London Archives - Page 79 of 110

23Apr

By Zoё MeeresNo Comments

London

Qrumpet – Camden People’s Theatre

Theatre can elicit many emotions in an audience – fear, sadness, joy, anger, to name but a few. Last night, I felt an emotion that I don’t think has ever been awoken in me through the arts – an absolute, raging frustration. The show’s description is quirky and intriguing – basically, quantum tunnelling, but with a crumpet. What if you could throw a crumpet through a wall? SPOILER ALERT. You cannot. And I know this, because last night I spent an hour watching crumpets being buttered and thrown at a wall. Not just crumpets, either; a shoe, a free newspaper, an unsuspecting Lindt bunny. None of the above can be thrown through a wall, and I’m sorry to say that I didn’t find the process of finding that out remotely entertaining. The stage is set with the world’s worst Pelaton bike ...

22Apr

By Stewart Who?No Comments

London

Saving Britney – The Other Palace

Britney Spears was a titanic pop phenomenon. That’s a concrete fact, if you were a fan or a puzzled observer. Whether it was shrugging off the Lolita vibes of the ‘Baby One More Time’ video or sniggering when she shaved her head in a psychotic episode, we were all complicit in the making and breaking of Britney. In 2007, Chris Cocker went viral with a YouTube plea to ‘Leave Britney Alone’. In many ways, the appeal was a canary down the mine for the media intrusion that ensued. Incidentally, Cocker evolved into a very able gay porn star, and then after a stab at cinema and pop stardom, transitioned, and is now known as Cara Cunningham. As Britney would say, ‘Work Bitch’. The Free Britney movement grew from a semi-jokey meme in 2009, to a full-blown, bona fide campaign juggernau...

22Apr

By Riana HowarthNo Comments

London

The Burnt City – Woolwich Works

Punchdrunk’s new piece directed by Felix Barrett and Maxine Doyle is an exhilarating immersive experience which has the epic feel of Greek tragedy fused with a modern electricity. Based on Agamemnon and Hecuba, the story follows the characters as the mythical world comes to life. Audience members enter an exhibition which suddenly lurches into this realm, where space and time feels suspended. We are free to follow whatever takes our interest as a multitude of scenes occur simultaneously across the different spaces. There isn’t a huge amount of audience interaction, but it is visually and mentally engaging throughout as you endeavour to piece together the plot and choose where to go. For a venue with a plethora of different spaces, the set designed by Barrett, Livi Vaughan and Beatrice M...

Sidney Fox’s Crime – Above The Stag Theatre

22Apr

By Paul AckroydNo Comments

London

Sidney Fox’s Crime – Above The Stag Theatre

Sidney Fox led an eventful, unconventional and disreputable life. The illegitimate fourth son of promiscuous Rosaline Fox, he took up pretty crime from an early age. Stealing and forgery were second nature to him, and he spent six spells in prison. His good looks made him attractive to both sexes and he had affairs with many in the highest echelons of 1920's society. In the years before his mother's death, the two of them lived in a succession of hotels, rarely paying the bills before moving on. On 23rd October 1929 in the Metropole hotel in Margate his mother died in mysterious circumstances. Sidney was arrested and tried for her murder. Glenn Chandler has written a fast moving, fascinating account of Fox's life and the events leading up to his mother's death and his ...

21Apr

By Riana HowarthNo Comments

London

Eating Myself – King’s Head Theatre

Pepa Duarte takes us on a journey into her past struggles with eating, body image and her relationship with her Peruvian heritage. It shows a vivid depiction of disordered eating and the comical absurdity of it all when seen from a distance. The themes of womanhood and culture continuously overlap, as she challenges traditions and reconciles with her roots. Pepa cooks and leaves the soup to stew, and we become immersed in the aroma and her story. The set designed by Laura Arroyo is effectively minimalistic, hinting at a Peruvian kitchen with utensils dangling at the sides and a kitchen top. Michael Harpur’s lighting design highlights dramatic moments and shifts the mood between different scenes. Duarte’s writing is balanced and truthful. The script is written in a way that feels like...

18Apr

By Carole GordonNo Comments

London

Scandaltown – Lyric Hammersmith

Mike Bartlett's Scandaltown is contemporary London writ very large - big, crass, rollicking London as Restoration comedy. As Cromwell banned theatre in the 17th Century, and Covid managed to do the same in the 21st, both led to a restoration of theatre to (hopefully) their former glory. In Scandaltown there are debauched parties, lies, social media manipulation and cancel culture putting the reputation and power of London's political and social elite at stake. So, it's just about as topical as it gets. The story centres on the thoroughly woke Phoebe Virtue who, when she hears news (on Instagram of course) that her twin brother Jack is up to no good in London, she heads to town to find and save him. In true comedy fashion, she disguises herself as a man and persuades Jenny, Freddie an...

The Lion, the Witch and the Wardrobe – New Wimbledon Theatre

14Apr

By Zoё MeeresNo Comments

London

The Lion, the Witch and the Wardrobe – New Wimbledon Theatre

C.S Lewis’s The Lion, the Witch and the Wardrobe absolutely mesmerised me as a young child – and it’s a fixation that has followed me into adult life. Narnia has always held a special kind of magic for me. Notwithstanding the troubling alternative readings of C.S Lewis’s works, the concept of a door to another world full of talking beasts, dwarves and other mythical creatures, only accessible to children who are able to become national heroes, was just too seductive. Add some Christmassy undertones, some genuinely scary creatures and storylines and a feel-good character arch or two and it’s a pretty perfect story. It’s also a story that’s been told many, many times - from the 1988 BBC dramatization (which I tracked down on DVD in later years), listening to the full Chronicles of Narnia ...

Zorro The Musical – Charing Cross Theatre

13Apr

By Robert BartleyNo Comments

London

Zorro The Musical – Charing Cross Theatre

The Phantom Of The Opera isn’t the only masked man in black running around the West End while singing about the woman he loves. He now has competition from Zorro, the Spanish vigilante whose story was developed as a musical back in 2008. This new production was beginning a run in Manchester in March 2020 when Covid got in the way, but now the swashbuckler with the flaming sword is back at London’s Charing Cross Theatre. Based on the origin tales of the famous fictional character (along with the 1998 film starring Antonio Banderas and Catherine Zeta Jones), the show follows the life of the wealthy young Diego who is sent away from California to study in Spain. Initially Diego resents being sent away, but soon falls for the Latin way of life, along with the intoxicating gypsy ...

13Apr

By Alice RoseNo Comments

London

Tapped – Theatre 503

Tapped by Katie Redford is a unique story following a mother, daughter and a local friend turned motivational speaker. Gavi’s (Max Hastings) goal is to start a group which encourages people to achieve their dream in 6 weeks, but that may be harder to achieve due to no one showing up except for a mother and daughter duo (Jennifer Daley and Olivia Sweeney) who have a growing frustration buried by years of misunderstandings. This trio work together, surpassing barriers of the mind and forcing positive thinking until it works but inevitably it doesn’t work, and the fall seems harder. This story is a heartfelt piece showing the depth of mental health in small towns full of people with much bigger dreams and how unforgiving parenthood can seem when struggling with the expectations of being a ...

11Apr

By Stewart Who?No Comments

London

The Bone Sparrow – Theatre Peckham

In a country where the Home Office ponders sending asylum seekers to Rwanda for ‘processing’ and Navy battleships intercept people crossing the Channel on a lilo, The Bone Sparrow couldn’t be timelier. It’s ironic that Boris Johnson can fly to Kyiv with ease, while Ukrainians fleeing war, can’t get to the UK for love nor money. The UK’s discourse on migration feels endlessly toxic, but the Brits are far from alone in their unbridled ignorance with regards to this topic. Pilot Theatre have landed at Theatre Peckham to shine a light into this darkness. Their welcome pitch is a stage adaptation of Zana Fraillon’s book about Subhi, a boy born in an Australian detention centre after his mother escapes genocide in Burma. Like the prisoners in Plato’s Allegory of the Cave, Subhi has no concept...