Saturday, October 19

REVIEWS

Close Up Concert: Elegy – Royal Liverpool Philharmonic Orchestra
North West

Close Up Concert: Elegy – Royal Liverpool Philharmonic Orchestra

This delightful and varied evening of short classical pieces featured three outstanding players from the Royal Liverpool Philharmonic Orchestra - Cormac Henry on flute, Catherine Marwood on viola and Elizabeth McNulty on harp. I have to say that the combination of all three instruments produced the most exquisitely magical sound, and indeed all three musicians gave stellar performances throughout the evening. The concert featured Jean-Phillippe Rameau’s beautiful baroque piece Pieces de Clavecin (1706), it is such a dazzling and extravagant piece of work and one of the finest examples of early baroque music. Rameau is still regarded as one of France’s most important and influential composers and listening to this piece, you can easily understand why – it is a truly superb composition...
Charlie and the Chocolate Factory – Liverpool Empire
North West

Charlie and the Chocolate Factory – Liverpool Empire

If you want to view paradise, simply look around and view it. Unless you’ve been living under a rock, you have probably read the Roald Dahl story of Charlie and the Chocolate Factory, or at least watched one of the two films based on the book (team Gene Wilder over here!). It tells the story of Charlie Bucket, who comes from a poor family and never dreams of winning one of the five golden tickets to enter Willy Wonka’s chocolate factory – until it happens. We then get to go on a magical journey as Charlie and the other four golden ticket winners (and their parents) get to see the wonderous and sometimes scary, workings of Wonka’s factory. If you are used to the book or either film, then make sure you go into the musical with an open mind. Bar two songs from the 1971 film (The Candyma...
Mates in Chelsea – Royal Court Theatre
London

Mates in Chelsea – Royal Court Theatre

A fistful of comedy of manners, a pinch of absurdism with a hint of surreal topping and you get Rory Mullakey’s Mates in Chelsea directed by Royal Court Associate Director Sam Pritchard. It follows the story of a vain, leisure-loving, man-child viscount Theodore ‘Tug’ Bungay (Laurie Kynaston) who has been living off inherited wealth in a spacious West London flat with a housekeeper Mrs Hanratty (Amy Booth-Steel) until one day there is none left and her mother Lady Agrippina Bungay (Fenella Woolgar) is forced to sell their Northumberland castle to a Russian Oligarch. The larger-than-life yet empty-from-within tone is set right from the beginning with clever design (Milla Clarke) and directorial choices- an empty, high-rising, narrow-looking white apartment with steel fittings a...
Treason the Musical – Alexandra Palace
London

Treason the Musical – Alexandra Palace

From a young age people in the UK know the 5th of November is Fireworks Night. ‘Remember, remember the 5th of November…’ we all know the rhyme for Guy Fawkes night. We may be hazy on the details, but we know it’s something to do with some guy plotting to blow up parliament. Which is essentially what ‘Treason: The Musical’ is the story of: it is the gun powder plot of 1605; the failed assassination attempt to blow up King James I during the opening of parliament. The story could’ve been heavy – it deals with religion, ideological conflict, tolerance, revolutionary thought and protest, but it’s not. It’s an uplifting musical celebration of protest and revolution. It’s about not standing by while the authorities overreach their power, it’s about speaking up and taking action to make wha...
Balletboyz: England on Fire – Sadlers Wells
London

Balletboyz: England on Fire – Sadlers Wells

Based on the book, England on Fire by Stephen Ellcock and Matt Osman, this sizzling production brings England’s eclectic past and present to life. The show begins with a meditative lighting design (designed by Andrew Ellis) projected on the high side walls. This gives way to a sombre, moody, arboreal setting with freakish animal-hybrid characters extravagantly dressed in black, watching the metaphorical birth/death of our protagonist. A dramatic start. The piece is a curation of different dances, each relating to a segment of the book. The setting explores England through time; from the ancient land to the modern day featuring a sparky Arctic Monkeys-esque band, Gag Salon. It is no surprise that the result is outlandish and stylistically fluid. The main thread is this new-born person we...
Scratches – Arcola Theatre
London

Scratches – Arcola Theatre

Self-harm and comedy don’t seem like concepts that sit quite right together; it almost feels like a toxic pair. But Aoife Kennan nails this combination, and with such panache! Kennan starts off on stage with a sex story that seems like a one-woman comedy show, only to be interrupted by her ‘best friend’ played by Zak Ghazi-Torbati. Together, the duo challenge stereotypes, take a dig at how ‘diversity and inclusion’ boxes are commonly ticked, how GPs only focus on handing out medication instead of dealing with the feelings and how they can outdo each other’s stage presence - which is a hard contest because they’re both brilliant performers! In the power packed hour, we are able to gently unpack what goes on in the brain and body of those battling with anxiety and depression, and how t...
The Wedding Singer – The Grange Theatre
North West

The Wedding Singer – The Grange Theatre

The award-winning musical theatre group ‘The Zodiac’ presents its 102nd production, founded in 1968 they have been entertaining and wowing audiences for over five decades. ‘The Zodiac’ is a registered charity that aims to bring theatre and the arts to their local community making it accessible to all. I was delighted to meet Matt Weaver the Chairman of this superb theatre group who spent time explaining about ‘The Zodiac’ and their training programme. It was heart-warming to hear how the group had evolved and the way they pride themselves on the family ethos. There are honorary life members in the theatre group/cast including Valerie Ball who is the President of ‘The Zodiac’ and was also up on stage as the character Angie in ‘The Wedding Singer’! I had not seen a Zodiac production be...
Beyond Ourselves – Union Theatre
London

Beyond Ourselves – Union Theatre

Beyond Ourselves is a new piece of writing, aiming to highlight the challenges for drama graduates and ‘the obstacles they face and the drive and determination to overcome them’. This hopeful premise prompted a personal and emotional response. It’s not just my story, but the woeful narrative of most of my friends. Not only do I have a dog in this fight, my life has been nothing but a canine battle to a symphony of yaps, howls and sighs.  Despite heartfelt sympathies and an abundance of experience, my expectations for Beyond Ourselves were low. The thought of giddy drama kids doing high-kicks and forlorn soliloquies sent shivers down my wizened spine. It’s entirely possible that the failures and odd diversions of my own career swayed my judgement. It was a curdled mix of grim curios...
Rogers + Hammerstein’s Cinderella – Waterside Arts Centre
North West

Rogers + Hammerstein’s Cinderella – Waterside Arts Centre

Junior Stage 80 (JS80) presented their adaptation of the classic Rogers + Hammerstein’s ‘Cinderella’ at the beautiful Waterside Arts Centre. It was clear from the buzzing audience that there were many family members and friends of the cast present for the opening night. I hadn’t heard of Junior Stage 80 before this evening, but I believe it to be a well-established group with over 37 previous productions dating from 1985. Julie Besbrode and Tanya Temkin are the JS80 producers who state in the brochure that: “Community is at the heart of JS80 and it always has been and will remain so. It is one of their key founding principles and what glues them together. Their rehearsals are a microcosm of the wider Jewish community where they gather twice weekly for 6 months of the year, as one big...
Breaking the Castle – Old Red Lion Theatre
North West

Breaking the Castle – Old Red Lion Theatre

There must be something special about a one-man show relating to addiction and mental illness if it has toured multiple venues across Australia and the UK. With outstanding reviews and audiences engaging with the show, it is clear that the dark, heavy and sensitive themes of the play are skillfully dealt with by writer and actor Peter Cook. The audience enters to a stage littered with some props, chairs and stools. These are creatively used across the settings that the play traverses through. Cook is a great storyteller, both with his words and performance. He tirelessly braves through the 75-minute play, sharing his own experiences with addiction and rehabilitation through the fictionalised character of David. The writing is crisp and conversational - and in a space as intimate as the ...