Thursday, December 18

REVIEWS

Macbeth by the Sea – The Space on the Mile
Scotland

Macbeth by the Sea – The Space on the Mile

Second up in my Macbeth marathon this Fringe was this lightweight absurd piece by American group John Hancock Productions. With an open mind, I allowed the onslaught to commence, and commenceth it did. More Spamalot than Shakespeare, this one would have had the bard rolling in his grave, and not necessarily with laughter. Whilst there were moments of fun and pith from the four strong cast, led muscularly by Ric Walker in the titular role, this was still pretty thin gruel. Macbeth and Lady Macbeth are trying to relax in a seaside resort after the murder of Banquo, but confronted in turn by his ghost, the witches and an incompetent masseuse (out damn knot!) hotel manager who is a weird mixture of Faulty and Renee. You get the picture. The picture that probably looked great on th...
At That Time, Byeon – Greenside @ Nicholson Square
Scotland

At That Time, Byeon – Greenside @ Nicholson Square

Ever watched a radio play created on stage? Seeing actors and crew create the sounds of the story is fascinating. Add the techniques of Korean silent films and you can start to imagine the entrancing ability of this black comedy from acclaimed Theatre Haddangse. Set during the Japanese occupation of Korea and apparently based on a real murder, ‘At That Time, Byeon’ presents the case of a maid’s death, closed without the murderer established. There are occasional moments of Korean, always clear in general meaning as well as great to hear - being the performers’ own language - but the production is mostly in English. A troupe of 6 entertainers, decked out in black and white with carefully chosen touches of red, play against a white paper screen, put too fine use, including for proj...
Charlie Jackson: Bath (WIP) – The Rose and Crown Pub
London

Charlie Jackson: Bath (WIP) – The Rose and Crown Pub

Charlie Jackson's hour-long deliberation of taking a bath brings together clowning, improv with earnest curiosity. The Victorian pastime without any remnants of prudishness. As you enter the basement of the Rose and crown Pub, you are greeted with Victorian images of women enjoying the bath in paper mâché frames, countless rubber ducks, and several bath-associated knick-knacks. Charlie loses no time connecting with each of the audience members with his determined and warm demeanour. The joy and enthusiasm on Charlie's face as he takes you through his elaborate mind map of different aspects of setting up his bath. He goes old school with a flip sheet and sketches. Hearing his experiences, you also remember the joy you had splashing water in the tub as a child. You wonder if he will s...
The Bareback Kings – The Hope Theatre
London

The Bareback Kings – The Hope Theatre

Hilarious, energetic and satirical comedy all rolled up in one. The Bareback Kings together since 2017 made up of Lynsey Bonnell, Rebecca Schuster, Juliet Morrish and Francesca Reid.  Masters of their game from on point contour makeup to editing and ‘mansplaining’ they guarantee an evening of guffaws and chortles. The drag-king comedy group effortlessly saunters through improvisation, cabaret and sketch. The show begins with the Drag kings breaking out into a synchronized choreography with lip syncing to match that would make Nsync blush. The beats of the show explore themes of connection between audience members. Through the show there is a strong critique of the social assumptions, reinforcement of consent, and topical discussions about the threat of Barbie on the modern man....
Scotland

Iain Dale: All Talk with Nicola Sturgeon MSP – Pleasance at EICC

Nicola Sturgeon received a rapturous reception when she walked onto the stage. The audience was overwhelmingly on her side with regular outbursts of applause in response to her comments. This was her first extended interview since she stepped down as Scotland’s First Minister five months ago. Her interviewer was the broadcaster, Iain Dale, who is also interviewing other politicians at the Festival Fringe. Although a Conservative, you cannot tell from Dale’s questions. His approach is conversational, not confrontational. Dale has a good rapport with Sturgeon who he’s interviewed twice before. It’s a wide-ranging interview on a host of subjects including some very personal questions. Dale reminds Sturgeon that at the start of the year she said she had ‘plenty left in the tank’ so wh...
Frank Skinner: 30 Years of Filth – Assembly George Square
Scotland

Frank Skinner: 30 Years of Filth – Assembly George Square

I entered the venue first which meant I got to watch hundreds of people flood in and fill the room , everyone was chatting to me and each other about times they had been to Skinner's shows before, this was my first time, but the enthusiasm of the other audience members put me at ease, I got the idea it was going to be a highly entertaining and laughter filled hour, what I didn't realise was, I would be sat repeating his jokes to my friends later and laughing all over again.  The audience was star studded with other well-known comedians there to support Skinner giving the whole evening a touch of stardom. On the stage in the spotlight stood a lone microphone, in moody blue light – like a rockstar ready to roll. The atmosphere was lively, thanks to the upbeat music setting the...
Late Bloomers Tales – The Jazz Bar
Scotland

Late Bloomers Tales – The Jazz Bar

Italian Jazz and soul singer, Anna Vanosi, is fast become a Fringe regular since she came here 4 years ago. Her soulful voice and playful storytelling brighten up the subterranean room of The Jazz Bar. She is no stranger to the venue throughout the year, but during August it seems to be where she lives! This set is as much a coming-of-age tale as a musical show, Anna draws her life out with lyrical richness, always finding the right song to tell her story, from tourist guide to traveller through Asia, to full time singer, and all dedicated to her Italian Grandma who has always been her guiding light. The songs when they come are rich and beautifully sung, aided by two talented backing musicians. Time is different for different things, Anna’s asks, ‘how long does it take water ...
Paved with Gold and Ashes – Old Red Lion Theatre
London

Paved with Gold and Ashes – Old Red Lion Theatre

Julia Thurston’s Paved with Gold and Ashes effectively captures the “American” gold-dusted dreams and hopes of five of the many immigrant garment workers employed at The Triangle Shirt Waist Factory. Based on a true story, the play heart-warmingly encapsulates their journeys, working conditions, relationships with each other and the factory in a crisp hour, all leading to the tragic fire claiming the lives of 146 garment workers in 1911. Their interactions- shuffling between each other and the audience are cleverly and cohesively crafted using movement, song and visceral storytelling with directorial support from Maria Cristina Petitti, Warren Rusher, and Stephen Smith.  An intimate black box with static warm golden lights, wooden chairs and white fabric create a stri...
Macbeth: Sleep No More – The Space @ Niddrie Street
Scotland

Macbeth: Sleep No More – The Space @ Niddrie Street

A cleverly shortened and in places rewritten version of the Scottish Play which takes nothing away from its power and fascination, performed very nicely by a four female cast, in what is normally a male heavy production. All four actresses do very well to play a screed of different characters, but none shines brighter than Victoria Adler, who is scintillating in whichever body she is inhabiting. Alder’s sword fighting scene with Amy Floyd’s slightly pedestrian Macbeth is one of the highlights of the whole show, with audience members visibly shrinking back and pulling up legs from the thrusting and whirling bodies as the contest progresses to its inevitable bloody climax. Absolutely riveting stuff! Perhaps a bit more cut and thrust in the lines department would not have gone amiss...
Trojan Women – Festival Theatre, Edinburgh
Scotland

Trojan Women – Festival Theatre, Edinburgh

Phenomenal. Raw. A fusion of golden talent across time and space. Combining Euripides’ play from 415 BCE with outstanding modern expertise is genius. Jung Jae-Il, the musical director, composer, is behind the success of Parasite (2019) and the cult TV series Squid Game; Scott Zielinski has lit more than 300 productions with numerous leading directors; renowned video/projection designer, Austin Switser, swamps and caresses the senses in magnificent style; Cho Myung Hee’s clean-lined, gorgeous, set is drop-dead wonderful; Wen Hui’s choreography is faultless; Kim Moo-Hong’s costumes … I want one. And then, of course, there’s the wonderful writer, Bae Sam-Sik who is acclaimed for outstanding structure, profundity and eloquence. The direction and conception is down to Ong Keng Sen, whose produc...