REVIEWS Archives - Page 241 of 551

Calendar Girls – Winter Gardens, Blackpool

24Jan

By Rebecca CaseyNo Comments

North West

Calendar Girls – Winter Gardens, Blackpool

Based on the 2003 film by the same name Bill Kenwright Ltd brings us Calendar Girls - The Musical, Written by Gary Barlow and Tim Firth. An evening of nostalgic British humour with a true story centred around a real group of Yorkshire ladies creating a controversial calendar with their WI group to raise money for cancer research. Director Jonathan O’Boyle brings us a star-studded cast and a witty interpretation of the tale, cleverly scripted and warm, natural believable characters. Even if like me you have already seen the show before, this is not the same musical score or script, it has gone under some changes for this tour and in parts is unrecognisable. The set remains the same for the entire show, with a few additions to change it from the Women’s institute hall to the hospita...

22Jan

By Paul AckroydNo Comments

London

Fire Embers Ash – Barons Court Theatre

This play by Hailey Mashburn tells the little-known story of the establishment by the Soviet Union of the first all-female aviation regiment to fight against the Nazis in the Second World War. Apparently, the regiments were created by Stalin after pressure from one of the early aviators Marina Raskova, portrayed in this play by Henrietta Laursen in the role of commander. The establishment of the unit was controversial and looked down upon by many of their male colleagues. They were only allocated old and decrepit planes and had to wear ill-fitting male uniforms. Nevertheless, they distinguished themselves, and were nicknamed by the Nazis as the " Night Witches". The title which they adopted themselves with pride. To overcome the deficiencies of their equipment...

20Jan

By Kira DanielsNo Comments

London

Look Behind You – Theatre at the Tabard

The 25th anniversary performance of Strut & Fret’s Look Behind You features a completely updated book both classic in its recognizable theatrical tropes and urgent in its relevance to the present moment in arts and commerce. Daniel Wain’s love letter to “the bitchiest, barmiest, bravest business of them all,” encompasses the wide range of characters and character flaws that make a theatre tick. Set during the run of Christmas pantomime, Dick Whittington, at the aptly if unsubtly named, “Britannia” this play minces no words. Subtlety is wholly eschewed and in its absence something urgent, theatrical, and true, prevails. No matter how dazzling the script, and believe me it is dazzling, this is the kind of show in which one sour note might poison the whole symphony. Fortunately, each a...

Cruel Intentions: The ‘90s Musical – The Other Palace

20Jan

By Zoё MeeresNo Comments

London

Cruel Intentions: The ‘90s Musical – The Other Palace

I will tell anyone who will listen that the ‘90s was a golden age for music. I don’t know if everyone feels that way about the music of their coming-of-age decade, but let us also remember that the ‘90s gave us The Spice Girls, No Doubt, Britney Spears… So, taking a cult ‘90s film and turning into a musical featuring classic tunes from the same era was always going to peak my interest. I’d not been to The Other Palace - just around the corner from some of Victoria’s better known theatres - before, and I really wish I’d discovered it sooner. It’s a great space with comfy seats and a fancy gin bar - what’s not to like? So far, so good… The piece opens with a stellar full cast performance - you can spot Kathryn (Rhianne-Louise McCaulsley) with her cold confidence and Daniel Barvo’s Seba...

20Jan

By Kira DanielsNo Comments

London

Indestructible – Omnibus Theatre

Okay or not okay? Michael Jackson, Pablo Picasso, Kanye West… Who do we hold accountable? And how? Who even actually has this power that we’re supposed to be speaking truth to anyway? This ballsy production not only asks but demands answers to these questions. Written and directed by Proteus’s Artistic Director, Mary Swan, Indestructible is an unflinching examination of nauseatingly complex, and just plain nauseating, interplay between gender and power in the contemporary art world. Richly situated in a digital world built by the production team and multi-disciplinary artist Paula Varjack contextualizing all of the plays' imagined characters in an all too familiarly problematic alternate reality, this show offers audiences a non-traditionally immersive theatrical experience. The plot fo...

19Jan

By Paul AckroydNo Comments

London

Kindred – Brockley Jack

This new play by Amee Walker-Reid is a journey through one tumultuous week in the lives of a young couple, Lois and Matt, as they look forward to their wedding at the end of the week. As the play starts, they have just returned from Matt's father's funeral, which was a disturbing event due to the ongoing animosities within his family. During the week, they also have to attend Lois's sister's divorce party. This would be enough for most stable couples to cope with, but Matt suffers from a fairly severe psychotic illness which he is struggling to manage, and Lois is reaching the end of her tether trying to help and support him. Thus, this is a fairly angst laden 60 minutes of theatre. There was a lot of swearing, shouting and some physical violence, with just moments of tenderness s...

19Jan

By Mark DavorenNo Comments

North West

Snow White – Rainhill Village Hall

Director Karen Woods has kept the spirit of the season alive – oh yes she has! – as Rainhill Musical Theatre company sing us into the New Year with their take on this famous fairy tale to a live musical accompaniment led by Musical Director Wayne Oakes. The kind and beautiful Snow White (Michelle Williams) lives happily in the village of Applebury with Muddles (David Stevens) and his mother, the Dame (Dru Fitzgerald), and other villagers (Fiona O’Gorman; Ryan Greenall; Emily Boycott). Her wicked stepmother, the evil Queen (Sarsh Johnson) is jealous of her beauty and with the assistance of Helga the Hag (Claire Heaton) decides to do away with her. Can fairy Riff (Megan Charlton) and Mirror (Dianne Glover) stop her in her tracks? Will the miners (Ruth Gibb; Annie Topping; Liam Fitzgerald;...

18Jan

By Alice RoseNo Comments

London

Cowbois – Royal Court

This is my desert island show. It’s only January and I’ve discovered the best play of 2024. Charlie Josephine (writer and co-director) finds a very welcoming new home in the Royal Court after their run before Christmas in Stratford-upon-Avon. We explore the Wild West, a struggling town after the ‘husbands’ of the town go off in search for gold and more supplies. The ‘Wives’ are left waiting but in hearing news of a nearby explosion, hold no hope in their return. Miss Lillian (Sophie Melville) holds the bar while her husband is away- praying every morning for his return when news of the famous criminal ‘Jack’ (Vinnie Heaven) is on route to town. What unfolds is a beautiful release between two people finding their joy, passion and reason to feeling happy and being alive. This town is t...

The Full Monty – Liverpool Empire Theatre

17Jan

By Jan MellorNo Comments

North West

The Full Monty – Liverpool Empire Theatre

Well, we have all probably seen the film – a bunch of middle -aged men – ex steel workers – who when the steel mills and factories close, are left broke, desperate and powerless. A story with its iconic scenes, music and humour that everyone – especially females – remembered - The Full Monty - when a bunch of men, for one night only, become cabaret strippers. So, how was this going to translate from screen to stage? I was intrigued to find out. The Liverpool Empire theatre was packed to the rafters – mostly women I have to say, and there was a deep breath of anticipation across the auditorium as the show started. A large steel construction, a scaffold frame that was a formidable centre piece, drew us into Sheffield’s former glory of theses skyline -consuming steel factories ...

17Jan

By Oliver GigginsNo Comments

Scotland

Jekyll and Hyde – Royal Lyceum Theatre

This adaptation by Gary McNair of Robert Louis Stevenson's novel, is keen to point to its source's Edinburgh roots, though mostly through the programme and the lead (and only) actor's Scottish accent. Unlike some recent productions of Great Expectations or Dracula however, it stops short of relocating the story to Scotland. But even the medium of a play represents a coming home of sorts: this story began with the true tale of furniture-maker and lock-breaker Deacon Brodie, about whom Louis Stevenson first co-wrote a play entitled Deacon Brodie, or The Double Life, though it was his later retooling of the idea of duality into the novella Strange Case of Dr. Jekyll and Mr. Hyde which would find lasting success. The story is well-known (spoilers) for its crucial dual role, which lead at...