Wednesday, February 18

REVIEWS

<strong>The Rat Pack at Christmas – Cadogan Hall</strong>
London

The Rat Pack at Christmas – Cadogan Hall

I’m not sure who the target audience for The Rat Pack at Christmas might be, but as an ex-acid house raver who likes experimental theatre, it probably isn’t yours truly. However, ‘tis the season to embrace cheesy fare, flashback nostalgia and family entertainment. Unsure of what to expect, the lure of hearing a big band in Cadogan Hall proved enough to park chilly misgivings and hand myself over to the festive spirit. The Manhattan Swing Orchestra were tight and glorious. The acoustics of Cadogan Hall are superb for live music and the setting is on brand and perfect, a Byzantine Revival style ex-church by architect Robert Fellowes Chisholm.  Stephen Triffitt plays Frank Sinatra and gets away with it. As long as one doesn’t focus on the detail, it’s a faithful rendition. He’s got...
<strong>Picture Perfect Christmas – National Gallery</strong>
London

Picture Perfect Christmas – National Gallery

While I’m a cynical native Londoner, even I buy into the idea that there’s nowhere quite like the big city at Christmas. So, when I arrived at Trafalgar Square and saw the Christmas market and the (slightly sad, granted) Trafalgar Square tree, my Christmas spirit began to peak. I’m ashamed to admit that I didn’t even realise there was a theatre in the National Gallery, much less visited it, but it’s a neat and spacious auditorium that I’d definitely return to. The stage for Picture Perfect Christmas is set to resemble Hendrick Avercamp’s wintery painting and set designer Jill Wilson has done an incredible job of creating something that’s both magically beautiful and pleasingly functional. Writer and director Francesca Renèe Reid uses the painting as the inspiration for the production...
<strong>Rumpelstiltskin – Park Theatre</strong>
London

Rumpelstiltskin – Park Theatre

Offie Award Winner Charles Court Opera presents an action-packed pantomime Rumpelstiltskin this festive season at The Park Theatre written and directed by John Savournin. The classic tale by Brothers Grimm breaks into a unique plot tracing the adventure of a greedy Rumpelstiltskin as he journeys towards reclaiming his identity after having forgotten his name to Dreamcatcher’s vicious ploy. On this journey, this consumeristic little goblin comes across several interesting characters in different places, offshoots of different classics at the mercy of the Dreamcatcher. Some help him, some ditch him. How does he reclaim his identity and what changes in him? The Panto opens with a delightful musical track ‘Once upon a time’ performed by Emily Cairns, Tamoy Phipps and Lucy Whitney dramatisin...
<strong>My Fair Lady – Edinburgh Playhouse</strong>
Scotland

My Fair Lady – Edinburgh Playhouse

Working-class flower girl Eliza Doolittle (Charlotte Kennedy) takes up an offer (or rather, bet) by renowned phonetician Professor Henry Higgins (Michael D. Xavier) saying that in six months he can teach her to pass for a member of the aristocracy enough to fool royalty. If they succeed, they will prove accents are a real but surmountable limitation on one's condition in Edwardian London and may improve one person's prospects, but if they fail, more than one life may be ruined. The musical, based on the 1913 George Bernard Shaw play and 1938 film Pygmalion (which was in turn based on the Greek myth of the same name about a sculpture who fall in love with Galatea, a statue of his creation), has been hailed as a classic since its 1956 stage and 1964 film premieres, with many classic songs...
<strong>Circus 1903 – Eventim Apollo</strong>
London

Circus 1903 – Eventim Apollo

Circus 1903 returns to London at its new home this festive season at Eventim Apollo with its supreme skill and showmanship to transport the audiences to the ‘Golden Age of circus’. With an effortless flow, a troupe of global artists present dare-devil performances, sometimes dazzling the audience, sometimes keeping them at the edge of their seats but always entertained and mesmerised. This is interspersed with Ringmaster Willy Whipsnade’s (performed by David Williamson) acerbic yet charming exchange with young people from the audience. While they are mesmerised by the ringmaster’s hands-on magic and spectacle, the elder audience is thoroughly amused. The show format is traditional and simple directed by Neil Dorward and highlights the talent, rigour, and finesse of diverse artists with ...
<strong>Ghost Stories For Christmas – Liverpool Central Library</strong>
North West

Ghost Stories For Christmas – Liverpool Central Library

'Tis the season to be jolly...well scared by tales of the Supernatural, in the unsettling setting of Hornby Library, And Ramsey Campbell, our foremost horror writer (Stephen King is a fan), crowns the show with Calling Card, originally commissioned by the Daily Post in the 80s. Like the other three tales, it is atmospheric and scary: keeping you on the edge of your seat. And trapped there. The whole evening evokes an insidious feeling of constantly being watched, by something, caught up in an hallucination, or dream, nightmare, rather. Oh, I am going to sleep well tonight. His offering indeed takes place at Xmas, while two of the others could be any time, and any place, worryingly, though locally set is alarming, far too close to home. We open with Strike, read by Samantha Alton, parts ...
<strong>As You Like It – Soho Place</strong>
London

As You Like It – Soho Place

Doing absolute justice to the title As You Like It, director Josie Rourke reinvigorates Shakespeare’s classic comedy making it inclusive, accessible, and thus relevant. In the Forest of Arden, characters explore possibilities of not just their individual pursuits but also by who has played them impregnating Shakespeare’s lines with multiple layers and meanings. It's up to the audience to interpret how they like it! While certain parts are played by gender-fluid, non-binary, and trans performers, Celia is played by Rose Ayling-Ellis who is a deaf performer and Rosalind played by Leah Harvey use sign language to communicate. This production is elevated by how it celebrates its casts’ identities and uses them to theatrically add meaning and value to the play bringing it closer to a more real ...
<strong>Realms of Glory – 53Two</strong>
North West

Realms of Glory – 53Two

As the Christmas Markets and colourful pantomimes take over Manchester’s culture scene, tucked away in a pocket of Deansgate, a seasonal offering from 53two comes in the form of Imaginality Production’s ‘Realms of Glory’, a World War Two-inspired musical. The Manchester Blitz of 1940 sees munitions worker Lizzie entombed in her home at Christmastime by the heavy bombings. Trapped and alone, she reminisces about times gone by. A theatrical festive feast is promised in the show’s synopsis, but a lack of story depth and characterisation leaves little to feed on. The focus is on Lizzie’s ‘love at first sight’ relationship with RAF pilot Robert and their desire to raise a family, with time also dedicated to her friend Mavis, who falls for Jim. What unfolds is simply a series of sombre soa...
<strong>The Pantomime Adventures of Peter Pan – Opera House, Manchester</strong>
North West

The Pantomime Adventures of Peter Pan – Opera House, Manchester

As one would expect from such a prestigious venue, the Opera House’s annual Christmas pantomime was on a truly epic scale.  As soon as the curtain lifted to a magical, fluttering Tink (Samara Casteallo), floating high above the enormous stage, the audience sensed it was in for an exceptional evening of festive entertainment with breath-taking special effects and screen graphics. A brief, child-friendly synopsis of the storyline was given by Tink to familiarise the audience with the upcoming plot before a colourful array of high-energy ensemble dancers dressed in jungle costumes stepped up the gears to mark the beginning of a vibrant, action-packed visual extravaganza. The vivid, gaudy artwork of the multi-dimensional stage set was a sight to behold and matched the ostentatiousness ...
<strong>Goldilocks and the Three Bears – Epstein Theatre</strong>
North West

Goldilocks and the Three Bears – Epstein Theatre

I think I’m in love with a pantomime villain. We’ll come to the snake-hipped Von Vippemall in a moment. Firstly, an acknowledgement that in an absolute ocean of Pantos, it can be very difficult to stand out from the crowd. But Regal Entertainment’s offering, directed by Chantelle Nolan, has not so much raised the bar as smashed it into orbit with the perfect blend of music, slapstick and a few fantastic circus acts to literally put a new spin on a well-known fairytale. The familiar plot of Goldilocks gets dispensed with in about two minutes flat so that we can focus on a far more interesting tale – Goldilocks (played by the charmingly bubbly Olivia Sloyan) is now a circus entrepreneur with her mother, Dame Gertie (Britain’s Got Talent favourite, Mama G, from Dame Nation) with the thr...