Tuesday, October 8

Scotland

<strong>Tam O’Shanter, Tales and Whisky – Traverse Theatre</strong>
Scotland

Tam O’Shanter, Tales and Whisky – Traverse Theatre

One Burns Night, a group of friends gather around the soothing glow of a campfire in an Edinburgh forest, to tell stories and sing songs. On a chilly January afternoon, Traverse 2 is sold out as folks gather to celebrate the poetry and music of Scotland. The set, by Polly Morris, is cosy – a campfire, with logs for the performers to sit on, and the musicians at the back in amongst the spooky trees.  The lighting, by George Cort, creates a dappled forest floor effect.  When I came downstairs to go into the theatre, I briefly thought I had got lost, and that I was about to go outside.  Happily, the room is nice and warm, and not at all Januaryish in temperature. Some tickets include a complementary nip of whisky, which would further enhance the atmosphere, but sadly I’m dri...
<strong>Snow White and the Seven Dwarfs – Festival Theatre, Edinburgh</strong>
Scotland

Snow White and the Seven Dwarfs – Festival Theatre, Edinburgh

Like an unruly bottle of Christmas fizz this Panto popped and sparkled in all the right places. And plenty of the wrong ones. The sentence ‘Macbiehill – watch yer bags everyone’ is not a sentence you’ll hear very often. Of Champagne Moments there were plenty: Nurse May’s (Alan Stewart) Prawn & Crab joke may be an old one but the punchline neatly utilised the richness of the local dialect, steamin’ and reekin’ being interchangeable for one who’s drunk, or just plain smelly… Lucifer’s (Grant Stott) song, nay, homage, to the Edinburgh Tram works was a release for those inconvenienced - meaning everyone in Edinburgh - for the last no-one-knows-how-many-years… the shirt-sleeves routine… the riotous 12 Days Of Xmas caper… Muddles’ (Jordan Young) précis of the entire show up to halfway… but n...
<strong>My Fair Lady – Edinburgh Playhouse</strong>
Scotland

My Fair Lady – Edinburgh Playhouse

Working-class flower girl Eliza Doolittle (Charlotte Kennedy) takes up an offer (or rather, bet) by renowned phonetician Professor Henry Higgins (Michael D. Xavier) saying that in six months he can teach her to pass for a member of the aristocracy enough to fool royalty. If they succeed, they will prove accents are a real but surmountable limitation on one's condition in Edwardian London and may improve one person's prospects, but if they fail, more than one life may be ruined. The musical, based on the 1913 George Bernard Shaw play and 1938 film Pygmalion (which was in turn based on the Greek myth of the same name about a sculpture who fall in love with Galatea, a statue of his creation), has been hailed as a classic since its 1956 stage and 1964 film premieres, with many classic songs...
<strong>Once Upon a Snowstorm – Traverse Theatre</strong>
Scotland

Once Upon a Snowstorm – Traverse Theatre

This gentle rendition of Richard Johnson’s wordless picture book, adapted and directed by Jo Timmins, produced by Lyra and with support from Catherine Wheels, is a surprisingly effective Christmas gift, very nicely wrapped and presented on the modified stage, turned grotto of the subterranean Traverse 2. A delicate piece of theatre from talented duo, Adam Tompa and Fay Guiffo, who work closely together to recreate the touching relationship between father and son, and their desperation when they become separated during a snowstorm in the deep woods. Guiffo’s particular gift for electric violin is very nicely integrated into the piece to recreate through sound the snowy textures and dulled stillness of their crystalised world and the animals which inhabit it. The set design by Sophie G...
<strong>The Memories Will Mostly Be Bright – Traverse Theatre, Edinburgh</strong>
Scotland

The Memories Will Mostly Be Bright – Traverse Theatre, Edinburgh

Creating and crafting theatre from scratch is a brave endeavour. Part of you is being measured, assessed and critiqued and it takes guts to put your ideas and interests out there for the public to judge. And so, I applaud this young writer and director, Conçalo Gois. Napier University Drama Society is clearly a very active group with 27 members of cast in this production about the nature of memory and significant moments in time remembered differently by different people. It didn’t quite hit the mark but was admirable in concept. Some things that needed attention include sound effects - ease them up, ease them down. Here it was a sudden assault on the senses and just as a surprise when they stopped - bam; lighting - use it to enhance the atmosphere/mood or concept. As this was about ...
<strong>The Commitments – Edinburgh Playhouse</strong>
Scotland

The Commitments – Edinburgh Playhouse

Two months in to a nine-month tour of the UK, The Commitments lands in Edinburgh Playhouse. The lines are delivered crisply, the music is tight, and the vocals are on point, and from the look of the almost capacity audience, dancing, singing and whooping by the finale, all is well, or is it? It is hard for this not to be a hit, based on Roddy Doyle’s 1987 book set in Dublin and the subsequent 1991 BAFTA Award-winning film classic. The hit ingredients keep coming in the form of over 20 soul classics performed live on stage by a group of committed and talented actor / musicians. If you think there is a but coming, you would be right. Sometimes all of the right ingredients is just not enough, which is …well, disappointing. The story follows James Killeen as Jimmy Rabbitte, a young worki...
<strong>An Edinburgh Christmas Carol – Lyceum Theatre, Edinburgh</strong>
Scotland

An Edinburgh Christmas Carol – Lyceum Theatre, Edinburgh

Last performed here in 2019, the Lyceums’ Artistic Director David Greig gives this Edinburgh take on the Dickens classic a well-deserved re-run. And why not, it is an absolute joy to the eyes and ears and will surely be a big hit with audiences old and young alike. The well drilled and very talented cast play out the well-known tale of Scrooge on the cobbles of the old town against one of the undoubted stars of the show, the set; a series of finely painted backdrops of side screens from Edinburgh’s old town, featuring great stone quoins and air scraping tenements, with the castle looming like a constant dark presence overall. The set cleverly mirrors Mr Scrooge’s oppressive domination over the lower elements of Edinburgh, the underpaid clerks, like Bob Cratchit, or poor evicted tenan...
<strong>The Snow Queen – Festival Theatre, Edinburgh</strong>
Scotland

The Snow Queen – Festival Theatre, Edinburgh

Always leave ‘em wanting more.  That seems to be the philosophy behind Scottish Ballet’s latest production, the fairly short but very sweet production of “The Snow Queen”.  A festive show for all the family at just 40 minutes for each of the two acts, with a 25-minute interval, this colourful charming fairy tale is perfectly pitched for all ages to enjoy without the wee ones getting too restless. “The Snow Queen” is a Hans Christian Andersen story on which the film “Frozen” is based, but Scottish Ballet brings the original tale to life with choreography by Christopher Hampson and music by Rimsky-Korsakov played by the Scottish Ballet Orchestra conducted by Jean-Claude Picard.  It tells the story of two sisters, the Snow Queen, (Constance Devernay-Laurence) and the Summer ...
<strong>Cell Outs – Traverse Theatre</strong>
Scotland

Cell Outs – Traverse Theatre

Two ex-screws take to intimate interior of the thrust stage of Traverse 2 to provide a thought-provoking insight into the British prison system. Glasshouse Theatre Company’s, Harriet Troup and Ella Church play themselves as graduates cajoled into the prison system on the promise of putting their arts backgrounds to good use in rehabilitation, only to find that barely six weeks later they are ‘lambs to the slaughter’ as fully qualified Prison Officers. In a comedic twist the two friends are posted to prisons within waving distance, one to a male prison, the other a female, covering both bases as it were, and provided rich material for this production. Set against a period of government cut-backs and lay-offs, the play takes us from initial recruitment through the ‘breakthrough grad...
<strong>Redcoat – Traverse Theatre</strong>
Scotland

Redcoat – Traverse Theatre

Lewis Jobson treats us to some extra sparkle, joy, and magic in this exuberantly light-hearted one-man show.  He celebrates his youthful adventures as a Redcoat in Bognor Regis, a world where you are never fully dressed without a smile, and a public altercation with Barney the dinosaur can earn you a verbal warning. If you like singing and clapping along to unashamedly cheesy music, you will certainly love this show.  A group karaoke rendition of I Will Survive is a delightfully guilty pleasure, and there are plenty more of your favourite songs included.  This is a tale of a young adult living away from home for the first time, and Redcoat Lewis reminisces about his crush on The Slushy Guy, cooking pizza on a George Foreman grill, and cheerfully entertaining children at b...