REVIEWS Archives - Page 32 of 346

7Feb

By Max EdenNo Comments

North West

Funny Money – Daneside Theatre

The Congleton Players' production of Funny Money by Ray Cooney, under the direction of David McCaddon and Wendy McKie, was an absolute delight from start to finish. Staged in the Daneside Theatre in Congleton, the production has a fantastic cast led by Angela McIntyre-Harrison as Jean Perkins and William Vickers as Henry Perkins, every moment was filled with laughter and charm. Jake McCaddon's portrayal of Bill brought a refreshing energy to the stage, while Andrew Salmon's Davenport added a touch of intrigue to the storyline. Claire Morris as Slater, Crystal Holford as Betty Johnson, Chris Brady as Vic Johnson, and Paul Berridge as the passerby rounded out the ensemble with precision and comedic timing. Photo: Judie Tingle Photography The quality of the production was evident in...

Edward Scissorhands – Birmingham Hippodrome

7Feb

By Peter KinnockNo Comments

West Midlands

Edward Scissorhands – Birmingham Hippodrome

Matthew Bourne’s buoyant, yet tender, tale of acceptance and difference arrives at the Birmingham Hippodrome to a rousing audience welcome adding to the growing list of shows about inclusivity and understanding, “Everyone Talking About Jamie”, “Billy Elliot” etc which British audiences seem to adore and welcome with open arms. For those who don’t know, the ballet first emerged as a film by Tim Burton, a director known for championing odd, quirky and ultimately endearing tales of equally odd, quirky and ultimately endearing characters with Edward Scissorhands being, perhaps, one of the oddest. The 1990 gothic fantasy romance (as Wikipedia terms it covering as many bases as possible in an attempt to describe it) provided a great vehicle for Johnny Depp drawing on the director’s feelings of ...

Jeffrey Bernard is Unwell – Coach and Horses

6Feb

By Kira DanielsNo Comments

London

Jeffrey Bernard is Unwell – Coach and Horses

Both set and staged in the Coach and Horses pub on Greek Street, Jeffrey Bernard is Unwell is pub theatre par excellence. The play opens with a bang and a crash as attendees are suddenly plunged into darkness and Jeffrey Bernard himself stumbles out into the light, or rather, into the bar itself, knocking over several items on his way to the wall mounted switch by which he will reignite the room’s several chandeliers. This is the first of several pub tricks within a pub trick that delights and disturbs audiences. The environs are more than suitable, and service is good at the bar throughout the 20 minutes of liberal drink pouring that precedes each performance. Seated tickets take bar and benches while the rest of the crowd files into the available standing space, all of which is well ...

6Feb

By Dave SmithNo Comments

London

Twelve Angry Men – Richmond Theatre

The evidence has been heard and the decision is now with the jury. Starting with a voiceover of the judge's instructions, Twelve Angry Men sees the men locked in the jury room. Their job is to decide if the 16-year-old accused is guilty of killing his father, and thus will face execution or if there is reasonable doubt. A quick first vote from the unnamed jurors seems clear, guilty and guilty and guilty again until the final vote is counted - a solitary not guilty. Jason Merrells does a fine job as juror number eight, the single not guilty vote which forces the other 11 men to talk, debate, argue and even come close to blows. Like the jurors, we never learn the name of the defendant or the witnesses. Reginald Rose’s classic script first staged in 1953 but mostly known for t...

Let The Right One In – Altrincham Garrick Playhouse

6Feb

By Helen JonesNo Comments

North West

Let The Right One In – Altrincham Garrick Playhouse

Let The Right One In is an adaptation of a book by Swedish writer John Ajvide Lindqvist of the same title. It has also been adapted twice into film, one in the Swedish Language and one American produced. It has also been adapted for the stage twice, once in Swedish and then English. This is the Jack Thorne English adaptation rather than a translation of the Swedish version. Unfortunately, the fact it is an adaptation of a complex storyline is all obvious within the first five minutes. The show suffers badly from far too many micro scenes. In a two-hour play there are probably less than ten scenes that even make it to five minutes long, many are sub one minute. Between each scene the stage has to go dark allowing for props to be brought on and off the...

Pretty Woman The Musical – Hull New Theatre

6Feb

By Jackie FoottitNo Comments

Yorkshire & Humber

Pretty Woman The Musical – Hull New Theatre

Picture the scene - good-looking, generous, American billionaire, driving a to-die-for motor, gets lost in the red light district of Hollywood - Hollywood Boulevard. So far, so sort of believable. He attracts the attention of a hooker (and I’m not talking rugby), who offers to drive him in said motor (which belongs to his lawyer) to the posh Beverly Wilshire hotel, where he has booked the penthouse. Not so believable. And what happens next is totally unbelievable, but do you know, the sell-out crowd at the Hull New Theatre on Monday night, soaked up every entertaining minute when Pretty Woman The Musical came to town. Based on the 1989 film of the same name, starring Julia Roberts as the hooker, Vivian Ward, and Richard Gere as the billionaire, Edward Lewis, the musical is a riot...

Evahisseurs (Invaders) – Traverse Theatre

6Feb

By Greg HolsteadNo Comments

Scotland

Evahisseurs (Invaders) – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Evahisseurs is a one-man show directed and performed by Olivier Rannou for Compagnie Bakelite. With tongue firmly planted in dead-pan cheek, Rannou shows that language is no barrier at all as he clowns his way wordlessly but very effectively through this short but nicely formed nostalgic, alien invasion caper. With little more than a table, and a handful of props, Rannou weaves his unlikely story, with just the hint of a glint in his mischievous eye! Featuring UFO abduction, human experimentation, dog decapitation and exploding jelly aliens, there are certainly plenty of laugh-out-loud moments. Rannou’s actions are nicely backed by a prerecorded soundtrack of weird and wonderful sounds and a miniature screen with scratchy black and white...

6Feb

By Wendy McEwanNo Comments

Scotland

Last Rites – Festival Theatre Studio

This is a story about a man who travels back to his family home in India to conduct a funeral ritual for his late, estranged father, who was a devout Hindu. As he conducts the ritual, he relives experiences from their difficult relationship. This solo piece, performed by Ranesh Meyyapan uses movement, BSL, subtitles and projected images. There is no spoken language. Sometimes the words onscreen are replaced with emoji-like images – for example, the father is represented by a pair of glasses. This nicely reflects the visual nature of gesture-based language. The sound design, by Tayo Akinbode, was a triumph. Music alternates with sound effects. The ambiguous sound of burning flames, or running water, as Meyyapan conducts the ritual, was particularly evocative and brought home the fina...

Simple Machines – Fruitmarket, Edinburgh

6Feb

By Wendy McEwanNo Comments

Scotland

Simple Machines – Fruitmarket, Edinburgh

I am a little bit afraid of robots. I was concerned that the automatons in this production would be sinister denizens of the Uncanny Valley. However, my expectations were turned on their head. Here, choreographer Ugo Dehaes has created a cynical alter ego. At least, I hope this is an alter ego: Dehaes’s performance is very convincing. Apparently, this soft-spoken character got into the arts with the intention of getting rich. When unlimited wealth and power fail to materialise, he looks to mega-corporations for inspiration, and decides to replace his workforce – the dancers – with robots. However, plan B doesn’t work out as he expected either. The philosopher Rene Descartes regarded non-human animals as “mere machines”, a view with profound ethical consequences. But perhaps we...

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative...