Latest Articles - Page 11 of 724

24Aug

By Danielle FarrowNo Comments

Scotland

EXXY – King’s Theatre

It’s quite something when the safety feature at the start of a show is for the audience’s health rather than the performers, and EXXY from Dan Daw Creative Projects continues to be quite something throughout this highly physically accessible production, with its built in text and sign language throughout, as well as being set up as a relaxed performance, with warning cues for more extreme lighting and sound. EXXY is labelled dance-theatre. It seems more heavily theatre, but with that dance quality which places the work of understanding movement onto the audience itself. Spoken word aspects (live and recorded), along with text and images projected onto the corrugated back wall, and strong soundscapes, all provide context - including Daws’ nan’s backyard and hospital settings - in which h...

24Aug

By Alan Stuart MalinNo Comments

London

Mates – The Courtyard Theatre

Four Face Theatre’s ‘Mates’ begins with an appealing comic problem: four friends, based on a misplaced promise, have secured the resources and financial backing to stage a new production but have yet to decide what that production should be. Each arrives with different artistic ambitions, and their attempts to develop a coherent piece soon become a contest between personalities, insecurities and conflicting definitions of meaningful theatre. This framework gives the company considerable room for invention, and the action repeatedly shifts into imagined productions proposed by the characters, enabling the show to experiment with contrasting genres and performance styles. Within this theatrical patchwork are amusing observations about masculinity, social privilege, conspiracy culture ...

24Aug

By Alan Stuart MalinNo Comments

London

Maz Pantz – Canal Café Theatre

Created and performed by Mary Redmond, ‘Maz Pantz’ arrives at the Camden Fringe with considerable confidence, promising a character-led sketch show combining physical comedy, mime, cinematic voice-over and cleverly constructed material. Unfortunately, the performance itself falls some considerable distance short of that promise. Across approximately 45 minutes, Redmond introduces an assortment of eccentric characters through a succession of sketches, some of whom return throughout the show. There is certainly imagination behind the concept, and Redmond commits enthusiastically to each creation, employing physicality, recorded sound and exaggerated characterisation to distinguish between them. On paper, this should be a fun show, however the difficulty is that the comedy rarely la...

Shake It Up! The Improvised Shakespeare Show – Gilded Balloon Teviot

24Aug

By Caroline WorswickNo Comments

Scotland

Shake It Up! The Improvised Shakespeare Show – Gilded Balloon Teviot

Welcome to the world of improvised Shakespeare! I have seen Shake It Up! several times before, including in the Birmingham Library with the wonderful The School of Night, so I was well versed in their technique. Before they can begin, they ask the audience for suggestions of a comedy, tragedy, or history play. With a vote dependent upon our clap energy, we enthusiastically voted for a history play. To build more detail, we needed a protagonist, someone that you know but whom is not in the audience with you. Hurray! Pietro in the front row suggests Ludovico his flat-mate, and his bad habits are chewing loudly, being messy, and generally rude, but good hearted. The play will be set in the Lake District with the gorgeous rolling hills, and Kendal Mint Cake...

Boogie on the Bones – Anatomy Lecture Theatre at Summerhall

24Aug

By Caroline WorswickNo Comments

Scotland

Boogie on the Bones – Anatomy Lecture Theatre at Summerhall

Within Theatre Company is an award-winning company, brought together from Belarus, Russia and Ukraine by the reality of their situation of being displaced and working in London. As an ensemble, they create work that shares their belief in freedom of expression, freedom of speech, and using art to resist oppression and totalitarianism. It is therefore, fitting that they have chosen to write about an era in the history of the Soviet Union following the death of Stalin, when a section of the young Soviet community chose to rebel against the grey nature of their existence, in 1955 Moscow. This underground counterculture movement called themselves the Stilyagi (style hunters), they wanted to love a more colourful life with jazz music, dancing, and to express their passions wi...

24Aug

By Oliver GigginsNo Comments

Scotland

The Hunger – Space @ Niddry Street

Deborah (Susan Jayne Robinson) and her daughter Megan (Hollie Burgess) live on their pig farm, once an independent and isolated business, now a seemingly last haven in a post-apocalyptic hellscape. Besieged by the mutated and desperate humans outside, inside mother and daughter clash over nostalgia, how to live in this brand new world, and how to behave towards the unseen creatures roaming outside. As directed by Natalie Simone, Robinson and Burgess are excellent, believable as mother and daughter and intensely realistic in their situation and surroundings. Aided by very well designed and chosen set (corrugated plastic walls that are at times either metal-looking or see-through) and props (the utilitarian food and gun are their own centrepieces at times), the show is effectively gritty ...

24Aug

By Christina SchmidtNo Comments

Scotland

Deluge – Underbelly Cowgate

Inspired by a break-up and interviews with 40 other people dealing with some form of loss, Gabi Flares merges these stories into a 60min fever-dream of Jam Jars, live piano playing and singing, emotional outbursts, flooding houses and just about every manner of movement whilst carrying around a ladder. Though calling it a comedy show might be a bit of a stretch, there were certainly funny moments, along with every other emotion as well. Flares doesn’t just explore heartbreak and grief theoretically, she fully embodies it. The messiness, the flip-flopping from being angry to exhausted to overjoyed and sad again, and generally just spilling over with emotions that have nowhere to go anymore. The constant dripping that slowly floods her world being a reminder of what she’s lost and how tho...

23Aug

By Greg HolsteadNo Comments

Scotland

Hang Time – Royal Lyceum Theatre

Hang Time is unlike almost anything I have seen before, particularly within the ornate surroundings of the Royal Lyceum. Three Black men hang apparently lifeless in mid-air, an extraordinary and initially almost unbearable image which writer and director Zora Howard gradually makes us accept as normal. Kamal Bolden's Slim, Julian Rozzell's Bird and Bryce Foley's Blood simply hang around. There is something almost Beckettian in the absurdity of three dead men passing eternity through mundane conversation, discussing relationships, blues music, faith and even the weather. Slim is the antagonist, constantly needling the God-fearing Bird about whether there really is anything waiting on the other side. We discover that Slim murdered his wife's lover, while Howard offers no correspondin...

Jody Kamali: This Is My Dad – Assembly George Square

23Aug

By Caroline WorswickNo Comments

Scotland

Jody Kamali: This Is My Dad – Assembly George Square

‘This is My Dad’ is a son’s reflection on his father’s life, and the man that he knew…or did he? Jody Kamali plays himself, the son of his Iranian father who died on the 29th October 2024, at a barbecue. And this is the first thing that we see as we enter The Crate, his father is hosting a barbecue, but he needs help. Kamali immediately engages the audience by including them in the preparations of the food, this inclusion is one of the recipes for the success of this show. Kamali’s father talks to the audience as though he were in his neighbourhood bar or cafe chatting to the locals, and from how Kamali presented his father, I can imagine that he had the ‘gift of the gab’ as they say. As the play progresses, it becomes apparent that the process of devel...

James Phelan: Showman – Underbelly Circus Hub

23Aug

By Saira KunjuvalappilNo Comments

Scotland

James Phelan: Showman – Underbelly Circus Hub

Magician James Phelan has done a great job creating an entertaining and interactive show. From predicting cards to reading minds, there were plenty of moments that kept the audience interested and involved throughout the performance. The interactive nature of the show was definitely one of its strongest aspects, as it made the audience feel like they were part of the magic rather than simply watching from their seats. The lighting and overall presentation were also very well done. The lighting added to the atmosphere and helped create the right mood for the different parts of the performance. James did an excellent job engaging the audience, and his confidence and stage presence made the show enjoyable from beginning to end. However, one thing I would recommend is adding some new...