London Archives - Page 4 of 149

24Nov

By Charlotte MansfieldNo Comments

London

Maybe I Should Stop – Drayton Arms

Oscar Brudenall-Jones writes and stars in this one act play about Aaron, a man dealing, or not dealing, with the death of his father from Covid-19. Aaron is on a train journey to Cornwall to scatter his dad's ashes, currently hidden in a tub of chocolates. We are taken along for the ride, both physical and mental as we see Aaron's roller-coaster of emotions reaching breaking point the closer he gets to his destination. The story is told in emotional shifts between manic, up-beat clowning and quiet introspection, the lighting changing colour abruptly to signify the flip between the two states. Aaron tells us his job is an entertainer, and we are treated to jokes, impressions and physical comedy, as his abundance of nervous energy drives him to find any distraction he can to avoid having ...

20Nov

By Olivia CoxNo Comments

London

Porn Play – Royal Court

As its unashamedly frank title suggests, Sophia Chetin-Leuner’s Porn Play isn’t afraid to tackle the taboo. At the Jerwood Theatre Upstairs at the Royal Court, Director Josie Rourke has staged a production that’s willing to match the script’s boldness. From the off, Designer Yimei Zhao’s pillowy, plush, almost vulvic set draws the audience into the action at a perhaps uncomfortably close proximity. The whole room is covered in a pale, bouncy carpet; we’re asked to put covers on our shoes before we nestle into the space’s uniquely cosy seating plan. After we’ve settled in, we meet an unnamed seductress (played by a fantastic Lizzy Connolly, taking on a number of other roles) who slinks across the bed-like pit in the centre of the stage, writhing and sticking out her tongue in an arguably...

20Nov

By Michelle KnightNo Comments

London

Jurassic – Soho Theatre Upstairs

Tim Foley’s short sixty-minute play is a satirical spin on the film franchise Jurassic Park. Boxed up and packaged in such way that the actors themselves physically and figuratively fight it out in true dinosaur style. Set within a financially stricken university the Dean calls in Jay an academic in palaeontologist to his office. Jay is faced with being laid off due to academic losses, poor performance, scandal and anything the Dean could put upon him. Examples of failings ‘losses’ Jay appeared on countdown and lost to a ‘little old lady’ his performance Dean explained brought the university into disrepute. Jay hangs out in the student bar and is too familiar with the female students, “you are bringing the university into disrepute” time after time. Unhappy with his fate Jay takes steps to...

The Gardening Club – New Wimbledon Theatre

16Nov

By Savitha VenugopalNo Comments

London

The Gardening Club – New Wimbledon Theatre

It is the 1960s in Georgia, USA. In Savannah, five young women – a journalist, a nurse, a housewife, and two teenaged sisters – form a gardening club. Only, they have no intentions of discussing petunias or pesticides. This in fact will be a cover for drug dealing as they try to get their hands on (and distribute) birth control pills. At the time, these were legally available only to married women: “no pill without a ring”. The Gardening Club is a pop-rock musical written and produced by Carleigh McRitchie and Bella Wright, directed by Tara Noonan. Set in a time when women had precious little by way of body autonomy, this club is a revolutionary idea born out of the need to have some control over their lives. What sounded exciting on paper did not, unfortunately, transfer well on to ...

16Nov

By Ralph JeffreysNo Comments

London

L’Indiscipline – Theatro Technis

L’Indiscipline is a mad show full of creativity and promise and an exemplar of what fringe theatre is all about. The play focuses on the Salpetriere hospital and its celebrity doctor Jean-Martin Charcot. We begin in a lecture, ourselves as the audience, as Charcot and his assistant Gilles demonstrate their various patients, turning their mental disorders into a psuedo-scientific circus show. Their star patient however, a ‘hysteric’ called Louise Gliezes, has disappeared. Gradually, clues are fed to us that this disappearance might not be temporary: a blood stain, a stolen car, a missing gun. From here the control of the two doctors unravels as they try and work out what is going on, all while trying to control their patients and maintain a calm image for us, their lecture audience. A...

16Nov

By Gemma PrinceNo Comments

London

COVEN – Kiln Theatre

Inspired by England’s notorious witch trials of the 17th century, Rebecca Brewer’s Coven tells the story of Jenet Device in 1616 Pendle, Lancashire, who at nine years old accuses her family of witchcraft. Over two decades later, she finds herself imprisoned for the same crime amongst wrongfully accused women, forcing her to confront her painful past, her beliefs, as well as her identity. Directed by Miranda Cromwell, Coven could be likened to SIX and Sylvia in some ways, powerful women historically shunned by society, reclaiming their narratives and rewriting their stories in a deeply rooted patriarchal world. Jasmine Swan’s set is dark and intimidating, grey stone covers the stage with formidable jail bars centre stage, a constant reminder that these condemned women are trapped, whi...

15Nov

By Zain RussellNo Comments

London

After Sunday – Bush Theatre

After Sunday is an intimate and thought-provoking production set within a secure hospital where the characters join a Caribbean cooking group. Through this unique setting, the play allows us to explore how individuals cope with the emotional and psychological challenges of being in such an environment, especially when their stay has no defined end. The production sensitively portrays the complex emotions of those trying to find meaning and comfort through cooking, an activity that not only passes the time but also becomes a form of therapy. It’s a way to manage trauma, foster control, and help both patients and therapists connect in a more relaxed, human way. The cast delivers exceptional performances throughout, but Corey Weekes as Ty truly stands out. His portrayal is powerful and ...

Limp Wrist and the Iron Fist – Brixton House Theatre

14Nov

By Zandra OdetundeNo Comments

London

Limp Wrist and the Iron Fist – Brixton House Theatre

Limp Wrist and the Iron Fist at Brixton House Theatre was nothing short of electric, a play that’s not just important but gloriously entertaining. It’s funny, heartwarming, and unflinchingly true to the lives it represents. Each character feels like a facet of what it might mean to be Black and queer today: tender, defiant, exhausted, and alive all at once. The performances are uniformly strong, but the standout is Omari, played with fierce vulnerability by Tyler Orphé-Baker. His intensity grounds the play, every glance, every silence, feels heavy with truth. There are moments that made me laugh out loud and others that seemed to have the whole room in tears. Yes, there are references to sexual assault and other sensitive topics, so go in knowing that, but they’re handled with honest...

14Nov

By Olivia CoxNo Comments

London

Old Fat F**k Up – Riverside Studios

“What are we going to do about all the men?” It’s a broad question that lacks any tangible answer, and “millennial, middle-aged theatremaker” Olly Hawes isn’t concerned with providing an answer. Instead, his new solo play Old Fat F**k Up occupies space within and around the question, tackling the meaty subjects of masculinity, fatherhood, and inherent violence. As Hawes clarifies at the top of the show, staged in an intimately small traverse that brings us right into the world he’s creating, this is not a stand-up comedy show. Nor is it an autobiographical tale – but he’d happily sell it to Netflix in exchange for a glossy 6-part limited series. Old Fat F**k Up is rather a blend of storytelling and comedy that runs for a well-oiled 70 minutes, and acts as an incredibly sturdy vehicle...

10Nov

By Klervi GavetNo Comments

London

Kodachrome – The Cockpit Theatre

It all starts with a thoroughly intriguing concept. Two performers mix live throughout — two DJs whose lives become romantically intertwined as they share and fight for sonic control. The decks become a site of power, identity, a place to take over, find refuge, or disappear. It’s a strong idea — the music mirroring the shifts in desire and domination, the distortion of a connection that turns toxic. Yet the form never quite finds its rhythm. The techno undercurrent often sits in the background rather than driving the story — a missed opportunity in a show built around pulse and control. Kodachrome captures with painful clarity how easily intensity can be mistaken for intimacy, how validation can slip into addiction, and how modern monsters are made out of the most vulnerable parts ...