Scotland Archives - Page 52 of 156

3Aug

By Jessie MartinNo Comments

Scotland

Antigone – Institut Français Écosse

In this bold and dark retelling of Jean Anouilh’s Antigone, Edinburgh-based theatre company Mythography is led by French director Philomène Cheynet, bringing us an intense and shrouding take on this classic Greek tragedy to the Edinburgh Fringe. Featuring large plastic, opaque curtains hanging from the ceiling, masked figures and handheld light bars that highlight and shadow the characters on stage, this production focuses on all that is hidden in war and peace. Beginning the show with the cast standing backlit behind the opaque sheets and our narrator figure standing in front, we are immediately set up to receive both the aesthetic and thematic values of this play. Cheynet’s vision is strong and purposeful, holding value on the more experimental side of theatre as well a...

Ordinary Decent Criminal – Summerhall, Techcube

3Aug

By Greg HolsteadNo Comments

Scotland

Ordinary Decent Criminal – Summerhall, Techcube

Frankie is just your Ordinary Decent Criminal, who unfortunately got caught. Yes, he may have been convicted of importing drugs, but he isn’t a grass and he definitely ain’t no nonce. Unfortunately, though, he does lack a certain right hook, which means he definitely needs to keep on the right side of certain characters inside, and find friends, fast. Walking the tightrope between being too tough and not tough enough is a minefield as we discover in Mark Thomas’s memorable and hilarious monologue. One of Edinburgh Fringe’s best kept secrets, Mark Thomas once again teams up with longtime collaborator, playwright Ed Edwards where their brilliant England & Sons (Fringe First 2023) left off. A similar diamond geezer, but this time behind bars and at the mercy of Tony Blair’s New Lab...

3Aug

By Joe LangNo Comments

Scotland

Avenue Q – Braw Venues @ Grand Lodge

Avenue Q takes the squeaky-clean morals championed by Sesame Street and other puppet-driven entertainment from our childhood and subverts these lessons through a 21st-century lens, resulting in a satirical insight into the unspoken truths one only comes to learn when embracing adulthood. Although knowing about all of the praise and success it received when premiering in 2003, I went into this with the hindsight that it was written in a bygone era when humour could cut into topics much more outright than mainstream comedy allows today. Nevertheless, I was surprised by how the majority of the jokes still hold up, as the vulgar and pessimistic style of writing, performed with the optimism and gleefulness of the muppets, never failed to enhance the absurdity of the premise. Yet, there a...

Centre of the Universe – Techcube @ Summerhall

3Aug

By Saira KunjuvalappilNo Comments

Scotland

Centre of the Universe – Techcube @ Summerhall

Gaia’s Brilliant and Hilarious Solo Show Centre of the Universe is wonderfully hilarious and appropriately candid solo comedy performance by Gaia, navigating the crazy inner life of a 15-year-old girl searching for the purpose of her life—without any particular talents standing out. This results in an hour of laugh-out-loud humour, biting social satire, and unrelenting energy that leaves the audience gripped until the very end. The movie starts as a TikTok social media influencer visits her school, setting off an overexcitement for manifestation techniques and the pursuit of having a perfectly curated life. Gaia satirically depicts the whirling activity of creating vision boards, gazing at them throughout the night, and waiting for signs of greatness from the universe. Her metaph...

How to Become a Movie Star – theSpace @ Surgeons’ Hall

3Aug

By Saira KunjuvalappilNo Comments

Scotland

How to Become a Movie Star – theSpace @ Surgeons’ Hall

Stardom and Struggle: Maria Sara’s Honest Journey to the Spotlight In her energetic one-person show How to Become a Movie Star, Maria Sara takes the audience through a deeply personal, often humorous, and touching ride through the decades of her life — from childhood dreams to the tough-knocks realities of chasing stardom. Within 50 minutes, Maria's energy and sincerity own the stage as she glides easily through the decades of her life to demonstrate how each decade impacted her resolve and tenacity. The show is not just one of celebrity; it's a tribute to perseverance. Maria unveils the challenges, setbacks, and emotional price of chasing a dream, providing an insight into the unseen strife behind every victory. Her admiration for her hero, Gabriel Burns, is a unifying thread th...

Opening Concert: The Veil of the Temple – Usher Hall

3Aug

By Greg HolsteadNo Comments

Scotland

Opening Concert: The Veil of the Temple – Usher Hall

With its hushed reverence and cosmic scale, John Tavener’s The Veil of the Temple opens this year’s Edinburgh International Festival not with a bang, but with an invocation. Across eight immersive hours in the Usher Hall, Tavener’s vast and luminous work offers something rare: not simply music, but a spiritual experience—at once intimate and immense, ancient and disarmingly modern.First performed in 2003 as an all-night vigil in London’s Temple Church, The Veil has never been heard in its entirety in Scotland—until now. It is a demanding work, not only for the 250-strong ensemble of singers and instrumentalists, but for the audience as well. Beginning at 2:30 p.m. and ending at 10:15pm, this performance asked for attention, stillness, and patience. It gave, in return, something deeply movi...

3Aug

By Jessie MartinNo Comments

Scotland

Ah-Ma – theSpace @ Niddry Street

Produced by Cathy Lam Arts Creative, Ah-Ma (meaning grandmother) is a one-woman show in which our main character recounts fond memories of her grandmother who has since been diagnosed with dementia. Written and directed by Cathy Lam Patrie, this show is based on her experience with her own grandmother. Ah-Ma features as a part of Asia Base at the Edinburgh Fringe - a project that highlights talent from Hong Kong and Taiwan - aiming to share Asian art with an international audience. Kasen Tsui performs as our main character, using storytelling and movement to act as both the grandmother and the granddaughter. Kasen plays this role with dignity and thoughtfulness, basking in moments of quiet and taking her time to really take in her imaginary surroundings...

Standing In the Shadows of Giants – Traverse Theatre

2Aug

By Greg HolsteadNo Comments

Scotland

Standing In the Shadows of Giants – Traverse Theatre

You get the feeling that the substantial metal frames, the chunky lighting rig and mirror -walled set surrounding Lucie Barât on her oh-so-shiny red stage are all compensating for the flimsy mental scaffolding that supports her own psych, It teeters like a five-storey bamboo structure. The show begins with Lucie launching into a song, she has a clear and powerful voice, before signing cut to the sound desk. She interrupts herself to talk directly to the audience and give us a bit of personal history. Lucie always wanted to be an actor. But, from Drama School golden girl to dole queue drop out she fell, to call-centre fill-in, to failed STD advert auditionee and the very occasional paid acting job. A low point occurs in the earlie naughties when she throws up on the open-toed sandals ...

A Gambler’s Guide to Dying – Traverse Theatre

2Aug

By Greg HolsteadNo Comments

Scotland

A Gambler’s Guide to Dying – Traverse Theatre

Well, no surprises, it’s brilliant! The endlessly Gallus (dictionary definition – Bold, daring, cheeky person bordering on arrogant. Derived from the Latin word for cockerel or rooster) Gary McNair does it again. The wee big yin puts a smile on everyone’s face with a masterclass in storytelling, and makes it all look incredibly, infuriatingly, easy. But, having loved his five star ‘Dear Billy’ tribute last year at The Assembly Rooms, I had rather been primed to expect excellence. This year, the globe-trotting Scotsman serves up a tale of a young boy and his gambling-obsessed grandad in his attempt, against the odds to reach the year 2000 and win a fortune off the bookies. Like a kilted, David Walliams creation, if you can overlook the odd sweary word, this is Roy-of-the-rovers...

2Aug

By Tom ScottNo Comments

Scotland

Make It Happen – Festival Theatre

It was a privilege to be in the packed audience at the Festival Theatre for this stunning production of James Graham’s exquisite new play. The 2025 Edinburgh International Festival could not have got off to a better start. This is a co-production by the EIF, the National Theatre of Scotland and Dundee Rep Theatre, brilliantly directed by Andrew Panton. ‘Make It Happen’ was the mantra of the infamous CEO of the Royal Bank of Scotland, Fred Goodwin, who expanded the 300 year old Edinburgh institution at a colossal pace to make it the world’s biggest bank. But in 2008, as global markets tumbled, the RBS faced collapse. Coincidentally both the Prime Minister and the Chancellor in 2008 were Scottish. And the play also reminds us that it was a Scotsman who in effect sparked the growth o...