Wolverhampton Grand Archives - North West End UK

3Apr

By Robert BartleyNo Comments

West Midlands

Dear Evan Hansen – Wolverhampton Grand

The West End production of ‘Dear Evan Hansen’ was one of the biggest casualties of the pandemic, forced to close 6 months into its run and then unable to gain back its momentum after its eventual re-opening, despite 3 Olivier wins (a mis-judged film adaptation released around the same time probably didn’t help either). Its fate is somewhat ironic, given the themes of isolation and longing for connection that run so deeply throughout the show, themes which were heightened during those Covid times. Fortunately, the musical has found a new lease of life with a well-received touring production which kicked off in Nottingham in September 2024. Now 6 months in, the tour has connected strongly with audiences, and rekindled the fire that burned all too briefly in the West End. ...

12Mar

By Peter KinnockNo Comments

West Midlands

War Horse – Wolverhampton Grand

Galloping across the country like the noble steed it is, “War Horse” stops off momentarily at the Grand Theatre for some water and hay staying long enough to regale us once more with the stunning and breathtaking tale it has been sharing since it first staggered out of its stable back in 2007. Though initially a book by Michael Morpurgo it was playwright Nick Stafford who trained and groomed it for success with this adaptation at the National Theatre. Handspring Puppet Company have transcended their art and produced creatures which are beyond anything we've before seen - they live, they breathe, they gallop. I defy anyone to see the work and not come away thoroughly convinced they have been amongst real animals. It’s uncanny. You can almost smell them. The image of Joey is now iconic ha...

4Feb

By Peter KinnockNo Comments

West Midlands

Hairspray – Wolverhampton Grand

“Hairspray” explodes onto the stage of the Wolverhampton Grand with all the vigour, vibrancy and verve one has come to expect and does exactly what it says on the spray tin. It’s a wild effusion of fun and frolics expertly delivered and tempered with a sobering seam of politics of racial segregation. John Water’s originally movie strutted out of the celluloid closet way back in 1988 featuring the grotesque drag artist Divine in the mother role creating a cult sensation. The tradition of casting a male in the female role continues today and it’s an interesting decision in the air of the shifting notions of identity and genre which have emerged since the show's inception especially in a country which already has a long tradition of the dame. However, Neil Hurst is a natural in the role and m...

5Nov

By Peter KinnockNo Comments

West Midlands

Come From Away – Wolverhampton Grand

From its first thumping, stomping almost tribal driving rhythms at the top of the show “Come From Away” sets out its stall clearly and emphatically not giving an inch and not compromising on its passionate message. As we probably all know by now, the show tells the tale of the little town of Gander in Northeastern Newfoundland, which threw open its doors and hearts to 7000 passengers who found themselves diverted from US air space on that notorious date September 11th 2001. Irene Sankoff and David Hein’s book, music and lyrics summarises the event and epitomise the humanity with panache, respect, dignity and kindness. 38 planes landed unexpectedly in Gander and everyone had to be accommodated. And they were as the entire community came together to help, support and care for hundreds of ...

2Nov

By Peter KinnockNo Comments

West Midlands

Cirque du Magique – Wolverhampton Grand

I’m sure I don’t need to remind you of the great Philip Astley who, in 1770, gathered together a disparate band of acrobats, unicyclists, tight rope walkers and stunt performers to entertain the crowd in the gaps of his horse-riding show inadvertently creating what we know today as circus. Over the years the format has grown and evolved with clowns thrown in and a ringmaster added to offer some semblance of authority until it has become today what Barnum bombastically described as “The greatest show on Earth!” and after two hundred and fifty years it continues to grow - and today we welcome its latest incarnation into the ring! For those of you who thought Richard Cadell was first and foremost the right-hand man of one of the most iconic characters in British entertainment - a chara...

5Oct

By Peter KinnockNo Comments

West Midlands

Wonderboy – Wolverhampton Grand

With the astoundingly talented and acclaimed Sally Cookson at the helm and a script by Ross Willis, Wonderboy exploded out of the Bristol Old Vic back in 2022 and recently embarked on a national tour already nabbing the Writer’s Guild Award for Best Play 2023. It’s a hotly anticipated ticket with a huge reputation behind it. But many shows with a tidal wave of hype rarely live up to the noise - will this one? Captain Chatter is the comic book superhero who helps our own hero, reclusive Sonny, with his self-conscious stammer which constrains him from making small talk, sharing thoughts and ideas and most of all speaking to an audience. And then he finds himself cast in the school production of Hamlet! 90 minutes whizzes by and for all those minutes the teenage audience (the demographi...

1Aug

By Peter KinnockNo Comments

West Midlands

The Wizard of Oz – Wolverhampton Grand

“There’s no place like Wolves!” Well, there certainly isn’t as Dorothy Gale and her little dog, too, land their wooden house on the stage of the Grand Theatre which they’re calling no place like home for the next few days. “The Wizard of Oz” is, undoubtedly, an iconic, kaleidoscopic, psychedelic trip into the mad and inventive mind of L. Frank Baum who, eager to create a new style fairy tale for a new, burgeoning nation, let his eyes drift to his library index cards one day where the letters O-Z jumped out and he was off down his yellow brick road to literary success. His unstoppable quill knocked out a dozen or so Oz titles within a few years with further volumes being penned by other authors. Baum, being no slack capitalist, exploited his work in all media - books, stage and film. Way...

2May

By Robert BartleyNo Comments

West Midlands

Love Never Dies – Wolverhampton Grand

When Andrew Lloyd Webber’s ‘Phantom’-follow-up ‘Love Never Dies’ hit the West End in 2010, it opened to a critical mauling that led to the show being closed to allow significant reworking. The press still wasn’t too kind, with some jokingly retitling the show as ‘Paint Never Dries’. While the show never stood a chance of replicating the success of its predecessor, there is still a lot of love for it in theatreland, as showed by the standing ovations at the Drury Lane concerts last year. And now it’s time for the country’s amateur groups to have a bash, starting with the West Bromwich Operatic Society (WBOS), who are performing the show this week at the Wolverhampton Grand. Loosely based on the 1999 novel ‘The Phantom Of Manhattan’ by Frederick Forsyth, ‘Love Never Dies...

24Apr

By Peter KinnockNo Comments

West Midlands

Life of Pi – Wolverhampton Grand

I remember reading Yann Martel’s dazzling Booker-prize-winning novel “Life of Pi” in a youth hostel in San Francisco and being so consumed with it I nearly missed a trip to the Golden Gate Bridge. It really is a cracking novel and such a wonderful whirl of magic realism and bright, laugh out loud comedy. I dodged the film when it came out in case it spoiled my memories of the book, so it was with some trepidation I approached the stage version. I needn’t have worried. Piscine “Pi” Patel is the son of a Pondicherry zoo keeper who tells a tall, but convincing, tale of surviving days adrift in open sea with only a Bengal tiger for company. A Bengal tiger named Richard Parker, no less. The playwright Lolita Chakrabarti takes the story and deftly reassembles the narrative into a spectacular ...

2:22 A Ghost Story – Wolverhampton Grand

22Feb

By Peter KinnockNo Comments

West Midlands

2:22 A Ghost Story – Wolverhampton Grand

We should have known Danny Robin’s career would have led him up the cemetery path towards the dark side of the racks when one of his first forays into entertainment was the kids tv show, Young Dracula. The signs were all there. We should have sought the help of a vampire slayer when we had the chance, but no. Danny grew into an adult with a penchant for the paranormal, a weakness for the weird, a taste for the terrifying and an urge for the uncanny. As a young stand-up he may have died many times, but in the afterlife, he seems to have reincarnated himself as a presenter of the hauntingly addictive and truly unsettling TV and radio reality series, “Uncanny”. Those of us who hid behind a cushion as each ghostly tale throttled our imagination will approach this play with trepidation, angst a...