London Archives - Page 42 of 149

28Sep

By Alice RoseNo Comments

London

Giant – Royal Court

In 1983, weeks before Roald Dahl’s new book ‘The Witches’ is to be released, a fury is coming back round to question and confront Dahl’s recent book review in which he comments on Tony Clifton’s ‘God Cried’ picture book. This review sparked a huge amount of controversy and corrupted Dahl’s sweet and humorous image. In this imagined piece, Mark Rosenblatt creates a fictitious afternoon in which Dahl’s publicists are pushing for an apology for his review. John Lithgow as a superbly complex Dahl is adamant on standing by his beliefs no matter the consequences to who might cull his books from the shelves. Rosenblatt comments that this piece although fictitious, has intertwined verbatim comments made from Dahl on this matter. As our current day viewers are now confronted with the long hi...

28Sep

By Dave SmithNo Comments

London

Never Let Me Go – Rose Theatre

Nobel laureate Kazuo Ishiguro’s Never Let Me Go has been adapted for the stage by Suzanne Heathcote. The story follows a group of clones raised at Hailsham, a boarding school where they learn about their purpose, born and bred to donate from their bodies. Here they make art, and they learn about their bodies and how to keep them healthy so that they can donate to the unknown people they are bred to serve. Although the specifics of the donation process remain shrouded in mystery, it’s clear that they are not expected to survive beyond their fourth donation. In the meantime, they take on roles as carers for those clones who have already started the donation journey. At the centre of this story are Kathy, Ruth, and Tommy. Kathy harbours feelings for Tommy, but Ruth, despite knowing this, e...

26Sep

By Olivia CoxNo Comments

London

The Real Ones – Bush Theatre

Romantic love is a road well travelled by storytellers, but what about its platonic counterpart? Olivier Award-winning playwright Waleed Akhtar seeks to shine a light on the similarly turbulent and complex dynamics within friendship in his new play The Real Ones, currently playing at Bush Theatre until 26th October. Set across a period of almost two decades, we encounter British-Pakistani best friends Zaid (Nathaniel Curtis) and Neelam (Mariam Haque) at various critical moments in their lives — and in their friendship — as they deal with growing up, family tensions, relationships, and identity. Closeted Zaid has his heart fervently set on becoming a playwright, and he’s also navigating his place in the world as a gay Pakistaniakistani man. Having developed a complex relationship with...

Waiting for Godot – Theatre Royal Haymarket

25Sep

By Riana HowarthNo Comments

London

Waiting for Godot – Theatre Royal Haymarket

Well, these are two very well-spoken "tramps". A wired Didi (Ben Whishaw) jolts and flourishes across the space, amidst a more weighted, stony Gogo (Lucian Msamati). The two are equally as confounded as each other, torn between wavering uncertainty and resignation to the fact. As the title of the play reveals, they are waiting for Godot. In Beckett's classic, we are not entirely sure who Godot is or why he is being waited for, and neither, as it seems, are the characters. Whishaw and Msamati play their respective characters so beautifully. It is like watching a dance - their responsivity and spontaneity is glorious, and they find musicality in the repetition. This much studied play has plenty of meat to chew on. The real juiciness of it, as brought out by Whishaw and Msamati ...

24Sep

By Savitha VenugopalNo Comments

London

Lilith – New Wimbledon Theatre

The stage is stark – white and blank save for the tree in the centre, laden with red fruit. This is the setting of an ancient story, the characters well known. You already know what that tree is, what it is going to do to Adam and Eve. But what of Lilith, the one who fell through the pages, the first companion of Adam, banished from paradise? The play – directed by Olivia Swain and Aimee Dickinson, written by the latter along with Aliya Gilmore – tells the story from the much-vilified Lilith’s perspective. Created along with Adam as a single entity “with four limbs and twin mouths”, Lilith was then cleaved from Adam and each named after the rhythm of their heartbeats. Together, they explore the garden of Eden with the delight of children, tasting fruits, naming animals and flowers, m...

The Lonesome Death of Eng Bunker – Omnibus Theatre

20Sep

By Olivia CoxNo Comments

London

The Lonesome Death of Eng Bunker – Omnibus Theatre

The story of Chang and Eng Bunker is one of enduring curiosity: two Siamese immigrant twins, conjoined by a band of cartilage and a shared liver, fascinated audiences across the US and achieved an unorthodox version of the American Dream. But on January 17th, 1874, Eng woke up to discover his conjoined twin brother was dead, before passing away himself a few hours later. The Lonesome Death of Eng Bunker, directed by Iskandar R. Sharazuddin, depicts Eng’s final solitary hours through puppetry, music, and striptease. Across an enchanting 60 minutes, writer and performer Tobi Poster-Su is at one with his puppets, bringing each figure — no matter how big or small — to life with a thrumming heartbeat. From the smallest tea bag to the largest human-like puppet, Poster-Su takes an extrao...

The Truth About Harry Beck – Cubic Theatre

19Sep

By Samantha CollettNo Comments

London

The Truth About Harry Beck – Cubic Theatre

The iconic London Tube Map is known the world over. But what about the man who invented it? Very little is known about Harry Beck, until now. Enter Andy Burden, writer and director, who’s made it his mission to shine a light on this quiet genius who changed the way we see and understand London. It’s funny when you think about it, the Tube map is such a taken for granted thing. Stations are leisurely dotted along coloured lines, circles show how you can change routes, and in one complete and easily digestible format, you can get where you want to go. It’s a remarkable feat of compression and visual ingenuity to distil the London Underground’s 250 miles of track and 272 stations across 11 lines into one handy map. But that’s what Harry Beck did. Photo: Mark Douet Sadly, when he d...

17Sep

By Zara OdetundeNo Comments

London

The Prudes – Royal Court

The Prudes, written by Anthony Neilson, is a comedy centred around the sex lives (or lack thereof) of Jimmy and Jess, a couple grappling with intimacy issues. While the premise offers plenty of potential for humour and thoughtful exploration of modern relationships, the production, unfortunately, falls short in several areas, leaving the audience with a mixed experience. Vkinn Vats, who portrays Jimmy, tended to overact at times. His performance felt slightly exaggerated, not reminiscent of a man struggling with insecurity and relationship woes. Instead of fully drawing the audience into his internal conflict, the over-the-top delivery occasionally pulled us out of the moment. At times, it seemed as though the actor was playing for laughs in a way that leaned more towards slapstick than...

17Sep

By Alan Stuart MalinNo Comments

London

Myra DuBois: Be Well – Hackney Empire

Myra DuBois returned to the stage at the Hackney Empire with her irreverent brand of comedy, leaving the audience in stitches, and occasionally wincing with disbelief. Presented as a "wellness sermon," ‘Myra DuBois: Be Well’ promised a fresh perspective on mental health, but what we really got was a night of rapid-fire wit, punchy audience reads, and the occasional awkward pause. The show opened with Frank Lavender, another of Gareth Joyner’s comic personas. Lavender, a relic of 1980s northern stand-up, played on his outdated attitudes with impeccable timing. Red-faced and sequined, Lavender delivered his gags with more cheese than precision, striking just the right balance of nostalgia and absurdity, generating more than a few belly laughs and a high level of energy across the audi...

Julius Caesar – Southwark Playhouse Borough

17Sep

By Zain RussellNo Comments

London

Julius Caesar – Southwark Playhouse Borough

The Southwark Playhouse Borough’s production of Julius Caesar offers a futuristic reimagining of Shakespeare’s classic tale of political intrigue and the lust for power. While the adaptation remains faithful to the original text and preserves the integrity of Shakespearean language, it falters in its execution, particularly in its attempts to merge modern technological elements with a centuries-old script. The integration of futuristic concepts—such as the use of advanced technology, weapons, and projections—initially seems like a bold choice. The clash between the antiquated language and the modernized aesthetic often feels forced, making it challenging for the audience to remain fully immersed in the world of the play. That said, the production’s technical achievements were impress...