Sunday, March 29

REVIEWS

Love Rash – Pleasance Theatre
London

Love Rash – Pleasance Theatre

First impressions can deceive. When the stage lights up, we see the least believable face possible, with a weird rictus in the face, and an even weirder voice filling the space, then the fear of having to endure a whole show like that becomes strong. Oh, my, how first impressions can deceive. Weirdness was just the tip of the iceberg (…or should I say fatberg?). From writer/performer Natasha Sutton Williams, this one-woman show of comedy at the Pleasance Theatre is an exhilarating and alienating incursion into human beings' desires and lust for connection. The first character (and the last) to appear is Gary Strange, a curious and thoughtful individual who screams offering for help from the sewers to the people who he records with his cassette recorder. He introduces us to the other cha...
Moonset – Traverse Theatre, Edinburgh
Scotland

Moonset – Traverse Theatre, Edinburgh

Finishing it’s too short 15 day run at Traverse Theatre, Edinburgh, Citizens Theatre Glasgow brings a thought provoking coming-of-age piece which has its roots in the infamous burning in 1697 of seven witches, known as the Paisley or Bargarran witches. The play, set in modern day, follows 15-year-old Roxy (Layla Kirk) as she tries to come to terms with her mother’s recent cancer illness at the same time as pre-exam stresses. This is a loss of control for Roxy, which throws her into a tailspin. At her lowest point we see the importance of her friendships with studious Bushra (Cindy Awor), who also has her own sexuality/faith issues, rebellious live wire, Gina (Leah Byrne) and glamor-pus rich kid Joanne (Hannah Visocchi), with boyfriend troubles. Evoking the turmoil of young minds, Jen...
A Bunch of Amateurs – Rainhill Village Hall
North West

A Bunch of Amateurs – Rainhill Village Hall

When one of your favourite satirists meets one of your favourite theatre companies what could possibly go wrong? Well for all the right reasons, quite a lot in this ‘love letter to amateur dramatics’ penned by Ian Hislop and Nick Newman and directed by Lynn Aconley. The question is what happens when spoilt, arrogant Hollywood star Jefferson Steel (Gerald Walker) washes up, pursued by journalists (George Lowe; Tom Nevitt), and meets a struggling group of actors including their premier star Nigel Dewbury (Rick Young), the local B&B owner Mary Plunkett (Rosetta Parker) and local handyman Denis Dobbins (Richard Parker), all of whom are capably coordinated by their director Dorothy Nettle (Jo Webster). This is a different kind of Stratford however and with the threat of the venue being s...
Spitting Image Saves The World – Birmingham Rep
West Midlands

Spitting Image Saves The World – Birmingham Rep

A healthy dose of dissent blended with bucket fulls Hogarthian vulgarity has provided the basis of British satire for many a year and there is nothing more vulgar and satirical and, indeed, British than “Spitting Image” which has been speaking the truth to power without remorse, consideration and, as times, tact since its inception in 1984. Produced at Central TV Studios which used to exist almost exactly opposite the theatre which houses its current incarnation. In its time it was subversive, naughty and very, very controversial these days every other TV show seems to aim and achieve that - so reviving it on stage may seem a bit of a risk. And it is one which Sean Foley as director together with co-writers Al Murray and Matt Forde take to with elan. Photo: Mark Senior Twelve buoyant...
Joseph and the Amazing Technicolor Dreamcoat – Theatr Clwyd
Wales

Joseph and the Amazing Technicolor Dreamcoat – Theatr Clwyd

Go, Go, Go Tip Top you’ve done it again! Tip Top Productions has brought an incredible version of Joseph to Theatr Clwyd and within the first five minutes I know this is going to be something special. With Direction and Choreography by Rob Stevens, we are treated to a show that would not look out of place on a West End stage and as bold a statement as this may be, this has got to be the best version of this show I have seen. Ever. The direction is clear and precise, bringing out the best in the cast members on the stage, taking us through many emotions and eventually leaving the whole audience on our feet, cheering, clapping, and dancing along. The choreography is incredible. It’s inventive, clean, slick and uses many assorted styles. The cast take hold of every move and deliver it with...
Standing At The Sky’s Edge – National Theatre
London

Standing At The Sky’s Edge – National Theatre

Where to begin. Upon entering the theatre you're met with an ominous set of a building standing as tall as it can be, with the famous artwork of the "I Love You Will U Marry Me" sign, bringing you straight into the location of the show: Sheffield Park Hill. The musical follows three individual families living under the same roof throughout various timelines, telling the story of the occupants in the flat and covering family troubles and dilemmas. The music for this show fits in so perfectly. The music styles vary from soft and loving all the way to repressed and angry, without taking the audience aback the music had the power to knit the whole show together beautifully. A couple of songs really reached out to strike the hearts of the audience and received a very loud round of applause, ...
Bring It On – Pleasance Courtyard
Scotland

Bring It On – Pleasance Courtyard

Setting the tone, pennants representing the rival schools of the story (Truman and Jackson) adorned the walls of this hallowed hall. But one sported a shamrock and the word ‘Leprechauns’. The penny dropped in humorous fashion later… Before it did, we were treated to a show of energy, conviction and commitment that belied the fact it was a - on paper - non-professional production. The Edinburgh Footlights is clearly blessed with talent, Amy Stinton (Director) excellently harnessing the many elements of a musical but leaving room for it to flourish. One wouldn’t have guessed some of these characters were studying things like Maths, Politics or Economics (despite the close relationship between politics and acting). A swift pre-show peruse of the programme read like the introduction to ...
Graceland – Royal Court Theatre
London

Graceland – Royal Court Theatre

Graceland by Ava Wong Davies and directed by Anna Himali Howard and Izzy Rabey features the character Nina a British Chinese woman in her mid-20 who falls in love with a wealthy white man who captivates her attention at an ‘optimistic’ Barbecue. Nina is played by Sabrina Wu who gives a convincing performance as she engages with the audience and addresses the absent other people depicting her up and down relationship with her ‘man’, which ends badly for her.  The setting, an attic based room with minimal light, bed, duvet and pillow within an earthy mud filled space that Nina moves into throughout the play which creates moments of drama, when acting out the unfolding conflict and her sheer tenacity in what is, ever changing life events. Her turbulent relationship and self- depreciating b...
Wasteman – Vault Festival
London

Wasteman – Vault Festival

Attended Wasteman at the Vault Festival on the same day it was announced that the subterranean performance jamboree is currently under threat. Having run in the formerly derelict tunnels in Waterloo since 2012, VAULT Festival has helped build the reputation of The Vaults over the past 11 years, bringing over 3,000 shows to more than 400,000 people. It’s like having an intense, bijou Edinburgh Festival in the depths of the capital and one might argue, it’s a tad more affordable and easier to manage. According to the Urban Dictionary, ‘wasteman’ is what ‘you call a boy who’s a waste of space and is gonna be nothing in life’. British MC and rapper, Lady Leshurr extended the insult to a former Prime Minister in Queen’s Speech 7, "Who stood up when Grenfell? Where's all the money we raised t...
Dead Funny – Hope Street Theatre
North West

Dead Funny – Hope Street Theatre

From the multiple awards that this show has previously won, my expectations were relatively high. I was pleasantly surprised when the curtains rose as Chamber’s had transformed the intimate space into a quirky 90s living room. In my opinion, the show is a slow starter but worth the wait. As a young audience member, many of references to comedians went over my head. However, if you’re up to speed with the likes of Benny Hill and Frankie Howard, then the recreations of their sketches in this performance will live-up to their comedic value. That said, the commitment to these personas brought to life by these actors, specifically Steven Arnold and Adam Perrott, still brought a smile to my face. Perrott’s performance was a highlight. His character Brian brought an exuberance to the stage ...