Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Friday, April 25

Come From Away – Wolverhampton Grand

From its first thumping, stomping almost tribal driving rhythms at the top of the show “Come From Away” sets out its stall clearly and emphatically not giving an inch and not compromising on its passionate message.

As we probably all know by now, the show tells the tale of the little town of Gander in Northeastern Newfoundland, which threw open its doors and hearts to 7000 passengers who found themselves diverted from US air space on that notorious date September 11th 2001. Irene Sankoff and David Hein’s book, music and lyrics summarises the event and epitomise the humanity with panache, respect, dignity and kindness. 38 planes landed unexpectedly in Gander and everyone had to be accommodated. And they were as the entire community came together to help, support and care for hundreds of dispossessed strangers.

The show opened in Seattle in 2015 and has toured the world non-stop ever since. It’s almost impossible to put into words the vast wave of goodness the people of Gander offered and, it’s almost as impossible, to summarise the musical which celebrates it. At its heart is a wholesome bunch of good people struggling to help other good people and through the metaphor of the show, the music, the play it’s not difficult to see Gander as our planet with its mix of lost and found souls. The show weaves an intricate tapestry of relationships, cultures and ages into a fantastic matrix which intrigues, beguiles and enchants. It’s presentation of the human soul under adverse conditions, succeeding against almost insurmountable odds, that’s the core to the beautiful show.

It’s a true ensemble piece with actors doubling, tripling and quadrupling on roles and truly inhabiting their characters and their experiences. Mark Dugdale, Jamal Zulfiqar, Kirsty Hoiles and Bree Smith are just a few of the stand-out performers who make this an astounding piece of theatre. It does what theatre does as its zenith and reflects us back to us and shows us who we truly are and, on this occasion, we found ourselves to be good, kind and generous people with open arms, open minds and open hearts.

As a fundamental and vital election looms on the horizon for the country hit hardest by the attacks it cannot have been lost on a lot of the audience what a salutary reminder this is of what good people can do when faced with the behaviour of bad people and how a unified community can overcome just about any obstacle put before it.

Reviewer: Peter Kinnock

Reviewed: 5th November 2024

North West End UK Rating:

Rating: 5 out of 5.
0Shares