REVIEWS Archives - Page 152 of 552

18Sep

By Bev ClarkNo Comments

North West

Peaky Blinders – Liverpool Empire

The Global sensation of Steven Knight’s’ Peaky Blinders took TV audiences by storm and not surprisingly, there would be a stage version to follow but it is very rare for a ballet to be developed from such a show. Rambert Dance rose to the challenge of taking on this iconic drama. Its violent, brutal physicality lending itself to the dance-form incredibly well. Director/ choreographer Benoit Swan Pouffer creates such a powerful, visual feast for our senses, we are mesmerized from the first moment. The eighteen strong ensemble bring alive not only the story but the emotion of Shelby’s redemption to a soundtrack that feels it actually gets inside you. Audiences will be familiar with songs from the TV show like ‘Red Right Hand’ by Nick Cave and the Bad Seeds but ...

18Sep

By Paul ClarkeNo Comments

Yorkshire & Humber

Birdsong – Leeds Playhouse

There’s been plenty of novels about the First World War, but Sebastian Faulks’s Birdsong was one of the best, blending a love story and the cost of that conflict’s carnage, so it was a natural for a stage adaptation. It’s now over a decade since Rachel Wagstaff’s first adaptation of Birdsong, and all the Tommies who fought in the so called war to end all wars are now dead. Ironically the world still seems intent on blowing itself up, so Wagstaff’s reworked revival with a stark new set by Richard Kent was a timely reminder that war is a terrible business that solves nothing. This three act - and rare two interval - version opened with callow Englishman Stephen Wraysford visiting France to view a struggling factory whereupon he fell helplessly in love with the owner’s wife Isabelle. De...

Lord of the Dance: A Lifetime of Standing Ovations – Blackpool Opera House

18Sep

By Max EdenNo Comments

North West

Lord of the Dance: A Lifetime of Standing Ovations – Blackpool Opera House

Michael Flatley’s Lord of the Dance latest touring show ‘A Lifetime of Standing Ovations’ is currently at Blackpool’s Winter Gardens as part of its UK Tour and its a breathtaking celebration of Irish dance, tradition, and high quality entertainment. With an exceptional cast and the spirit of Flatley himself woven into the performance, this show truly lives up to its iconic status. Cassidy Ludwig, who plays the enchanting Little Spirit, delivers a mesmerizing performance. She guides the audience through the story with grace and ethereal beauty, adding a magical touch to the narrative. Conor Rodgers, as the Lord of the Dance, is nothing short of phenomenal. His energy, precision, and charisma captivate from start to finish, making every leap and tap a spectacle in itself. Erin Lear...

The History Boys – Altrincham Garrick Playhouse

17Sep

By Peter RuddickNo Comments

North West

The History Boys – Altrincham Garrick Playhouse

It’s hard to believe two decades have passed since the late, great Richard Griffiths first made his motorbike gear-clad entrance onto the National Theatre’s Lyttleton stage as beloved, but problematic, schoolmaster Hector. In that time, two casts of Altrincham Garrick Playhouse History Boys have sat the Oxford and Cambridge entrance exam. Now, to mark the play’s 20-year anniversary, a third is having a go. The appeal of Alan Bennett’s classroom classic is as enduring as the man himself. A true national treasure. This solid production is a good example why. In a northern 1980s sixth form, a set of schoolboys are celebrating passing their A Level exams. The eight have returned, at least in the mind of English and General Studies tutor Hector (Ivor Farley), to resume their pursui...

17Sep

By Zara OdetundeNo Comments

London

The Prudes – Royal Court

The Prudes, written by Anthony Neilson, is a comedy centred around the sex lives (or lack thereof) of Jimmy and Jess, a couple grappling with intimacy issues. While the premise offers plenty of potential for humour and thoughtful exploration of modern relationships, the production, unfortunately, falls short in several areas, leaving the audience with a mixed experience. Vkinn Vats, who portrays Jimmy, tended to overact at times. His performance felt slightly exaggerated, not reminiscent of a man struggling with insecurity and relationship woes. Instead of fully drawing the audience into his internal conflict, the over-the-top delivery occasionally pulled us out of the moment. At times, it seemed as though the actor was playing for laughs in a way that leaned more towards slapstick than...

17Sep

By Alan Stuart MalinNo Comments

London

Myra DuBois: Be Well – Hackney Empire

Myra DuBois returned to the stage at the Hackney Empire with her irreverent brand of comedy, leaving the audience in stitches, and occasionally wincing with disbelief. Presented as a "wellness sermon," ‘Myra DuBois: Be Well’ promised a fresh perspective on mental health, but what we really got was a night of rapid-fire wit, punchy audience reads, and the occasional awkward pause. The show opened with Frank Lavender, another of Gareth Joyner’s comic personas. Lavender, a relic of 1980s northern stand-up, played on his outdated attitudes with impeccable timing. Red-faced and sequined, Lavender delivered his gags with more cheese than precision, striking just the right balance of nostalgia and absurdity, generating more than a few belly laughs and a high level of energy across the audi...

Julius Caesar – Southwark Playhouse Borough

17Sep

By Zain RussellNo Comments

London

Julius Caesar – Southwark Playhouse Borough

The Southwark Playhouse Borough’s production of Julius Caesar offers a futuristic reimagining of Shakespeare’s classic tale of political intrigue and the lust for power. While the adaptation remains faithful to the original text and preserves the integrity of Shakespearean language, it falters in its execution, particularly in its attempts to merge modern technological elements with a centuries-old script. The integration of futuristic concepts—such as the use of advanced technology, weapons, and projections—initially seems like a bold choice. The clash between the antiquated language and the modernized aesthetic often feels forced, making it challenging for the audience to remain fully immersed in the world of the play. That said, the production’s technical achievements were impress...

17Sep

By Clare ChandlerNo Comments

North West

8 Hours There and Back – Unity Theatre

It’s always fascinating to revisit a show further along in its journey. Two years after its work-in-progress sharing at the Unity, 8 Hours There and Back returns to kick off a UK tour, playing to a packed house. The production features new faces—Cal Connor, Olivia Lamb, and Rio Star as children navigating a world they don’t belong in, within a system that has forgotten them—along with some new creatives. Choreographer Adele Inglis infuses the movement with a Hip Hop-inspired vibe, but at its core, the show remains a moving and, at times, harrowing portrayal of the realities of life for children with a parent in prison. This is unmistakably an All Things Considered Theatre production, bearing the distinct creative fingerprints of Sarah Hogarth and Emma Bramley. Deft comic moments prevent...

17Sep

By Zandra OdetundeNo Comments

London

Abigail’s Party – Stratford East

Mike Leigh’s 1970s portrayal of an Essex suburban Soiree, taking place of the back of a raucous teenage party "Abigail’s Party," offers a compelling and incisive examination of middle-class life. This production vividly captures the essence of suburban dynamics with both humour and social critique. Set on Richmond Road, the play deftly exposes the tensions and pretensions that define the characters’ interactions, making it a thought-provoking and entertaining experience. The performances in "Abigail’s Party" are another standout aspect of the production. Tamzin Outhwaite shines as Beverley, capturing her character’s blend of superficial charm and underlying vulnerability with remarkable precision. Outhwaite’s portrayal of Beverley is both engaging and nuanced, bringing out the character...

The Shatter Box – The Lion & Unicorn Theatre

16Sep

By Klervi GavetNo Comments

London

The Shatter Box – The Lion & Unicorn Theatre

The Shatter Box, written by James Lewis and directed by David Brady, comes with a promising premise. Set in a dystopian world, a man awakens in a cage inside a mysterious facility. His captors probe him for the truth, though they themselves seem unsure of what they're seeking. The cage will only open when he provides the right answer. This intriguing setup, blending themes of ethics, scientific exploration and human consciousness, should generate gripping drama, but unfortunately falls short of its potential. At the heart of the story are four main characters: the prisoner (Fred Wardale), the examiner (Gabrielle Nellis-Pain), the guard (Nick Hardie), and the carer (Lauren Ferdinand). Despite life-and-death stakes, their performances generally lack the urgency needed. Wardale’s...