Wednesday, December 17

REVIEWS

Waitress – New Wimbledon Theatre
London

Waitress – New Wimbledon Theatre

After a premature West End closure due to the pandemic, Waitress, the smash-hit musical comedy written by Sara Bareilles is opening up (again), kicking off its UK tour at the New Wimbledon Theatre. Based on Adrienne Shelley’s cult film of the same name, the show tells the story of Jenna, a talented pie-baking waitress with a big heart whose life unexpectedly changes when a new doctor arrives in town. Several cast members from its West End run have returned to reprise their roles, most notably Lucie Jones who plays the lead, Jenna. From her debut in 2019 to coming back after the show’s closure, Jones has grown in leaps and bounds in her portrayal of Jenna. From her beautiful rendition of ‘What Baking Can Do’ to the incredibly emotional ‘She Used to Be Mine’ which received a well-earned s...
Groan Ups – Sheffield Lyceum
Yorkshire & Humber

Groan Ups – Sheffield Lyceum

After meeting at Drama school 13 years ago the in suppressible Mischief Theatre members have continued to have us rolling in the aisles with their next instalment Groan Ups. Following on from the successful West End located The Play that goes Wrong, and the Penn and Teller collaboration Magic Goes Wrong; the seasonal Peter Pan Goes Wrong and the standalone The Comedy about a Bank Robbery, the work ethic of Mischief is admirable. Groan Ups takes a slightly different persona to the former being more an observational comedy and does not rely on physical comedy as it’s lynch. It has real moments of nostalgic pathos as it follows the lives of five friends at three intervals in their lives from primary school to the obligatory school reunion. All taking place within a classroom the set reduce...
Three Way – Empty Space
North West

Three Way – Empty Space

Midlands-based theatre company Split Infinitive have rightly identified that the ‘B’ of LGBTQ+ is an oft-overlooked if not snubbed sexuality within the community. Their endeavour to address this comes in the form of Three Way, a trio of monologues centred around the love lives of three conflicted men. Though a focus on the experiences of bisexual males is deliberate, omitting a female narrative is certainly a missed opportunity since it would have offered a wider perspective on the prejudices faced by all those who are bi. The intention of this piece is sincere, but it often fans the flames of the stereotypes associated with bisexuality, rather than challenging them: arguably, one of the characters is not even bisexual, instead falling into the ‘bi now, gay later’ box that Three Ways...
Saucy Jacks and the Space Vixens – TriBeCa Manchester
North West

Saucy Jacks and the Space Vixens – TriBeCa Manchester

In the great fringe tradition, Saucy Jacks and the Space Vixens begins before you even enter Manchester’s TriBeCa venue. An American diner waitress takes the tickets, a moody cabaret boss is sat in the corner and the club acts are cleaning tables and interacting with the audience members, even sending voice messages using peoples’ phones. A delay to press night was another chance for improv as one of the cast ushered the audience back upstairs, declaring “some diva isn’t ready”. But if the production feels haphazard when you arrive, the quality of the material and performances soon convince you otherwise. The show isn’t new. After premiering in Edinburgh in 1995, Saucy Jacks has been staged by both amateur and professional groups - on and off - ever since. The overarching theme isn’t gr...
Dear Elizabeth – The Gate @ Theatro Technis
London

Dear Elizabeth – The Gate @ Theatro Technis

Dear Elizabeth (written by Sarah Ruhl) is an exploration of the deep yet complicated friendship between American poets Elizabeth Bishop and Robert Lowell. Ruhl’s script is a vast selection of the letters the two wrote to each other over several decades, and each night a fresh pair of unprepared actors arrive to take on the roles of Bishop and Lowell, unaware of what they’ll be performing. This interesting if not risky concept means that each audience will have a somewhat different experience, and while the letters are funny and searingly honest there wasn’t enough there for me to make up for the lack of characterisation. I found it frustrating being offered a window into the lives of two fascinating people but not being able to dig deeper into their personalities and motivations. Tha...
Toxic – Altrincham Garrick Playhouse
North West

Toxic – Altrincham Garrick Playhouse

Suicide is a perennially important topic and one that has to be approached with care, compassion and tact. This was the subject of Toxic; no easy task to take on. As part of Manchester Fringe festival, Toxic, at The Altringham Garrick, is a story that follows two best friends and the circumstances which have caused them to spiral. Andy discovers his husband has been having an affair. Stuck in a soul-crushing job, his lifejacket of love was the only thing keeping him afloat. His best friend James is a man’s man who uses gags to disguise his vulnerability. The writer, Dan Lovatt, explores toxic masculinity, with each character clearly defining the traits of men you recognise from your own life. As a woman, the pressures upon men within a toxic society can be alien, but the piece does w...
Act Your Age Writing Festival – Hope Mill Theatre
North West

Act Your Age Writing Festival – Hope Mill Theatre

Douglas Adams wrote, ‘The main thing that flying requires is the ability to throw yourself at the ground and miss.’ Trying to fly was a theme that ran through the three plays on show on the final night of this ‘Act Your Age’ new writing season hosted by Hope Mill Theatre. All the plays had characters that were mostly aged over 40 and were performed as rehearsed reading radio plays. In the play Birdman by Wendy Storer a chicken farmer and part time inventor, called Richard Head, known as Dick (Steve Titley), wants to fly. He thinks he can help solve the environmental crisis by inventing a way for humans to be like birds. Using chicken feathers and a Heath Robinson style contraption of skipping ropes and wood he plans to take to the skies. His wife, who is enjoying French lessons with ...
Looking Good Dead – Leeds Grand Theatre
Yorkshire & Humber

Looking Good Dead – Leeds Grand Theatre

When crime authors like Ian Rankin and Val McDermid sell squillions of books it seems odd producers insist on sending out creaky old stage versions of novels written in the middle of the last century. So, thank God for Peter James who is another of those crime superstars - selling 21 million books of his Roy Grace novels worldwide - who has worked out there is an appetite for stage versions featuring the troubled south coast detective. This time Grace is investigating a couple of bizarre murders that seem to be linked to the suburban Bryce family.  It all starts when Father Tom brings home a memory stick he says he found on a train, which proves to contain something gruesome that puts his wife Kellie and teenage son Max in danger, and it’s up to Grace to solve it. James acts as pr...
An Evening without Kate Bush – Liverpool Theatre Festival
North West

An Evening without Kate Bush – Liverpool Theatre Festival

Before there was Ga Ga, Bjork or Sia, there was Kate Bush. Considered by some as genius, by others as just plain weird, Bush has entertained and bemused for some five decades with her otherworldly vocals and lashings of theatrical flair. Tonight, she’s not here, but we are. Created by Sarah-Louise Young- who has cut her comedic chops with stints in Fascinating Aïda, and the award-winning musical improv troupe The Showstoppers- and Russell Lucas, ‘An Evening Without…” celebrates not just the music but the loyal and devoted fans who have steadfastly followed their idol for years.   Describing this show as merely a ‘tribute act’ would do a massive injustice to Young’s sensational performance. Whilst she modestly brushes away any ambition to sound precisely like Bush, (‘who cou...
Electric Dreams – Liverpool Theatre Festival
North West

Electric Dreams – Liverpool Theatre Festival

A Midsummer Night’s Dream is Shakespeare’s classic tale of love and longing set in a magical forest overrun by mischievous fairies. Every summer several companies around the country stage a version, usually promising their own unique twist on it, but rarely managing to do anything that hasn’t been done countless times before. Enter Electric Dreams, a 1980s themed jukebox musical version, under the artistic direction of Kate Allerston and artistic and musical direction of Chris Bastock, creating a truly refreshing piece of Shakespearean theatre which is a colourful and fun piece to welcome autumn in the spectacular grounds of Liverpool’s Bombed Out Church.  Opening with a full cast performance of We Built This City, a solid wall of trench coats and sunglasses keeps the bright colour...