Friday, January 10

London

Patriots – Almeida Theatre
London

Patriots – Almeida Theatre

How do you make a grown Russian man sing? Give him a piano and some vodka. How do you make him cry? Take him away from the Motherland. Patriots has all the hallmarks of a good political drama. Court intrigues, outrageous backdoor deals, international conflict, even memorable, poisonous assassinations… It is after all the new play of Peter Morgan, best known for his historical hits such as Netflix’s The Crown, The Audience, or Frost/Nixon. Here Morgan examines the making of oligarchs in post-soviet Russia and the rise of one Vladimir Putin from deputy mayor of Saint Petersburg to President of the Russian Federation, all through the eyes of mathematician genius turned businessman and kingmaker, Boris Berezovsky. Directed by Almeida Artistic Director Rupert Goold, this production often ...
Hungry – Soho Theatre
London

Hungry – Soho Theatre

On the face of it, Chris Bush’s new play could simply be viewed as a fresh take on class. In reality, Hungry has more layers than a millefeuille, tackling a diverse range of topics including love, love language, class, culture, ethnicity, sexuality, addiction and, of course, food. The set-up is thus – laidback waitress Bex meets passionate, driven chef Lori. Bex loves chicken nuggets and Pot Noodles, Lori is acutely aware of the difference between a mousse and a marquise. During an hour and ten minutes we move back and forth in time, observing the peaks and troughs in their relationship – two people who find love with someone so unlike them, trying to assimilate and be assimilated into each other's worlds. The time-hopping can be confusing, especially in the earlier scenes as you try to...
Shake The City – Jermyn Street Theatre
London

Shake The City – Jermyn Street Theatre

The 1970 unofficial strike by five thousand clothing factory workers in Leeds has been largely forgotten and tends to be ignored by historians and anyone outside the immediate area. At the time though, it had a massive impact in raising the issue of equal pay for equal work, eventually to be enshrined in law in the Equal Pay Act.  Millie Gaston's Shake The City looks at the strike and its origins from the perspective of four of the factory workers, exploring the narrative through the lives of the women.  Margaret (Rachael Halliwell) has been promoted from the factory floor to supervise the workers, and at times uncomfortable position as she finds herself straddling the worlds of the workers and the management. Lori (Stephanie Hutchinson) is full of desire to fight for equality, w...
A-Typical Rainbow – Turbine Theatre
London

A-Typical Rainbow – Turbine Theatre

Research indicates that autistic people have higher rates of LGBT identities and feelings than the wider population. In a 2017 study by the International Society for Autism Research (INSAR), 69.7% of autistic participants reported being non-heterosexual.  The fact that the author of this review got the autumn of his gay life before learning this fact might suggest that representation and awareness are issues that need addressing.  JJ Green’s new play ‘A-Typical Rainbow’ goes some way to tackling ignorance and telling a story from an autistic and queer perspective. This ground-breaking production is currently staged at the Turbine Theatre, which opened in 2019, as part of the regeneration of Battersea Power Station. It’s a cute, bijou space, bringing character and culture to...
Dracula’s Guest – White Bear Theatre
London

Dracula’s Guest – White Bear Theatre

Brother Wolf presents this creative adaptation of Bram Stoker’s Dracula’s Guest. The title is suitably euphemistic as it is revealed that Mr Renfield is being held against his will as Dracula continually glosses over this with a grandiose/ mocking hospitality. Dracula delves into the past, mapping out the scene to an eventual conclusion in which Renfield is forced to choose between two diabolical options. In the intimate studio space, the stage is minimal with a table, two chairs and a few props. One of which is a rotting pig’s head on a platter, a constant reminder of the grim, uneasy undercurrent. An eerie environment is instantly established as Dracula walks in with an open music box. There is a chilling atmosphere as you envision them surrounded by the gloomy walls and maze of a cas...
Report to an Academy – Old Red Lion Theatre Pub
London

Report to an Academy – Old Red Lion Theatre Pub

Adapted from Kafka’s short story of the same name, REPORT TO AN ACADEMY stars Robert McNamara as an intelligent ape retelling his forced evolution from primate to human after its capture in West Africa. An evolution that should mean new found humanity for the creature but instead forces it to adapt to mankind’s cruelty and mimic it as to not perish from their abuse. For a swift 60 minutes - though feeling closer to 45 - McNamara monkeys around as he reenacts the steps of its transformation. He often plays for laughs, without ever reaching the true ferocity nor heartbreak of a great primate deprived of its innate freedom. As the monologue progresses, his pantomimesque physicality grows more focused and less performative, offering a few evocative glimpses of great ape behavior - the backf...
I, Kermit – Lion & Unicorn
London

I, Kermit – Lion & Unicorn

Years ago, one of my best friends slept with Mr Blobby. I don’t literally mean that she made the beast with two backs with a pink flump-like man with yellow spots, but rather that she had sex with a man who, at the time, was in possession of the Mr Blobby suit. Possession of the suit dictates that you are, in effect, Mr Blobby in residence, until such a time as the Blobby-Baton is passed on to a successor. I’m unsure of whether my friend’s conquest is still the keeper of the costume or if there's now a new Blobby on the beat, but in any event imagine the suit is currently languishing in a bin liner somewhere, perhaps with one of Mr Blobby’s mad, unseeing goggly eyes staring dolefully out of the bag. The question of character, character ownership and the blurring of the lines between act...
A Midsummer Night’s Dream – St Paul’s Church
London

A Midsummer Night’s Dream – St Paul’s Church

Snuggled in the heart of Covent Garden, the garden of St. Paul’s Church makes for a charming site for a Shakespearean rom-com. The setup for this show by Sophia Pardon - flags, lights, banners, flowers and even a pop-up bar serving themed drinks, get the audience to buckle up for a breezy adventure. They can’t buckle up for too long, though, as this promenade performance gets the audience up and moving across several locations through the show. This Shakespeare-meets-90s-high-school adaptation of the beloved play by Sara Aniqah Malik is planned chaos! The basic storyline is the same; lovers entangled in a triangle get further muddled by the intervention of an obnoxious fairy king until some fairy dust again brings them to a happy ending. Was it all a dream just before the school prom? W...
The Lesson – Southwark Playhouse
London

The Lesson – Southwark Playhouse

A zealous pupil comes over a professor’s house to study for her total doctorate, an educational certificate in all subjects of life. The excessively polite and timid professor grows restless and domineering as his ignorant student struggles to level up with his academic demands. The pupil develops a painful toothache which renders her incapable of listening to the professor’s teachings. Their mutual pains turn lethal when in an orgasmic climax, the professor murders the young girl. The maid comes in and reprimands the professor - this is his 40th kill of the day… Fortunately she knows how to get him out of trouble and cleans it all up before another student comes to the front door, starting the play all over again. The Lesson is a seminal text in the Theatre of the Absurd, a short-lived...
The Throne – Charing Cross Theatre
London

The Throne – Charing Cross Theatre

With ‘Prince’ Andrew embroiled in rape and sex trafficking criminality, while his brother, Charles, the future king, battles a ‘cash-for-honours’ scandal involving bags of cash, the monarchy has never looked so unworthy of our respect. As working families struggle to feed their kids, using food banks and benefits to survive, the gilded wealth of Buckingham Palace seems less like a glittering distraction and more like an insult to the moral fabric of society. There are many who’d disagree with this assessment, perhaps even the Queen herself. The Throne, a new comedy, by John Goldsmith, steps into this debate, using farce and satire to explore some of the questions around ‘monarchy Vs republic’. The play is set in a ‘sink comprehensive’ school, as it prepares for a visit from the Queen...