre, this show was ambitious in its use of the Southbank’s more spacious Purcell Room to explore power dynamics with a playful approach. Clowning and music were the instruments of choice in this interrogation of the legacy of a woman forgotten, despite being the world’s first female president. Thrown to the wind was the invention of Andrew Lloyd Webber and Tim Rice, with Sh!t Theatre's original songs embargoing any familiar intrusions. ...
Hercules – Wesley Centre, Maltby
Yorkshire & Humber

Hercules – Wesley Centre, Maltby

With delight I went to see Sherlock Productions latest show, the pantomime Hercules and as expected their talent and skill improve with every show – this was my favourite to date! This has become a yearly occurrence for me and one I look forward to as a visual reminder of the true spirit of Christmas – to love one another. Sherlock Productions is a unique amateur dramatics company who completely embrace inclusivity and wholly demonstrate the joy that this gives to all involved and to its observers - one of heart-warming accomplishment and unity – equality and achievement. Sherlock Production was originally founded in memory of Paddy Sherlock a talented thespian and a great friend to all who had the pleasure of knowing him, Paddy would have been so very proud of this production of Hercul...
Cinderella – The Brindley
North West

Cinderella – The Brindley

Last year I was invited to review my first ever pantomime at The Brindley in association with New Pantomime Productions and I wrote in my review “personally I cannot wait to return in 2025 to see if, and how this show can be beaten”. Well, I am thrilled to report that this year’s production did indeed beat last years. This is traditional pantomime at its very best. Making her professional debut and leading the cast was the superb Emma Laverty as Cinderella. Laverty looks so at home on stage you would believe she has been treading the panto boards for years, with a stunning crystal clear voice and natural interactions with all she was on stage with I predict big things for this young lady. Mikey Rowan playing Cinderella’s love interest Prince Charming commanded the stage whenever he w...
Snow White and the Seven Dwarfs – Alhambra Bradford
Yorkshire & Humber

Snow White and the Seven Dwarfs – Alhambra Bradford

The year Billy Pearce began his panto career at this historic venue Bill Clinton had just become President, Microsoft released Windows and Jurassic Park was pulling the crowds in. 25 years on, and Pearce is no dinosaur as for a performer in his seventies he still has energy to burn His festive turn as the leading man at the Alhambra is now as traditional as turkey stuffing, and from the moment the kids (and big kids) bellowed back ‘hello Billy’ (oh, yes they did) he has a very lively intergenerational audience in the palm of his hand. It really is a masterclass in how to work a crowd, and as a veteran of the Yorkshire club circuit his timing and ability to think on his feet is still razor sharp. This year (as he notes on stage) for his silver jubilee he is The Man In The Mirror - com...
Flint Street Nativity – St Hilda’s Church
North West

Flint Street Nativity – St Hilda’s Church

They say never work with children or animals! Well, as you can imagine, directing a nativity performed by a class of seven-year-olds is enough to test the patience of even the calmest of people. Mizzis Horrocks and her class, with their squabbles and specific interests trying to be stubbornly squeezed into the birth of the baby Jesus, culminates in one excellent comedic musical which is bound to get you in the jolly spirit of Christmas. Woolton Drama Group present to you 'The Flint Street Nativity' directed by Georgina Anwyl and Andrew Parsons. Stage Management by Charlotte Titley. An assemblage of diverse characters takes to the stage to entertain and delight you for the evening. Firstly, let's start with the angelic perfectionist Mary herself (Jenny Snell), there's one in every cla...
Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry
North West

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

Unfortunate splashes back onto the stage with all the camp, chaos and deliciously wicked sparkle you could hope for. Directed by Robyn Grant and written by Grant and Daniel Foxx, this gloriously irreverent musical flips The Little Mermaid on its tail, giving Ursula the narrative power she has always deserved. In this fabulously filthy retelling, Ursula isn’t the villain but the victim, cast out from her home and from the arms of her one true love, King Triton, after a web of murderous lies twists the kingdom against her. Years later, she finds herself drawn back into Atlantica’s drama when the hopelessly horny and hilariously naïve Ariel decides she wants legs, not for adventure, but for access to the human men and their “genital anatomy.” The result is a riotous, queer, glitter-soaked ...