REVIEWS Archives - Page 344 of 548

Bouncers and Shakers – The Forum Theatre

11Mar

By David S ClarkeNo Comments

North West

Bouncers and Shakers – The Forum Theatre

Written by John Godber. Directed by Jennie Davies and Pete Curran. The first version of “Bouncers” was written in 1977 by John Godber and premiered at the Edinburgh Festival that same year. Originally a two-hander, this play was expanded into its current version by Godber and Jane Thornton in 1980, when it became the piece which we now know and love. The pair of what I would describe as “mini playlets” were well performed by all the cast. Act 2 saw the male bouncers take to the stage whilst the first half was devoted to the cocktail waitresses, the “Shakers” who spend their time on stage observing and commenting on the people who patronise the bar in which they work and share insights into their own lives as they express their personal thoughts and feelings delivered by monologues from ...

Opera North: Ariadne auf Nexus – The Lowry

11Mar

By Mark DavorenNo Comments

North West

Opera North: Ariadne auf Nexus – The Lowry

Strauss collides with Fellini in Opera North’s co-production with Gothenberg Opera, as director Rodula Gaitanou relocates the action from 18th Century Vienna to a 1950’s Italian film studio, where another collision takes place as an opera company’s heart-breaking tragedy meets the light musical comedy of a commedia dell’arte troupe, and as the two become merged into one, the result is an absolute delight in both sound and vision. Whilst the film shoot of Ariadne auf Naxos is performed in the original German, the Prologue has been translated from Hugo von Hofmannsthal’s original libretto by Christopher Cowell into a multilingual version that sees the opera Composer (Hanna Hipp) deal with the ensuing mayhem in English although reverting to German for personal reflection, whilst Prima Donn...

11Mar

By Andrew LeeNo Comments

North West

Drowning – Royal Court Studio

Oldham Coliseum Theatre Associate Artists Dare to Know Theatre revive their sell out debut play, Drowning. The play centres around Josh, a teenager as British as they come, who starts the play by telling us how selfish suicide is and giving the audience a description of his teenage life. Sex, alcohol, bullies and multiple girlfriends are all par for the course in Josh’s life, but this starts to unravel for Josh, whose world views are challenged rather quickly. Jake Talbot writes and stars, and the key concepts and moments of the story are poignant, clear and relatable. The teenager on the stage this evening was one that we all recognise. The story was gritty, real world and told with clarity - the audience were hooked into it from lights up. Talbot delivered high energy, clari...

10Mar

By Jennifer LaishleyNo Comments

London

Kites – Vault Festival

Kites is a coming of age play about two girls growing up in the post-war era in Cork. The girls use their vivid imaginations to escape their childhood trauma! The play teases the idea that the girls are in love but does not directly address their sexuality directly. Tzarini Meylers’ script captures the magic of childhood. The play has a good pace, with narration that helps to give a sense of time and place and creates suspense for the audience. Tzarini uses the powerful imagery of kites to represent how the girls are tied down but desperate to fly away. The story does a good job of establishing the characters and friendship between the girls, ahead of diving into the deeper issues. By introducing the issues gradually, the play allows each story of the girl's trauma to resonate powerfull...

Death Drop: Back in the Habit – Opera House

10Mar

By Scot CunninghamNo Comments

North West

Death Drop: Back in the Habit – Opera House

Are they really going to make a habit of this? Get on your knees and say your prayers: another killer comedy in the Death Drop series has descended upon Manchester. Long-serving man of the cloth, Father Alfie Romeo (LoUis CYfer) has been told about strange goings-ons at the St Babs convent. He goes to meet the flock of eccentric nuns, but his holy presence doesn’t necessarily guarantee their safety from ungodly fates. There is a Holly Stars-shaped hole in this sequel, both on-stage and in the script; she established the original Death Drop as an uproarious, Northern powerhouse of a play. With frequent references to ‘The Great British Bake Off’ and ‘The Lord of the Rings’, it seems that Rob Evans’ writing is instead intended to appeal to a much more mainstream audience. That being sai...

10Mar

By Roger JacobsNo Comments

Scotland

You Bury Me – Edinburgh Royal Lyceum

‘‘to’-bor-ni’, states author Ahlam’s notes, ‘a saying in Levantine Arabic used to express affection and love. ‘May you bury me’ is a declaration that one does not want to live without a loved one (or loved thing).’ As do the characters in this story, be it each other or the city of Cairo. It’s set in 2015 as the optimism generated by the ‘Arab Spring’ of 2011 (naively reported by many major news agencies worldwide) finally evaporated, authoritarian rule reasserting itself, extinguishing the joy of a younger generation believing they might finally have the freedom to express themselves as themselves… rather than as a product of their family, religion or politics. The action hurtled along pell mell, representing the vibrancy and volatility of Cairo but an occasional drop in tempo migh...

10Mar

By Zara OdetundeNo Comments

London

Sleepova – Bush Theatre

Sleepova written by Matilda Feyiṣayọ Ibini, is a celebration of black girlhood as a quartet of friends transition into their adult lives. We start in the months before their GCSE exams at the first sleepover of a group of four best friends. To celebrate Shan’s 16th birthday the girl’s share gossip, eat popcorn and explore their fears for their changing lives and their current struggles. Through their subsequent sleepovers, Ibini discusses issues like religion, grief, sexuality, maturing into adulthood and the struggles of living with chronic illness. Each of the characters had a distinctive flair and the quartet is bursting with chemistry, that you would believe they had been friends since childhood. Although 3 out of the four actresses are making their stage debut, you w...

Looking For Me Friend: The Music of Victoria Wood – Waterside Arts

10Mar

By Paul WilcoxNo Comments

North West

Looking For Me Friend: The Music of Victoria Wood – Waterside Arts

As Storm Larisa battered the north of England, the near three hundred hardy souls who braved blizzard conditions to eventually reach the Waterside Arts in Sale were amply rewarded with this hugely entertaining and affectionate tribute to the genius that was Victoria Wood. Paul Martin aka 'Paulus' is our window into the world that Victoria created, using elements of her stand up comedy, sketches, sitcoms and above all songs, to weave an eighty minute show of affable geniality and insight that warmed everyone on a bitter evening. The simple staging without props betrays the Edinburgh Fringe origins of this show but it has developed from its humble beginnings with a confident breadth to the narrative of the production. Accompanied by pianist Michael Roulston, who's tart interjections and h...

10Mar

By Hannah EsnoufNo Comments

North West

Algebra – Unity Theatre

Amongst a packed-out audience, the debut performance of Algebra was well received, and I took the time to appreciate the platform for queer expression that Unity and Stuart Crowther provided. Being a play of two characters, the stage can become a big space. Yet, Stuart and Kieran Mason carried the story with a professionalism and flare, and the space felt perfectly filled. The connection of the actors, and the whole creative team for that matter, was noticeable. Due to the sensitive and intimate themes, it was evident that each artist supported each other in the space, allowing one another to explore the light and shade in the emotional rawness of the story. Sam McKay and Morven Currie chose an uncluttered, open space to frame the story. The plants brought a calmness to the ...

Wildfire Road – Tanya Moiseiwitsch Playhouse

10Mar

By Tracey BellNo Comments

Yorkshire & Humber

Wildfire Road – Tanya Moiseiwitsch Playhouse

This new ambitious play directed by Sheffield born Laura Keefe, written by Eve Leigh travels like its name sake at a breakneck speed, touching everything and everyone in its path. This exhilarating play is multi-faceted with observations addressing climate change, apocalyptic disaster, human nature, collective responsibility and survival. With a running time of 58 minutes, the audience hits more thought provoking turbulence than your average big budget disaster movie does in two and a bit hours! Flight BA 509 sets off (surprisingly for BA, but not if Fate takes a hand!) a little early on its flight to Tokyo. As the audience take their seats in the newly named studio theatre, the Thrust stage designed by Zoe Hurwitz becomes a section of the plane with two rotating rows of airplane ...