Friday, September 20

London

Eating Myself – King’s Head Theatre
London

Eating Myself – King’s Head Theatre

Pepa Duarte takes us on a journey into her past struggles with eating, body image and her relationship with her Peruvian heritage. It shows a vivid depiction of disordered eating and the comical absurdity of it all when seen from a distance. The themes of womanhood and culture continuously overlap, as she challenges traditions and reconciles with her roots. Pepa cooks and leaves the soup to stew, and we become immersed in the aroma and her story. The set designed by Laura Arroyo is effectively minimalistic, hinting at a Peruvian kitchen with utensils dangling at the sides and a kitchen top. Michael Harpur’s lighting design highlights dramatic moments and shifts the mood between different scenes. Duarte’s writing is balanced and truthful. The script is written in a way that feels like...
Scandaltown – Lyric Hammersmith
London

Scandaltown – Lyric Hammersmith

Mike Bartlett's Scandaltown is contemporary London writ very large - big, crass, rollicking London as Restoration comedy. As Cromwell banned theatre in the 17th Century, and Covid managed to do the same in the 21st, both led to a restoration of theatre to (hopefully) their former glory.  In Scandaltown there are debauched parties, lies, social media manipulation and cancel culture putting the reputation and power of London's political and social elite at stake. So, it's just about as topical as it gets. The story centres on the thoroughly woke Phoebe Virtue who, when she hears news (on Instagram of course) that her twin brother Jack is up to no good in London, she heads to town to find and save him. In true comedy fashion, she disguises herself as a man and persuades Jenny, Freddie an...
The Lion, the Witch and the Wardrobe – New Wimbledon Theatre
London

The Lion, the Witch and the Wardrobe – New Wimbledon Theatre

C.S Lewis’s The Lion, the Witch and the Wardrobe absolutely mesmerised me as a young child – and it’s a fixation that has followed me into adult life. Narnia has always held a special kind of magic for me. Notwithstanding the troubling alternative readings of C.S Lewis’s works, the concept of a door to another world full of talking beasts, dwarves and other mythical creatures, only accessible to children who are able to become national heroes, was just too seductive. Add some Christmassy undertones, some genuinely scary creatures and storylines and a feel-good character arch or two and it’s a pretty perfect story. It’s also a story that’s been told many, many times - from the 1988 BBC dramatization (which I tracked down on DVD in later years), listening to the full Chronicles of Narnia ...
Zorro The Musical – Charing Cross Theatre
London

Zorro The Musical – Charing Cross Theatre

The Phantom Of The Opera isn’t the only masked man in black running around the West End while singing about the woman he loves. He now has competition from Zorro, the Spanish vigilante whose story was developed as a musical back in 2008.  This new production was beginning a run in Manchester in March 2020 when Covid got in the way, but now the swashbuckler with the flaming sword is back at London’s Charing Cross Theatre. Based on the origin tales of the famous fictional character (along with the 1998 film starring Antonio Banderas and Catherine Zeta Jones), the show follows the life of the wealthy young Diego who is sent away from California to study in Spain.  Initially Diego resents being sent away, but soon falls for the Latin way of life, along with the intoxicating gypsy ...
Tapped – Theatre 503
London

Tapped – Theatre 503

Tapped by Katie Redford is a unique story following a mother, daughter and a local friend turned motivational speaker. Gavi’s (Max Hastings) goal is to start a group which encourages people to achieve their dream in 6 weeks, but that may be harder to achieve due to no one showing up except for a mother and daughter duo (Jennifer Daley and Olivia Sweeney) who have a growing frustration buried by years of misunderstandings. This trio work together, surpassing barriers of the mind and forcing positive thinking until it works but inevitably it doesn’t work, and the fall seems harder. This story is a heartfelt piece showing the depth of mental health in small towns full of people with much bigger dreams and how unforgiving parenthood can seem when struggling with the expectations of being a ...
The Bone Sparrow – Theatre Peckham
London

The Bone Sparrow – Theatre Peckham

In a country where the Home Office ponders sending asylum seekers to Rwanda for ‘processing’ and Navy battleships intercept people crossing the Channel on a lilo, The Bone Sparrow couldn’t be timelier. It’s ironic that Boris Johnson can fly to Kyiv with ease, while Ukrainians fleeing war, can’t get to the UK for love nor money. The UK’s discourse on migration feels endlessly toxic, but the Brits are far from alone in their unbridled ignorance with regards to this topic. Pilot Theatre have landed at Theatre Peckham to shine a light into this darkness. Their welcome pitch is a stage adaptation of Zana Fraillon’s book about Subhi, a boy born in an Australian detention centre after his mother escapes genocide in Burma. Like the prisoners in Plato’s Allegory of the Cave, Subhi has no concept...
I Know, I Know, I Know – Southwark Playhouse
London

I Know, I Know, I Know – Southwark Playhouse

I Know, I Know, I Know, at the Southwark Playhouse was originally in place for The Vaults festival however with this year’s cancellation has moved. Starring Ethan Moorhouse, Hannah Khalique-Brown and Martha Watson Allpress, we are split between two locations: one where friends drive to a wedding discussing the success of the band they created and the other we watch a young woman writing the article, expressing her experience with this band member from the age of 16. The two scenes run side by side, weaving through each other as we grasp on what is truth and who could be lying. The tragedy of this piece is its relevance and the violence against the victims who come forward. It can take some attention to keep up with the pace of this piece, the rhythm is very tight and so harmonious with ...
Richard II – The Vaults
London

Richard II – The Vaults

This inventive take on a Shakespearean classic finds itself in the grizzly, ambient Vaults. Quandry Collective presents a world in which a woman disguises herself as a man to hold onto the throne. The story follows Richard II’s demise starting from the moment he banishes Bolingbroke to his bitter end. The cast is all male with the exception of Coco Maertens who plays Richard. They convey a harsh, sterile environment full of dormant aggression and angst which often explodes into violence and you appreciate her precarious position as a woman. The set designed by Valentine Gigadet is cluttered with pieces of fence and other units amongst bric-a-brac that double up as percussive instruments used by the performers. This sets an ominous tone and with the pulsating electronic beats, they both ...
A Good Time Was Had by All – The Hope Theatre
London

A Good Time Was Had by All – The Hope Theatre

A black box theatre, dimly lit, with a lack-lustre dinner table placed at the centre, invites the audience to settle on chairs laid on nearly all four sides of the room. The suspenseful score foreshadows the action in the play and Liz (played by Bethany Monk-Lane) inconspicuously starts setting up the table, arranging it with precision and control. Her serious demeanour yet again foreshadows what is to unfold- stark, bizarre, and powerful. Written and directed by Sam Smithson, A Good Time Was Had by All poses important questions about exercising justice and blows the extent to which one can go to take a stand - “I acted when it mattered.” A dinner party hosted by Liz, who has recently returned from a war zone, for a bunch of university friends quickly turns into a surreal amalgamation o...
Bourgeois & Maurice: Pleasure Seekers – Soho Theatre
London

Bourgeois & Maurice: Pleasure Seekers – Soho Theatre

As people ponder eating their pets due to a cost of living crisis, and war crimes bleed from the airwaves, it was a cheering prospect to spend the night with Bourgeois & Maurice and their new show, ‘Pleasure Seekers’.  The habitually dark and subversive cabaret assassins burst onto the stage with unhinged glee and in their opening song, promised to serve unbridled hedonism, positivity and joy to a world drowning in sadness. They didn’t disappoint, with lyrics that pledged taking ‘sixteen pills’ at a rave in Berlin and adopting hedonism as a ruling strategy.  The Friday night, Soho crowd lapped up this ecstatic decree and clapped along with bawdy delight, but we were lulled into a party vibe that was about to curdle and veer into darker pastures. Essentially, the show is...