Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Saturday, April 5

REVIEWS

The Borrowers – Hull Truck Theatre
Yorkshire & Humber

The Borrowers – Hull Truck Theatre

I loved watching The Borrowers when it aired on TV in 1992, and can well remember many of the antics of the Clock family, aka The Borrowers. Fast forward to today and the teeny family - mum Homily, dad Pod and daughter Arrietty - are still teeny and still just as entertaining. Hull Truck Theatre has the Clocks gracing its stage until early January 2025, and Tuesday night’s performance proved that size doesn’t matter where talent is involved. Of course, the Clock actors - Bea Clancy as Arrietty, Deb Pugh as Homily and Marc Akinfolarin as Pod - are all normal size, so in parts were shown as tiny puppets. Our first glimpse of the family’s underfloor home showed everyday items they had “borrowed”, including a matchbox used as a double bed by mum and dad. It’s Christmas in the ea...
Here You Come Again – Liverpool Empire
North West

Here You Come Again – Liverpool Empire

Dolly Parton’s hits such as “9-5" and “Islands in the stream” grace the stage of Liverpool’s Empire Theatre this week for a wacky and wonderful comedy take on a diehard fan's troublesome times, and the dreams that see him through “when reality and fantasy intertwine” - as Paul Wills (set & costume designer) says. This is “Here you come again”. Immediately the story begins and we meet Kevin Rutter played by Steven Webb, in his attic kitted out in shrine for Dolly. He takes us back to Covid-19 pandemic times… very controversial I thought given the elapsed time and a somewhat dare we say distant memory, but the political humour as the story went on was a real trust the process and something that I felt worked to a high degree. Kevin is a struggling comic awaiting his break, and albeit ...
Expendable – The Royal Court
London

Expendable – The Royal Court

Emteaz Hussain's ‘Expendable’ bravely tackles the harrowing realities of fear, misogyny, and the fractures within communities targeted by media and public hysteria. Inspired by the devastating fallout from child-grooming scandals in the North of England, the play presents a gripping exploration of these themes through the lens of one British-Pakistani family. The story unfolds entirely within the intimate confines of a kitchen-diner, meticulously designed by Natasha Jenkins. The set is more than a backdrop, it’s a character in itself, immersing the audience in domestic chaos with its scents of chopped onions, cooking pizza and antiseptic, and the hum of boiling kettles. Immersing the audience on both sensory and emotional level, this setting reinforces the play’s focus on a very pri...
Treasure Island – The Lyceum, Edinburgh
Scotland

Treasure Island – The Lyceum, Edinburgh

The Lyceum Christmas show has landed! And in the tradition of Lyceum Christmas shows passed it (thankfully!) takes a wide berth around the ‘panto’ genre and serves up its own idiosyncratic recipe; take a classic tale, give it an Edinburgh flavour, a sprinkling of humour, a seasonal twist, a large dollop of live music and action, and serve it firmly tongue -in-cheek and aimed squarely at the family market. For the most part, Treasure Island, adapted by Orkney based writer, Duncan McLean, achieves its objectives, and the production is hilarious, fast-paced and always wonderfully musical.   In a clever plot twist, we start our tale in a rest home for reformed pirates, no beards, no swashbuckling and absolutely no treasure hunts… Awwww! But old habits are hard to break, timbers req...
Woman | Women – Shakespeare North Playhouse
North West

Woman | Women – Shakespeare North Playhouse

Produced, directed, performed, and choreographed by Dr Rowena Gander, Woman I Women is a physical and comedic show that takes an ironic deep dive into the typically fast-paced nature of lesbian relationships, coming out of the other side with a more philosophical whole that encourages its audience to contemplate the meaning of relationships and oneself within and without one. Whilst its focus is on lesbian relationships, this powerful, empowering, and informative work resonates on a number of levels. Less is more and Gander’s approach to physical theatre demonstrates how you can do a lot with a little as a basic rectangular cuboid frame serves as a metaphoric clothes horse that brings two into one as well as the boxing ring for some playful fighting through to the rougher breaking u...
Jack and the Beanstalk: What A Whopper! – Charing Cross Theatre
London

Jack and the Beanstalk: What A Whopper! – Charing Cross Theatre

For those who think pantomime is merely a children’s festive pastime, ‘Jack and the Beanstalk: What a Whopper!’ gleefully shatters all expectations with its unapologetically adult spin on the classic theatre genre. Written by Jon Bradfield and Martin Hooper and directed by Andrew Beckett, this production isn’t just sprinkled with innuendo, it’s flooded in wickedly clever humour and deliciously naughty smut, which keeps the audience roaring with laughter throughout. Photo: Steve Gregson From the moment the curtains rise it is clear that this is not your typical Christmas show. The plot, centered on Jack Trott’s (Keanu Adolphus Johnson) quest for something “truly giant”. Jack is poor, gay, and very horny, living 10 miles from the nearest Grindr user in the quaint Yorkshire Village of U...
Be More Chill – University of Sheffield Drama Studio
Yorkshire & Humber

Be More Chill – University of Sheffield Drama Studio

SUPAS’ production of ‘Be More Chill’ demonstrates there is a strong future in the next generation of creatives, with the only question being left asked of them is to try and emulate more faith in their own abilities and a slightly enhanced focus to get them to the next level. Alice Bell’s direction of Joe Iconis and Joe Tracz’s text, based on Ned Vizzini’s novel, is good. Transitions tend to avoid interrupting the action and there is a strong sense of narrative peaks and troughs successfully struck upon. Although Daniel Brown’s set design is easy on the eye with its simple-but-effective approach, the play is proxemically stagnant and there is no great use of the abundance of depth and height there is to utilise. Bell tidies this up nicely, however, with some great texturing of scenes us...
Spend Spend Spend – Royal Exchange
North West

Spend Spend Spend – Royal Exchange

Viv Nicholson is a pretty obscure name in British popular culture nowadays, perhaps the odd fan of 80’s indie darlings The Smiths would recognise her as the brassy blonde staring out aggressively from the front cover of ‘Heaven Knows I’m Miserable Now’,  her real claim to fame having been gradually consigned to the dustbin of history. However, back in 1964, when she and her husband Keith won £152,319 (the equivalent of £4.3 million today) on the football pools, she could reasonable lay claim to have been as famous in the UK as The Beatles or Harold Wilson.  This festive season, The Royal Exchange have mounted a joyous revival of ‘Spend Spend Spend’ the 1998 musical by the late Steve Brown and Justin Greene, exploring Viv’s rise, fall and redemption, and in a cracking return to...
Mother Goose: The Rock ‘n’ Roll Panto – Theatr Clwyd
Wales

Mother Goose: The Rock ‘n’ Roll Panto – Theatr Clwyd

After almost two years, we are getting a sneak peek at a part of the Theatr Clwyd redevelopment with the first show back in the main theatre, this years Theatr Clwyd panto, Mother Goose. The rest of the building is not quite ready, with an exciting opening season recently revealed for early Summer 2025. Theatr Clwyd are back doing what they do best, bringing excellent theatre to audiences, some new but many returning year after year for the famous Rock n Roll pantos that Theatr Clwyd do so well. You could feel the excitement tonight as we enter the auditorium with new carpeting and brand-new chairs, a feeling of coming home but a home that has had a beautiful new makeover. Mother Goose is once again written by Christian Patterson and brings all the great jokes and innuendos we come t...
The Rocky Horror Show – Sheffield Lyceum
Yorkshire & Humber

The Rocky Horror Show – Sheffield Lyceum

The Rocky Horror show proves to be the culturally significant powerhouse it was destined to be following its initial ventures in the 1970’s. This production excels in revelry, debauchery, humour and liberation. Jason Donovan’s Frank N Furter is gorgeously eccentric, and though his animation seems slightly stifled and awkward (surprisingly Donovan doesn’t seem completely comfortable in heels), there is still a good fluidity and playful poise that, matched which is excellent stage presence, ultimately makes him very watchable. Connor Carson’s Brad and Lauren Chia’s Janet are excellent caricatures who’s stiff cliche is a perfect match for the unbridled chaos that surrounds them. They allow themselves to be engulfed, and by proxy we are swallowed by the raucous flamboyance. They are precise...