Monday, May 6

REVIEWS

Spencer Jones: Making Friends – Soho Theatre
London

Spencer Jones: Making Friends – Soho Theatre

Actor and comedian, Spencer Jones is back with a brand-new hour of chaos at the Soho Theatre Downstairs. We explore the creation of his lockdown crafts, new friends found and lost in Devon and his justification of career as his kids seek advice to escape bullies and chickens. From the very entrance Jones is excitable and generous with his audience. Humble and giddy to be here, we are immediately put at ease ready to enjoy whatever he has crafted for us this evening. Pre-warning us “if you haven’t seen one of my shows before, ah ahaha. At least you’ll have a story”. There is loose plot, but we can put ourselves in his ‘study’ at home in his new house in Devon mid lockdown trying to create ‘new material’ to pay his mortgage. Longing to make new friends here, with anyone: neighbours, rail...
Nielsen’s Violin Concerto – Royal Liverpool Philharmonic Orchestra
North West

Nielsen’s Violin Concerto – Royal Liverpool Philharmonic Orchestra

Let me let you into a little secret.  When soloists embark on their concerto cadenza (an extended, elaborate virtuosic solo segment where the orchestra stops playing and the soloist takes centre stage) I stop watching what they are doing and ‘people-watch’ the orchestra and conductor.  For there are few things better than watching professionals acknowledge professionals – putting their own instruments down, enrapt, leaning forward for a better look at the action, smiling and even nodding in appreciation at the skill of their fellow performer.  So, it was last night with Swedish-Norwegian violinist Johan Dalene, the RLPO Young Artist in Residence who was last seen here performing the Korngold Violin Concerto.  The Neilsen Violin Concerto affords not one but two opportunit...
Everybody’s Talking About Jamie – Sheffield Lyceum
Yorkshire & Humber

Everybody’s Talking About Jamie – Sheffield Lyceum

Seven years after its Premiere at the Crucible Theatre in February 2017, Everybody’s Talking About Jamie returns to its hometown of Sheffield this week. With endless Sheffield references the story can’t fail to be a hit here… and it hits the bullseye! Based on the 2011 Firecracker documentary Jamie: Drag Queen at 16, the true story of Jamie Campbell follows the struggles of his teen years in light of societal bigotry, as he becomes who he was born to be. A boy in a dress and more shockingly at his Prom! Jamie’s journey to acceptance through his tumultuous school years is heightened by the knowledge he is different and doesn’t fit the social norms of the day. His birth father sees him as ‘disgusting’ but amongst all this, Jamie has his supporters none more so than his single Mother, Mau...
Rock of Ages – New Mills Art Theatre
North West

Rock of Ages – New Mills Art Theatre

As NK Theatre Arts still do not currently have access to their home venue at the Romiley Forum, this production was staged at the 500-seat capacity New Mills Art Theatre, which is a considerable distance from their usual venue, but thanks go to them for accommodating this performance directed by Paul Wilson. Before the show even started many cast members took to the stage, which created a superb atmosphere at the “Bourbon Club” in downtown LA. The show was enhanced by the use of live musicians who were ably directed by Ceri Graves. All the action took place in the club, and it was non-stop right from the word go, with superb choreography from Dawn Wrigley and Rivkah Kneen which contributed hugely to the show’s success. One classic song after another, mainly originating from 80’s Ame...
The Retreat – White Bear Theatre
London

The Retreat – White Bear Theatre

From the writer & creator of “Peep Show” & “Fresh Meat” comes a disappointing, often predictable farce on spirituality, mental health and the pressure of modern living. Monk-in-the-making Luke (Jed McLoughlin) escaped London’s City life and painful events to find inner peace at a spiritual retreat in the Scottish Highlands. His coke and sex addict of a brother, Tony (Harry Harding), comes to bring him down from his Gaelic cloud and back into carnal reality. Ensues an endless series of easy plot revelations, which sadly turns the play into a classic, yet unimaginative topping improv exercise of “Yes and…” There is little to no subtext here, nor emotional reality to hold on to. The somewhat intimate, confessional moments feel unearned. The childish blaming game gets old fas...
Bouncers – Octagon Theatre
North West

Bouncers – Octagon Theatre

Since its debut at the 1977 Edinburgh Festival, Bouncers has enjoyed countless revivals and tours. To a first-time viewer, though, this iteration of the classic, northern nightclub comedy suggests that last orders were called a long while ago. An interchangeable quartet of mostly-like-minded bouncers work the doors of Mr Cinders: their interactions and observations are interspersed with the activities of different sets of partygoers, from celebrating girls to pseudo-alpha males. Under the direction of Jane Thornton, the piece promptly establishes exactly who its target audience is, as the doormen proudly declare that, in their pocket of the 1980s, “nothing is woke”. The uttering of this tiresome phrase lays the foundation for the humour that is to follow: fat jokes, gay jokes, women...
Kill Thy Neighbour – Theatr Clwyd
North West

Kill Thy Neighbour – Theatr Clwyd

Opening their spring season of shows, we are introduced to their first made by Theatr Clwyd production of the year, Lucie Lovatt’s Kill Thy Neighbour. As the developmental work continues in the main building we are back in the Mix, and this is the biggest set we have seen in this space. The set takes over the full stage and completely transports you into the main house of the piece. I found it interesting how The Mix loses a lot of itself in this show, with the impressive set taking over it, meaning the use of all the usual lights and effects are unable to be used. The Mix is a great space for the time being, but I personally find it quite uncomfortable for lengthy periods of sitting, with the seats being quite close together and hard. Also, external noise unfortunately can be heard at...
Drop The Dead Donkey: The Reawakening – Leeds Grand Theatre
Yorkshire & Humber

Drop The Dead Donkey: The Reawakening – Leeds Grand Theatre

It is scarcely believable, but once upon a time British TV viewers had the choice of only four terrestrial channels, and Drop The Dead Donkey was an early hit for Channel 4. It was set in the dysfunctional newsroom of satellite channel Globelink, and its unique selling point was it was recorded just before broadcast so writers Andy Hamilton and Andy Jenkin could slip in some topical gags amongst the mayhem. For anyone like me who has worked in a TV newsroom it was an unsettlingly accurate portrayal of the damaged flotsam and jetsam who wash up there, with egos running rampant as monstrous presenters smile away onscreen before turning their ire onto the troops. That meant I was a massive fan at the time when you had to be sat in front of your gogglebox to catch your favourite program...
Cluedo2 – Hull New Theatre
Yorkshire & Humber

Cluedo2 – Hull New Theatre

When a publicity blurb for a theatre production informs us we will “laugh ’til they die`”, it’s bound to pique the interest of theatregoers. Those four words certainly got my attention, and I looked forward to watching Cluedo2 at the Hull New Theatre on Tuesday night. But would I laugh ’til they die? As we waited for curtain up we could admire the stage setting of a huge Cluedo board, at an angle, with the shape of the multi-windowed Graveny Manor in front. A few minutes after 7.30pm the action started with the home’s owner, rock star Rick Black, inviting selected guests to listen to his latest album. The married Rick (Liam Horrigan), he of the afro hair and dazzling white teeth (well, it is the swinging sixties), is a bundle of energy. You simply can’t ignore him. His w...
The Rug of Identity – King’s Arms, Salford
North West

The Rug of Identity – King’s Arms, Salford

The origins of tonight’s play, a revival of a 40year old tale, by Jill Fleming, came from her time with the women’s theatre troupe, Hard Corps, whose aim at the time was described by website Unfinished Histories as ‘to perform lesbian soap operas at the London Palladium, overthrow the patriarchy and put tampons on the NHS’. In a time when moral panic around AIDS was at its peak, Fleming and other member’s works didn’t follow any expectations of handwringing apologies for queer characters being the way they were, instead creating anarchic, in-your-face plays where the delivery of familiar theatrical tropes came from characters who just happened to inhabit every colour of the LGBTQ+ rainbow and took tremendous pride in doing so. Best efforts aside though, works soon faded into obscuri...