REVIEWS Archives - Page 102 of 548

What If They Ate The Baby? / A Letter to Lyndon B Johnson or God: Whoever Reads This First – Soho Theatre

20Mar

By Sadie PearsonNo Comments

London

What If They Ate The Baby? / A Letter to Lyndon B Johnson or God: Whoever Reads This First – Soho Theatre

The ceiling is clanging. the spaghetti casserole is green and the two housewife’s mannerisms are disconcertingly in-sync. In this absurdist comedy, beneath a polite veneer, nothing is quite as it seems… Shirley (Natasha Rowland), 1950s housewife, is a picture of idealised domesticity - scrubbing floors in a marigold dress to match the marigold gloves that it is apparent she lives in. But when Dottie (Xhloe Rice) arrives to return a casserole tray, despite synchronised displays of social respectability - a polite remark to their husbands’ health - an exchange of recipes - it is clear something is desperately wrong beneath all this. Exploring female autonomy, McCarthyism and queer relationships, as the pretences unravel, so too does the world the characters inhabit. What hooks you firs...

19Mar

By Jenn McKeanNo Comments

North West

Pig Heart Boy – Liverpool Playhouse

Better to have a pig heart that works, that a human one that doesn’t, right? Pig Heart Boy, based on the popular 1997 novel by Malorie Blackman of the same name and has been adapted for the stage by Winsome Pinnock. It is true to the book and has even been endorsed by Blackman herself. It tells the story of Cameron, a 13-year old boy who has had heart problems since he was ill as a child. Everyone treats him as though he’s a China cup, fragile and to be handled with care. When his father contacts Professor Bryce, things start to look up, after a failed attempt at a heart transplant. Or does it? Bryce has been working on a way to get pig hearts transplanted into humans, to help save more people. The story ends up in the media and what follows is how a young boys life changes – for the be...

19Mar

By Eleanor HallNo Comments

North West

The Moth – Shakespeare North Playhouse

Paul Herzberg’s two hander is a nuanced take on familial responsibility, the ethics of searching for forgiveness, and history’s grip on our adult lives. Using the studio at Shakespeare North to its full potential, The Moth directly confronts its audience with these thought-provoking themes. The stage was preset with tall posters and a flat screen TV that introduced one character’s ‘Confesisonal’, implying a public forum and foregrounding the character study that was to come. The action weaved between John Josana’s talk on racism, his international childhood and his experiences meeting Marius (a South African ex-solider) on a train and later elsewhere. In detailing John’s experiences, the play introduced some vivid imagery and an interesting historical backdrop, supported by monochro...

Pride & Prejudice* (*sort of) – The Lowry

19Mar

By Scot CunninghamNo Comments

North West

Pride & Prejudice* (*sort of) – The Lowry

After its 2018 debut at The Tron, Glasgow, Pride & Prejudice* (*sort of) enjoyed a stint in the West End as well as a nationwide tour. With ballgown and boombox at the ready, this musical medley of classic meets comedy ventures out to entertain once more. This irreverent adaptation of the Austen novel is delivered by 5 actors soon to portray servants in a “proper” performance of it: think play-within-a-yet-to-start-play. They are tired of being the unsung heroes and so take on the leading roles in their own loud, rough and ready interpretation. Unwavering passion from an all-female troupe ensures that the utmost humour is squeezed out of every interaction, every song, every gesture. Emma Creaner delights as a pompously charismatic Charles Bingley, later slaying the audience as hi...

19Mar

By Tracey BellNo Comments

Yorkshire & Humber

Rock of Ages – Sheffield Lyceum

A Racy, raucous feast of Rock! Rocking its way to the Sheffield Lyceum, Croft House Theatre Company, who never fail to impress, catapult the comedy and rouse the raucous in the aptly named Rock of Ages. Book by Chris D’Arienzo and Musical arrangements and orchestrations by Ethan Popp. Directed and choreographed with flair by Claire Harriott, this difficult script is given an energetic and racy outing, with a strong and able cast of principals and ensemble, filling the stage and creating the crazy hedonistic era. Matt Symonds does a superb job as Musical Director and Keys, he has his work cut out with the full on and complex score. Liam Stevenson on Lead Guitar plays some excellent guitar solo’s joined by Jeff Swift on Guitar two, Matt Jackson (great wig!) on Bass Guitar and the excellen...

19Mar

By Bev ClarkNo Comments

North West

Dear Evan Hansen – Storyhouse Chester

An Emotional Roller-Coaster - It’ll Make Your Spine Tingle! There’s no doubt that composers Benj Pasek and Justin Paul have a formula for success with The Greatest Showman and Lala Land as part of their catalogue and Dear Evan Hansen is another award-winning musical hit. It premiered on Broadway in 2016, followed by a film and endless theatre tours and it has found a solid following of fans, of which there were many in the audience last night. A standing ovation to rapturous applause. It’s an emotional rollercoaster with moments of grief, love, laughter and sympathy and those ‘sweet spots’ in the melodies make the hairs on your arm stand up and your spine tingle. For those who haven’t stumbled across this wonderful show before, it’s the story of a socially anxious teenager who fee...

19Mar

By Max EdenNo Comments

North West

Handbagged – The Lowry

Moira Buffini’s Handbagged has been revived and brought back to the stage and is currently at The Lowry as part of its UK Tour. Directed by Alex Thorpe; this revival is as sharp, funny, and thought-provoking as ever. Exploring the imagined private conversations between Queen Elizabeth II and Margaret Thatcher, the play deftly balances political satire while exploring power, duty, and legacy from these two iconic women in UK’s history. The brilliance of Handbagged lies in its unique dual-casting, with two actors playing each of the leading figures at different points in their lives. Morag Cross delivers a commanding performance as the older Thatcher, bringing both steely determination and flashes of vulnerability to the role. Emma Ernest, as the younger Mags, captures the rising polit...

Eliza Carthy and Jennifer Reid – Traverse Theatre

18Mar

By Wendy McEwanNo Comments

Scotland

Eliza Carthy and Jennifer Reid – Traverse Theatre

Jennifer Reid performs nineteenth-century Lancashire dialect and Victorian broadside ballads. She comes from Rochdale, “but I admit it”. Reid sings unaccompanied throughout the evening but provides percussion for one of Carthy’s songs in the form of clog dancing. Eliza Carthy describes herself as a “modern English musician”. She sings centuries-old traditional songs, and more modern pieces including her own compositions. She mostly sings unaccompanied and occasionally brings out her fiddle. Carthy hails from Yorkshire, and a few good-natured cross-Pennine insults are exchanged over the course of the evening. Reid is a fantastic storyteller, bringing life to some memorable characters such as “Frolicksome Kay”, a good Lancashire lass who is disappointed by her new boyfriend from Yo...

Seven Drunken Nights: The Story of the Dubliners – Usher Hall

18Mar

By Dylan MooneyNo Comments

Scotland

Seven Drunken Nights: The Story of the Dubliners – Usher Hall

Perfectly timed for St Patrick’s Day, ‘Seven Drunken Nights: The Story of the Dubliners’ stopped off at the Usher Hall on their 2025 UK Tour. As the name suggests, this concert-style show tells the story of Ireland’s famous folk group, the Dubliners, with songs such as ‘The Irish Rover’, ‘Tell Me Ma’ and ‘Dirty Old Town’. The show was created with O’Donoghue’s pub where the original group used to perform. The performance is made up of a talented group of musicians who bring the Dubliners’ greatest hits to life while also serving as narrators, teaching the lively audience how the group started out 50 years ago. The stage makes use of three different locations - a traditional Irish pub, a recording studio set and a section at the front left clear for the performers to come closer to the a...

17Mar

By Adam WilliamsNo Comments

North West

The Flying Dutchman – The Lowry

I’m afraid this production of The Flying Dutchman, an opera about a man cursed to wander the oceans forever, was itself all-at-sea, lacking direction, and one feared, at times, would sink under the weight of its sadly misguided reimagined central conceit. It was kept afloat by the excellence of the cast, but the production itself did not seem to know where it was going because the basic idea behind it did not work. In their own words, they “have re-imagined The Flying Dutchman to take place on the ‘ship of state’: the Home Office. Daland is the ‘Home Secretary’ and the Dutchman and his crew become displaced people seeking refuge.” This analogy just did not work and whilst it was a noble effort to make The Dutchman a man seeking asylum it did not fit with the opera and became confusin...