Wednesday, October 9

Scotland

Spring Awakening – Greenside @ Riddles Court
Scotland

Spring Awakening – Greenside @ Riddles Court

Dynamic Theatre presents the story of the sexual awakening amongst a group of teenagers at a strict religious school in Germany in the late 19th Century. As you might imagine, this requires a delicate directorial touch and sensitive staging approach, all of which Dynamic passed with flying colours. This production also includes scenes of a sexual nature as well as teen suicide, which perhaps could have been better advised by the theatre staff. The singing quality in this production is really excellent as evidenced from the first opening number, Mama Who Bore Me, with some beautiful harmonies. The acting is also particularly strong given the challenging environment that the teenagers find themselves in, repressed and abused by the adults at seemingly every turn. If that all sounds rat...
Crizards: This Means War – Pleasance Dome
Scotland

Crizards: This Means War – Pleasance Dome

This was – The funniest show I’ve seen at the Fringe this year! They say you are your own worst enemy… well not during wartime. The UKs lowest energy double act, as they like to call themselves, are back. After a very successful Fringe in 2022 as Cowboys, Will Rowland and Eddy Hare take on the much sillier subject of war. Guitars in hand they strum their way into explaining that whether or not any of this is a good idea, they are going to do it anyway. The classic double act sees the serious Hare try, with mounting frustration to tell the true story (allegedly) of his granddad and the important role he played in winning the war. A fine example of the genre, deadpan Hare and mischievous Rowland, eyes shining, replete with dimpled cheeks and wide grin thinks up ways to parado...
Jon Culshaw: Imposter Syndrome – Debating Hall, Teviot Row House
Scotland

Jon Culshaw: Imposter Syndrome – Debating Hall, Teviot Row House

This was – A tour de force by an expert impressionist! Jon Culshaw twice in one day, I am getting spoiled! Earlier on I had the pleasure of reviewing Lena (****) at Assembly, George Square, in which Jon takes the starring role as Hugh Green. And it goes without saying that he was brilliant. They say it takes 10,000 hours to accomplish ‘expert’ status in your chosen field. Jon’s 30+ years as one of the UK’s top impressionists certainly puts him in the expert category, and he shows no sign of slowing down. This brand new show was sure evidence that he is still current, still growing and right at the top of his game. Treating a packed house to a show that spotlights his vast impression library and phenomenal memory for tone and intonation and timing. This may have been expected, what wa...
Aionos – Edinburgh Fringe Online
Scotland

Aionos – Edinburgh Fringe Online

Toasterlab’s Aionos is a mixed reality, experimental performance, which promises to blend Ancient Egyptian history with the fantasy, sci-fi fairy tale world of Star Wars. The production hopes to appeal to gamers, fans of online gaming streams, and anyone curious about theatre and/or Ancient Egypt by combining elements of all these things. It’s an exciting and brilliant concept, but also a lot to handle. There are three ways to view the show: in person, via livestream or using a virtual reality (VR) headset. This review was written based on the online stream. The show was produced based on a concept by Debbie Deer Productions in consultation with multi-disciplinary theatre practitioner, Ari Tarr. The piece opens with Anubis, God of Death (Shaharah Gaznabbi) introducing their livestream s...
Gie’s Peace – Scottish Storytelling Centre
Scotland

Gie’s Peace – Scottish Storytelling Centre

Morna Burdon’s journey through the world of women who have stood against war and made a peaceful difference is not shouting for space in a busy Edinburgh festival. Yet, on this, her first day, she has a full house. The George Mackay Brown Library in the Scottish Storytelling Centre is an apt venue. Burdon has done her research. And she has chosen a tender and funny collection of songs to illustrate the power of peaceful protest. She began with Nancy Nicolson’s Last Carol which alternates between a melancholy chorus of mushroom clouds and heavy water and jaunty verses with the words, merrily, merrily. I instantly warmed to her and to the subject matter. At the end, the audience spontaneously joined her for We Will Overcome. It was very moving. Early on she included a teenager from...
When Judas Met John: Songs of Dylan and Lennon – theSpace @ Surgeons Hall
Scotland

When Judas Met John: Songs of Dylan and Lennon – theSpace @ Surgeons Hall

Brothers Broke’s clever show was simple and sweet. Starring two men, two guitars and one harmonica, this show presents the infamous connection between Bob Dylan and John Lennon through short sections of commentary and adapted songs. Whilst the story behind Dylan and Lennon’s affiliation was nothing ground-breaking, it was interesting to hear the brother’s interpretation of comments made by the musicians. Their dissection of lyrics and themes within chosen songs helped to turn a few comments made by two musicians into an engaging story of rivalry and respect. The version of Like a Rolling Song into Dig It was an obvious choice for a mash-up. It began with the classic Dylan track and flowed naturally into the opening lyrics “Like a rolling stone; like a rolling stone; like a rolling s...
The Coil’s Lament – Just the Tonic, The Mash House
Scotland

The Coil’s Lament – Just the Tonic, The Mash House

Irish comedian Siomha Hennessy combines storytelling and song in this fast-paced comedy show. This felt like a classic re-telling of womanhood through the lens of Hennessy’s personal experience. However, the familiar subjects of dating, mental health and family dynamic were elevated by Hennessy’s high-quality writing and energetic performance. Also, moments of witty originality, such as the musical number where she impersonated her IUD, were a refreshing surprise. Hennessy also smashed her musical numbers. Her voice was impressive and again the writing was well-done. Comments shared between herself and the on-stage keyboard player added further humour to these musical moments. Also, the way she wrote the keyboard players silent on-stage presence into a few of her jokes was clever an...
Lena – Assembly George Square
Scotland

Lena – Assembly George Square

This was – Brilliantly conceived and delivered – and I mean that most sincerely folks! As someone raised on Opportunity Knocks (think Britain’s Got Talent) this certainly hit some deep and emotional triggers! Via the power of Jon Culshaw’s brilliant embodiment of Hugh Green, I am transported back to 1974, as 10-year-old singing sensation Lena Zavaroni, from the wee Isle of Bute, rockets to stardom on Opportunity Knocks, ITV's top talent show. At the start of the play, we see Lena in a wheelchair being led into an operating theatre for experimental neurosurgery. The story of her rise and fall, from her very humble beginnings on Bute, her neurotic mum and musical dad and the chance encounter that set her on her path, all presented in a series of flash backs. Erin Armstrong is ab...
I Consent, Aunty Ginger – Assembly, George Square Studios, Underground
Scotland

I Consent, Aunty Ginger – Assembly, George Square Studios, Underground

This show is not for the faint-hearted or easily offended. And that’s a good thing. I Consent is an utterly outrageous, and hilariously entertaining hour of drag-show comedy. Aunty Ginger has excellent stage presence from the second she introduces herself with a parody of ‘(Hey) Big Spender’. You may be able to guess what word she replaced ‘Spender’ with… I won’t pretend I’m an expert in drag styling and fashion, but I was incredibly impressed by her make-up, fabulous ginger wig and matching jewellery. The dress, designed by Peter Hewitt, was black and tight. Perfect for the occasion. In short, Aunty Ginger looked spectacular. I won’t spoil the contents of her show, but it includes an Agony Aunt style segment where she solves the sex life problems of ‘famous celebrities’ and memb...
Edges – Assembly Rooms, Music Hall
Scotland

Edges – Assembly Rooms, Music Hall

This was – Some very fine singing, but ultimately indecipherable and unrelatable! A production from the Royal Conservatoire of Scotland, Edges, the blurb reads: a Musical from the creators of The Greatest Showman, La La Land and Dear Evan Hansen, Edges is a contemporary song-cycle which explores universal issues such as love, commitment, identity, and meaning. Well, great! As a big fan of all of those production, this sounds perfect, I was looking forward to this one. What a let down! This is maybe sounding and looking great and making perfect sense if you are a 20-something angst-ridden American female living in New York City. And I am probably sounding very old and very male now. A bright young thing launches into, Am I fulfilled. Do I care? A production that, on paper...