REVIEWS Archives - Page 288 of 417

16Jun

By Amanda HodgsonNo Comments

North West

Blood Harmony – The Lowry

Blood Harmony (written by Matthew Bulgo, directed and choreographed by Jonnie Riordan and Jess Williams) is a melange of styles and ideas, brought together to tell a seemingly simple story. Three sisters Chloe (Eve de Leon Allen), Maia (Keshini Misha) and Anna (Philippa Hogg) re-unite after the death of their mother to sift through the detritus of their past and present lives, sorting out regrets, grudges and grief, while charting a course to the future. If that sounds like heavy weather, don’t worry there are plenty of sitcom laughs and laughter at recognisable archetypes along the way. The play feels like the offspring of Friends and Chekov’s Three Sisters, with a reassuringly cosy atmosphere to take the edge off the emotional sharpness of the dialogue. The performances by the three a...

Playboy of the West Indies – The Rep, Birmingham

16Jun

By Annette NuttallNo Comments

West Midlands

Playboy of the West Indies – The Rep, Birmingham

This new musical has its world premiere taking to the stage as part of the Birmingham 2022 Festival which is part of the Commonwealth Games Cultural programme. Based on an old Irish 3 act comedy (Playboy of the Western world), this reinvented play by Mustapha Matura has taken on another lease of life in this upbeat, but sometimes dark musical. Matura came to the UK from Trinidad as part of the Windrush generation and wrote about life in the West Indies. Set in a rum shop in a quiet village on Trinidad, we meet Peggy who is resigned to a life of routine and work and a marriage to a man her father has chosen for her. When a stranger comes to the village the whole place seems to come alive. Who is this man and is he all he really seems? The music (composed by Clement Ishmael) transpo...

Alex Getting Better – Bread and Roses Theatre

16Jun

By Maani WayNo Comments

London

Alex Getting Better – Bread and Roses Theatre

Set in the United States, Alex Getting Better explores the story of re-emergence of old trauma and how it can affect people in different ways. The playwright, Audrey Lang, describes the play as a play about strength, moving forward and learning to deal with the present and the future. Written from Lang’s own experiences, the principal character, Alex, navigates her past and sexual assault through speaking with her therapist and reconnecting with her old friends from middle school. The friends visit their old stomping grounds, talk about their previous experiences of sexual assault, and carry out activities reminiscent of their youth. As the audience enter the theatre, Alex (Erin Maria Walther) and her therapist (Alice Gold) are on stage. While not conventional for the performers to b...

The Rise and Fall of Little Voice – Blackpool Grand

16Jun

By Coral MourantNo Comments

North West

The Rise and Fall of Little Voice – Blackpool Grand

Jim Cartwright's 90's hit “The Rise and Fall of Little Voice” tells the story of one talented girl and her reluctant rise to stardom in her local Northern town. It feels fitting to be back in Blackpool, surrounded by cabaret bars and illuminations, and this production deserves to be bringing in all the crowds here. This Olivier award winning play has had many revivals including a film starring Jane Horrocks and Michael Caine. It’s easy to see why, as the story of Little Voice is a charming tale of family, humour and small town dreams. At the heart of the play is LV herself; a young recluse who constantly listens to her late father's record collection. Overheard imitating the divas she adores, LV is forced to perform and struggles to find her own voice in the chaos and noise. The s...

16Jun

By Daniel CoxNo Comments

North West

Mam! I’m Ere! – Liverpool’s Royal Court

Following its debut 10 years ago at Central Hall in Liverpool ‘Mam! I’m Ere!’ has gone from strength to strength as it found its home at Liverpool’s Royal Court. After providing one of the venues most successful runs in 2015 and still making audiences laugh in 2018, would it be able to bring the energy and audiences following the delayed 2020 run because of COVID-19? Well, Mam! I’m Ere! has arrived in 2022 and you best tell your mother that this production isn’t hiding away anytime soon (and it’s a good job). Along with the blessing of original Mamma Mia director Phyllida Lloyd, director Stephen Fletcher takes a hilarious twist on the well-loved 2008 jukebox musical. He tells the story of Sally, a young woman inviting her potential mothers to her home at a Welsh caravan site to witness ...

Scottish Ballet: The Crucible – Sadler’s Wells

16Jun

By Stewart Who?No Comments

London

Scottish Ballet: The Crucible – Sadler’s Wells

Arthur Miller’s The Crucible has a rare quality of being ubiquitous, but consistently relevant, provocative and timely. There’s always a witch hunt somewhere. Medieval villagers with pitchforks have evolved into middle aged idiots on Facebook. Or mob-giddy kids on TikTok. Theocracies continue to thrive, and the oppression in those places can make The Crucible seem tame. I’m looking at you; Yemen, Afghanistan, The Vatican, Saudi Arabia and Iran. Arthur Miller was famously a victim of McCarthy era ‘Reds under the Bed’ paranoia. The playwright was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. His play is more than just an allegorical spin on A...

Dictating To The Estate – Maxilla Social Club

15Jun

By Stewart Who?No Comments

London

Dictating To The Estate – Maxilla Social Club

We are approaching the 5th anniversary of the cataclysmic inferno that engulfed Grenfell Tower and killed 72 people. Post-pandemic, as we ponder war in Europe, food bank ubiquity and a shifty party-clown PM, there’s a danger of taking an eye off Grenfell. More fatalities could haunt us, if we don’t wise-up, listen to campaigners and hold the guilty to account. The luxury of looking elsewhere is not afforded to those who lost their lives, or to their loved ones whose grief is poisoned by righteous fury. The inquiry into the Grenfell Tower disaster has spent £117m of public money so far. £60m got sucked up by lawyers working for the core participants. Arconic, the company that made the combustible cladding sheets has splashed £55m on legal and professional advice for its defence. All. Tha...

15Jun

By Adam WilliamsNo Comments

North West

I Am Not A Robot – King’s Arms, Salford

The potential dangers to humanity of Artificial Intelligence (AI) and robots have been the meat and drink of numerous science fiction movies for decades. On TV the BBC sci-fi show, Doctor Who, back in the 60s, created the Cybermen, monsters who had once been human but had turned themselves into killing machines devoid of emotion. I Am Not a Robot explores this theme, cleverly grounding it with northern humour, whilst adding a touch of slapstick and a healthy dash of melodrama. The sparky script is punchy and witty which rattles along at a wonderful pace until the third act. It starts off in the bedroom of a luxury hotel somewhere overseas in the near future. Beth has won a luxury stay via Instagram and has invited her best friend, ambitious politician Karina, to share it with her. Ka...

14Jun

By Khushboo ShahNo Comments

London

The False Servant – Orange Tree Theatre

Gender fluid yet stereotypical, Martin Crimp’s translation of Pierre Marivaux’s French play The False Servant is probably the outcome of Commedia del'arte being shredded off its extreme archetypes and placed in a slightly modern context. Often reminiscent of Shakespeare and Moliere’s comedy, filled with subplots, disguise and conceit, wit and irony, courtship and lust, Orange Tree Theatre production presented The False Servant directed by their artistic director Paul Miller. The play opens announcing its period origins with the ensemble walking and bowing to festive and joyful music. We first meet Trivelin (Will Brown), the voluble and opportunistic aristocrat reduced to poverty by circumstance and Frontin (Uzair Bhatti) who introduces Trivelin to his mistress/ master successfully provi...

14Jun

By Lou SteggalsNo Comments

North West

Habeas Corpus – Lyceum Theatre, Oldham

“I’ve never seen anything like it since I was a locum in Liverpool.” So declares the diminutive Sir Percy Shorter in Alan Bennett’s 1973 farcical exploration of the randy side of Little England, named after the Latin legal phrase that roughly translates to ‘have the body’. Set in the residence of a Brighton and Hove GP, Arthur Wicksteed, the play is a saucy seaside postcard collection of characters and carry ons, each loaded with carnal frustrations and foibles. There’s Wicksteed’s wife, the frustrated Muriel who, neglected by her husband, longs to rekindle a past dalliance with Sir Percy. Her sister, the flat-chested Constance, buys fake breasts in the hope of literally boosting her chance of romance. The Wicksteed’s wimpish son Dennis is convinced he’s dying until his head is...