REVIEWS Archives - Page 299 of 417

Around the World in 72 Days: The Story of Nellie Bly – Bombed Out Church, Liverpool

8May

By Donna M DayNo Comments

North West

Around the World in 72 Days: The Story of Nellie Bly – Bombed Out Church, Liverpool

Around the World in 72 Days: The Story of Nellie Bly, created and performed by Rebekah McLoughlin, is a one woman show about Nellie Bly’s infamous 72 day journey around the world, while she inadvertently “raced” with Cosmopolitan reporter, Elizabeth Bisland. The play opens with a voiceover reading Jules Verne’s Around the World in 80 Days while McLoughlin holds the book. She can hear the voiceover reading, and obviously disturbed, begins to tell the story, and Bly’s own tale, herself. Voiceovers play a key role throughout the piece, sometimes used to portray invisible characters, including Mr Bailey (Jack Bolton), with most of the voices being performed by McLoughlin herself. Mr Bailey forbids her to go on her around the world trip, because she is a woman with few language skills and, a...

Turandot – The Metropolitan Opera, New York

8May

By Mark DavorenNo Comments

REVIEWS

Turandot – The Metropolitan Opera, New York

The Met Opera’s latest faithful revival of Franco Zeffirelli’s 1987 production remains a sight to behold along with every other sensory overload you can imagine as the volume is most definitely turned up to 11 and beyond. In legendary Peking, any prince seeking to marry Princess Turandot (Liudmyla Monastyrska) must answer three riddles: if he fails, he will die. Among the crowd Calàf (Yonghoon Lee) discovers his long-lost father, Timur (Ferruccio Furlanetto). As the latest failed suitor goes to his death, the crowd implore the princess to spare him, but she orders the execution to proceed. Calàf is transfixed by her beauty and decides to win her heart. Timor and the slave girl Liù (Ermonela Jaho) as well as the ministers Ping, Pang, and Pong try to discourage him. Whilst the three mi...

Illicit Signals Bletchley – Crypt, St Peter’s Church

7May

By Riana HowarthNo Comments

London

Illicit Signals Bletchley – Crypt, St Peter’s Church

Transported to London in 1941, we find ourselves signing up to join Bletchley Park’s codebreaking team. As is the case with immersive shows, each audience member can have a different experience. Mine began in Dilly Knox’ office, where amidst waffling and mumbling through his pipe, Dilly and Mavis taught us the basics of enciphering and deciphering. The bustling, buzzing feel was immediately established by their rushing and enthusiasm. The atmosphere soon changes when an inspector arrives and begins interrogating the staff. The characters were fleshed out and engaging as they were based on real people and material was devised and improvised by the cast. The 1940’s idioms and accents were particularly impressive in their consistency and the rapport between the cast members created a...

7May

By Alice RoseNo Comments

London

24, 23, 22 – Omnibus Theatre

24, 23, 22 presented by Chronic Insanity is a clash of characters, one travelling in reverse whilst the other chronological. Two strangers introduce themselves through abstract writing that occasionally rhymes with an underlying consistent beat from the DJ who stands in the middle narrating the two different lives with different theme music. Previously performed on zoom, the live version was underwhelming and confusing as to what the message of the piece was. From what I believe, we are made to question how often we check up on people with reference to mental health and feeling invisible to the crowds around us. However, once learning that he had seriously injured his ex-girlfriend’s father and attempted to rob the woman next to him I had a lack of sympathy for the choices he was making...

7May

By Zoё MeeresNo Comments

London

Juniper and Jules – Soho Theatre

Last night I experienced the rare treat of thinking I knew the basic outline of a story, and being pretty happy about it, but then watching something that was so much richer and more poignant that I felt annoyed with myself for making any assumptions at the beginning at all. Juniper and Jules meet at a club. They flirt, they leave together, they have sex. But then – shock – we learn that Jules has never had sex with a woman before, in fact has a boyfriend, and is really quite surprised at the revelation that sex with a woman is an option for her. Aha, thought I, slightly cynically. That’s it. That’s the story. Woman discovers woman and grapples with identity. But that’s not the story. Or it is, partly, but it’s so much more than that. Juniper and Jules is a story about identity, about r...

Samuel Beckett in Confinement – University of Liverpool

7May

By Mark DavorenNo Comments

North West

Samuel Beckett in Confinement – University of Liverpool

Beckett is a little bit like the proverbial buses: there’s never any when you’d just like one then suddenly they all come along at once. In the case of Beckett: Confined, a three day-festival of Samuel Beckett’s plays, associated musical performances, and lectures exploring the politics of closed space as a reading of our times, you couldn’t really want for much more. The programme – brought together by Unreal Cities in association with the University of Liverpool’s Institute of Irish Studies, The Keough-Naughton Institute for Irish Studies at the University of Notre Dame's Keough School of Global Affairs, and Culture Ireland– presents an exciting blend of Beckett’s work, including multiple performances of some of his most rarely performed plays alongside a musical series, all pre...

6May

By Paul AckroydNo Comments

London

Uncle Vanya – Old Red Lion

Uncle Vanya is a challenging text for any production company. The audience is thrust immediately into a dysfunctional rural Russian family, whose monotonous and laborious life is disrupted by the arrival of the Professor and his glamorous wife from the city. It is a play which relies on the interaction of complex characters rather than action. Producers Agatha Ezzedine and Clémentine Pinet are therefore to be congratulated for reviving it as a fringe production. Director Kieran Bourne has made a sterling effort to breathe life into the text for a new generation audience. The production was lively and there was an unexpected amount of humour, but the production was marred by some idiosyncratic performances and poor production choices. The characters in this play are worn down with wea...

6May

By Kiefer WilliamsNo Comments

North West

Dog/Actor – Hope Street Theatre

Steven Berkoff’s eloquent and evocative double bill performance of Dog / Actor is brought to the stage by Threedumb Theatre, and I have to say it is truly a masterclass in both physical and comedic theatre. Stephen Smith, who is also the artistic director for Threedumb, is the solo performer of this back-to-back double bill and he really excels in this challenging piece. In Dog, Smith portrays a racist foul-mouthed football hooligan with his companion pit bull Roy. Smith uses every part of the studio space to significant effect and provides the audience with a strong and ever-increasing sense of rage. It is without question an uncompromising and difficult piece for any actor to perform but Smith finds the right tempo throughout. Excellent lighting also adds texture to Dog. ...

6May

By Mark DavorenNo Comments

North West

Don Giovanni –Liverpool Empire

Welsh National Opera return to Liverpool Empire with this revival by Caroline Chaney of John Caird’s 2011 production of one of Mozart’s most complete operas, and incorporating John Napier’s original brutalist staging, inspired apparently by Rodin’s The Gates of Hell. Don Giovanni (Aaron O’Hare – a last-minute replacement due to cast indisposition) has seduced over 2,000 women, all catalogued by servant Leporello (Joshua Bloom), and our story starts with him looking to add another name with his attempted rape of Donna Anna (Linda Richardson) that results in him killing her father, the Commendatore (James Platt), and which her fiancé Don Ottavio (Trystan Llŷr Griffiths) swears to revenge. Donna Elvira (Meeta Raval), an earlier conquest who believes Giovanni to be her husband, has come ...

5May

By Luke StephensonNo Comments

North West

Macca & Beth – Liverpool’s Royal Court

The Liverpool Royal Court Theatre took us on a trip to bonnie Scotland last night as Macca took his partner Beth to an old house up in the highlands full of secret passageways and mystery. Beth couldn’t believe her luck. Why on earth would Macca bring her to such a place, a place that had no Signal, running water or a toilet. But there was a valid reason. Macca had just been told that he was the last of the McMaccamac’s due to his Uncle McMaccamac’s death. He had to keep it a secret and pass a series of tests before he was to know what was left to him within his late uncles last will in testament. One of the tests being spending a night in the house. There were lots of weird and wonderful creatures within this house and I don’t just mean the taxidermy. Trouble was afoot in the Scottish ...