REVIEWS Archives - Page 388 of 402

11Oct

By Paul DownhamNo Comments

East Midlands

The Color Purple – Digital Concert

The Color Purple – Digital Concert features reflections and performances from the cast and creative members of the 2019 Made at Leicester Curve and Birmingham Hippodrome co-production. This digital concert was recorded remotely over the Summer and commissioned to mark Black History Month. Directed by Tinuke Craig with Musical Direction and Piano by Alex Parker, the concert includes seven songs from the show including Brown Betty, African Homeland, The Color Purple and the stunning I’m here. In between songs we have cast and creatives talking about how important the show is, how it tackles many issues, especially those of which black women have had to go through and in some ways, still are. About the coming together of people and finding the strength within, and within your community to ...

11Oct

By Paul DownhamNo Comments

London

Tonight at the Coliseum: Kerry Ellis

As most theatre lovers will know, Take Two Theatricals in conjunction with Carter Dixon Productions and stream.theatre began streaming a series of one-off concerts on 18th September, and this week was the turn of Kerry Ellis. Best known in theatreland from her time as Elphaba in Wicked and Meat in We Will Rock You, Ellis is also an extremely successful recording artist, and she finished recording her sixth album, Feels Like Home, just before lockdown. Produced by Nikki & Joe Davison at Auburn Jam Music, Ellis had intended to sell the album as exclusive merchandise at her 2020 live gigs, but when the coronavirus pandemic put an end to her touring plans, she decided to sell the album online. Tonight, with a backdrop of the empty Coliseum as a haunting reminder of the current challenge...

Apollo 13: The Dark Side of The Moon – The Original Theatre Company

10Oct

By Paul DownhamNo Comments

REVIEWS

Apollo 13: The Dark Side of The Moon – The Original Theatre Company

I have always been in awe of those committed individuals who would dare to take on the challenge of space travel. Having been a fan of the movie version, I tuned in with high expectations, and I wasn’t disappointed. It is 50 years this year since the aborted lunar mission took place in April 1970, and so it is fitting that on the anniversary that writer Torben Betts has penned his play using the original transcripts as his guide. Using the same creative team that gave us the wonderful online plays ‘Birdsong Online’ and ‘Watching Rosie’, the skills needed to create the effects, have clearly been sharpened by practise. The introduction allows the joining together of two time periods. We meet Jim Lovell 2020 (Philip Franks) and Fred Haise 2020 (Geoff Aymer) who a...

The Death Of A Hunter – The Finborough Theatre on Scenesaver

9Oct

By Paul DownhamNo Comments

REVIEWS

The Death Of A Hunter – The Finborough Theatre on Scenesaver

We know the name Ernest Hemingway from his successful novels, ‘A Farewell To Arms’, ‘For Whom The Bell Tolls’, ‘The Sun Also Rises’. We also know that he committed suicide in 1961, but the reasons behind his suicide were vailed in uncertainty. This play written in 1977 by controversial German playwright Rolf Hochhuth, known for his plays ‘The Representative’, ‘The Deputy’ and ‘Soldiers’, attempts to examine the last hours before Hemingway’s death to gain a greater understanding of what was going through his mind in those last hours. The Finborough Theatre has a knack for delving into theatrical pieces that have remained undiscovered or have rarely been performed. The theatre have resurrected other plays written by Hochhuth including ‘Sommer 14 – A Dance of Death’, ‘Sol...

9Oct

By Paul DownhamNo Comments

REVIEWS

Lone Women – Tmesis Theatre

Lockdown has produced some inventive gems from resourceful artists, often operating in physical isolation and on a shoestring, & these five short films by women based in the North from Tmesis & First Take are treasured fragments, quietly & poetically reminding us of our fragility and humanity in the face of individual, personal struggles and uncertainty. All the pieces are performed as physical theatre pieces with character voice-over monologues and delicately composed scores by Meike Holzmann. Award winning scriptwriter Lizzie Nunnery’s film, It Hurts, deals with the plight of the parent in lockdown, trying to soften the crisis & protect her child from her own needs, frustrations and psychological suffering; a simple mishap, however, brings everything into focus. Poe...

Così fan Tutte – Royal Opera House (2019)

9Oct

By Paul DownhamNo Comments

London

Così fan Tutte – Royal Opera House (2019)

Jan Philipp Gloger’s production from 2019 starts not at the beginning of the show but rather at the end with a curtain call for a traditional period-piece – perhaps Così – being played out during the overture, after which the four young lovers emerge from the audience into a world of theatrical fantasy orchestrated by Don Alfonso (Johannes Martin Kränzle), who proceeds to put the two young couples – Ferrando (Daniel Behle) and Dorabella (Angela Brower), and Guglielmo (Alessio Arduini) and Fiordiligi (Corinne Winters) – through their respective paces with the assistance of an oft-disguised Despina (Sabina Puértolas). With an emphasis on the artificiality of the plot and the need for strong theatrics to pull it off, we are taken on a time-travelling whistle-stop tour of sets that include ...

9Oct

By Paul DownhamNo Comments

REVIEWS

Seeds – No Stone Theatre

No Stone Theatre were developing a play looking at the legacy of Nikolai Vavilov when everything was stalled by the Covid-19 pandemic. So instead the focus was shifted to create an audio drama podcast drama series, the first of which has been released this week. The subsequent seven episodes will be released weekly on a Wednesday. Nicolai Vavilov (1887-1943) was a Russian botanist, agronomist and geneticist He was very concerned over the inability of much of the world to escape famine and worked to improve wheat and other cereal crops in the hope of sustaining the world population. He started the world's first seedbank in Leningrad as part of his ambition to create an easily maintained food source. Unfortunately, he fell foul of Stalin and was arrested and imprisoned in Saratov, dying t...

6Oct

By Paul DownhamNo Comments

Yorkshire & Humber

Connecting Voices – Leeds Playhouse

There’s no doubt that after seven months away most theatre lovers were so desperate for any live experience they’d watch pretty much anything – good, bad or indifferent. But that low benchmark was never going to be good enough for Leeds Playhouse and Opera North who have teamed up to create Connecting Voices as their comeback socially distanced mini-season of four very different short pieces. These two powerhouses have carefully crafted stripped down pieces almost devoid of any staging focusing instead on both the safety of the creatives, and the small audiences safely dotted around the Playhouse’s different spaces. It is a smorrebrod of styles that can be enjoyed in one sitting over a few hours that begins with Francis Poulenc’s short opera La Voix Humaine based on Cocteau’s play...

6Oct

By Paul DownhamNo Comments

London

Il Trovatore – Royal Opera House (2017)

Verdi wrote Il Trovatore (The Troubadour) – with libretto largely written by Salvadore Cammarano – hot on the heels of Rigoletto, with its premiere in 1853 a mere two months before that of La Traviata. German director David Bösch made his UK debut with his original production at the Royal Opera House in 2016 with this revival in 2017 overseen by Julia Burbach. The Count di Luna (Vitaliy Bilyy) loves Leonora (Lianna Haroutounian), but she loves Manrico (Gregory Kunde), the Count’s military enemy. Manrico’s mother Azucena (Anita Rachvelishvili) tells him how her mother was burnt to death for supposed witchcraft against the Count’s baby brother. Azucena intended to throw the baby onto the fire – but blinded by revenge she lost her own child to the flames. The Count captures Manrico and ...

5Oct

By Paul DownhamNo Comments

REVIEWS

Wait For Me – Online

In the week that we are told that arts jobs are “not viable”, I was introduced to a unique dance musical that brings together creativity and impassioned storytelling. It’s a traditional love story; two lovers meet, go through hardship, and come back together. But not every romance adds spirits and singing inner voices into the mix. The two guardian angels, unbeknownst to their human counterparts, are guiding and influencing them in their movements, as in their life. When the characters’ emotions are elevated, the singers add another layer to convey their feelings. It is a very clever concept from writer, Sam Cassidy, and one that culminates in a full-circle romantic ending. The lovechild of Cassidy and Ainsley Ricketts (choreographer, director and performer in the piece) was mean...