REVIEWS Archives - Page 371 of 570

23Feb

By Paul WilcoxNo Comments

North West

Beginning – Royal Exchange Theatre

A romantic comedy concerned with meeting and falling in love in a modern city, may conjure up images of Renee Zellweger and Meg Ryan romping through a fairytale version of New York or London in your mind's eye. However, any expectations of 'Bridget Jones' or 'When Harry Met Sally' should be firmly set aside before watching 'Beginning'; this production is something far more interesting and substantial to kick off 2023 at the Royal Exchange Theatre. The premise is deceptively simple; Laura (Erin Shanagher) and Danny (Gerard Kearns) are the last couple left standing amidst the detritus of her housewarming party, initial mutual attraction is made plain from the outset but the opportunity is missed, with the jeopardy of the next two hours 'will they or won't they get it on' played out in rea...

23Feb

By Peter KinnockNo Comments

West Midlands

Mother Goose – Wolverhampton Grand

Sir Ian, Sir Ian, Sir Ian is a game old dame bounding on stage in frock after frock of increasing absurdity with all the energy of a pro half his age in a pot pourri of panto panache. This is glorious, engaging, gormless, beguiling and simply joyous. Sir Ian, Sir Ian, Sir Ian nails the part, the panto and the people with all the precision of a seasoned pantomimer but this, it seems, is one of his first goes (He has Twankied for us before now, apparently). It is a masterclass in drollery, wit, timing, slapstick sprinkled with two poignant moments of deft and touching drama. For a moment he tells of his days as a child in Bolton visiting a theatre for the time and being entranced by, of course, pantomime and as he tells us the tale the frock and wig just seem to vanish and a gentle, nostalgi...

22Feb

By Alice RoseNo Comments

London

My Brother’s Keeper – Theatre 503

Mahad Ali’s new play follows two refugee brothers, Aman and Hassan (Tapiwa Mugweni, Tito Williams) finding new life in a UK coastal town. Their new home is the local Bed and Breakfast owned by father and son; Bill Bradley and Aidan (Phillip Wright, Oscar Adams). Undergoing the stress of his father’s failing business, Aidan invites the brothers to stay in one of their rooms, much to his father’s concerns. We follow the rise of Aidan and Aman’s sweet romance; although Aidan struggling with his depression, he is pulled into new territories and told to face them as Aman says ‘we face forwards, not backwards’. Hassan’s main focus is to make as much money as he can, only to send it back to his wife and child. An unexpected friendship brings Hassan and Bill together in the form of running, Bill b...

22Feb

By Zoё MeeresNo Comments

London

Romeo and Julie – National Theatre

While any trip to the theatre is a joy and a privilege for me, occasionally something lifts the bar and the experience becomes “more than”. Those times when a production touches a place inside you and leaves you feeling full and empty at the same time, in line with your emotions being pulled to their extremities by characters that you’ll never meet again but somehow feel you know. Last night’s performance was definitely a “more than” event – truly great writing, brilliantly executed, phenomenal cast. As the title suggested, Romeo and Julie takes its inspiration from the Bard’s classic Romeo and Juliet. While this is well-trodden ground as a storyline, Romeo and Julie genuinely feels fresh and unique. Gary Owen’s Romeo (Callum Scott Howells) is a single dad on the breadline with no...

Matthew Bourne’s Sleeping Beauty – Bradford Alhambra

22Feb

By Jo TillotsonNo Comments

Yorkshire & Humber

Matthew Bourne’s Sleeping Beauty – Bradford Alhambra

Once upon a time… All great fairy tales start with those immortal words, and this one is no different. However, what Matthew Bourne has done with this version of Sleeping Beauty is so much more than a standard fairy tale. And it’s definitely more than just a dance show. Bourne and his team, Etta Murfitt and Neil Westmoreland, have taken the story that we know and built on it to produce an epic visual tale of love and overcoming adversity. As the show opens, we meet baby Aurora, the result of a bargain Aurora’s parents made with Carabosse, the Dark Fairy. As in the traditional tale, Aurora receives gifts as a baby from various fairies. Carabosse’s threat of a short-lived life is once again mitigated by the King of the Fairies, who promises sleep over death; but just as Aurora is falling ...

22Feb

By Anisha AnantpurkarNo Comments

London

Age Is a Feeling – Soho Theatre

‘Here are twelve stories about what’s to come in your adult years’, says Haley McGee at the top of Age Is a Feeling, and for some reason, I instantly trust her. The stage is set with a tall lifeguard chair, with lit candles on a small platform underneath the seat. The chair sits in the centre of a circle marked by 12 pole-like potted flowering plants. Each plant bears a small card with a word written on it in large letters. The audience hears 6 stories, each picked by an audience member, and we are left with just a hint of what might’ve happened in the ones we don’t pick. Haley McGee, barefoot and dressed in a black blouse featuring some lace and jeans soiled by dirt, picks some cards off the plants and walks towards members of the audience seated closest to the stage. She then asks ...

22Feb

By Philip EdwardsNo Comments

North West

Steel Magnolias – The Lowry

There has been a theory knocking about that there are no great parts for older female actors being written. Well, that’s not quite true is it. Because, even if “Steel Magnolias” was written in the 1980’s the story is timeless and each of the six characters offer are, in their own way great, from Annelle with her mysterious past to Ouiser Boudreaux who is larger than life and an open book. Author Robert Harling based each of the six characters on people he grew up with. It must have been like growing up on the set of “The Golden Girls” with all the zinging one liners and “girl talk” he has recalled. Set in the hair salon owned by Truvey Jones, at the heart of the story are Shelby and her mother M’Lynn what happens to them during the two years of the story and the friendship of the other ...

Rock of Ages – Winter Gardens, Blackpool

21Feb

By Gill LewisNo Comments

North West

Rock of Ages – Winter Gardens, Blackpool

Are you ready to rock? Buckle up for this jukebox musical, belting out nonstop 80s classic soft rock riffs which will leave you fist pumping and head bobbing well after the final guitar crunch. 1980’s USA is a country still recovering from the post-Vietnam war conflict which caused economic and political uncertainty, creating an anxiety which led to an American identity crisis. Bands such as Journey, Europe and Starship were making music and writing lyrics which talked to the disenfranchised youth of the day with messages of hope, fighting for what you believe in and pursuing your dreams. These messages resonated with young people who admired the flamboyant, long haired rock gods, their vitality representing freedom and liberation in contrast to the condescending voices of a...

21Feb

By Beth EltringhamNo Comments

Scotland

The Bodyguard – Edinburgh Playhouse

A show that literally starts with a bang. The Bodyguard follows Pop sensation Rachel Marron (Melody Thornton) as she receives death threats from an obsessive fan (Marios Nicolaides), to save the pop stars life her team hire Frank (Ayden Callaghan) as her personal bodyguard. Despite their dislike for one another the situation only serves to bring the two closer together providing us with a will they won’t they love story within the midst of danger. Of course, this is all accompanied by the hits of musical legend Whitney Houston. Visually this show is something to be seen, using techniques very rarely seen within musical theatre such as a heavy load of pre-recorded video projection used to give the show a much more sinister true crime atmosphere when discussing the stalker building suspen...

21Feb

By Zoё MeeresNo Comments

London

The Beach House – Park Theatre

Arriving at the theatre last night to find an almost full choice of unreserved seats I instantly regretted tucking myself into a corner and wondered if I’d get the most out of the four-sided stage. I needn’t have worried, though; and was heartened to see that Director Bethany Pitts’s biography includes Jules and Juniper, which was my North West End UK pick of 2022. The Beach House was reminiscent of this in terms of the fluidity and the smoothness of movement – fitting for a play set by the sea. The performers make full use of a tight space and are in almost constant motion – physically and maybe emotionally too. This is complemented by the gentle use of lighting which perfectly moves the action through time, from a dawn interrupted by a crying new born to New Year’s Eve fireworks. &nbs...