Thursday, September 24

London

Fagbreak – Cockpit Theatre
London

Fagbreak – Cockpit Theatre

As its first and only staged performance, ‘Fagbreak’ arrives with the understandable rough edges of new writing, but unfortunately, in its current form, Purnima Rai’s play feels lengthy, unfocused and in drastic need of editing. Following 4 young people working together in a hot-dog takeaway, there are potentially interesting ideas around friendship, work and personal struggle, but these never coalesce into a sufficiently coherent narrative, and at around seventy-five minutes, Director, Estrella Mabika’s production feels considerably longer than the limited material can sustain, scenes frequently outstay their purpose and conversations meander without advancing either character or story. There may be a sharper, more impactful thirty-minute play buried somewhere within the material, ...
Around the World in 80 Days – St Paul’s Church Covent Garden
London

Around the World in 80 Days – St Paul’s Church Covent Garden

Around the World in 80 Days is a new production inspired by Jules Verne’s classic tale. This summer, it is being performed at St Paul’s Church in Covent Garden, with the grounds outside the church transformed into a secret open-air theatre tucked away between the surrounding buildings. With benches for seating, bunting decorating the space and fairy lights glistening along the path, it is a beautiful setting for an evening performance. The rustic wooden stage and outdoor atmosphere help transport you to another time period and make the setting feel particularly charming. The production itself, however, felt somewhat too ambitious for the space and format. With a small cast playing multiple characters, constantly switching between roles, breaking the fourth wall and occasionally stepping...
Are you there, Mother? – Etcetera Theatre
London

Are you there, Mother? – Etcetera Theatre

A dying mother, a grieving daughter and a jobbing actor/stand-up/drag artist come together in this dark, witty comedy written and performed by Thomas Carruthers.  Lured by the possibility of actually making some money, Vincent agrees to pass Martha's daughter a message after her death. Martha, a strong-willed and persuasive woman, plays on his emotions using the fact of her imminent death, until Vincent reluctantly agrees to do this as an act of kindness to bring the daughter peace at her mother's passing.  After Martha dies, Vincent feigns psychic abilities to "channel" Martha and pass on the message. Rather than being a one-off event, Vincent is increasingly drawn into the daughter's manipulations in her desire to keep the supposed connection with her mother. The deception continu...
Beats + Strings Soul Renaissance – Hen & Chickens Theatre
London

Beats + Strings Soul Renaissance – Hen & Chickens Theatre

The Hen and Chickens in Highbury is a charming boozer. As the sun sets, golden light floods the room, and it feels warmly bohemian. The Theatre upstairs is bijou, but a perfect theatrical attic for intense, intimate performance. BEATS + STRINGS- Soul Renaissance are a fledgeling 3-piece band from Kansas. Each member boasts a credible solo career that thrived before they got their groove on as a trio. While they did a stellar job of bringing funky brunch party vibes to their performance, the space and set up felt overly formal for the occasion. Their repertoire felt honed for a subterranean, rose-hued jazz club. They needed a space where tables are dancefloors and smashed martini glasses add notes to the soundtrack. This room was not right, but as Whitney agreed- it’s okay. The strin...
Murder on the Allotment: The Musical – The Cockpit
London

Murder on the Allotment: The Musical – The Cockpit

‘Murder on the Allotment: The Musical’ arrives at Camden Fringe with an intriguing premise and worthwhile intentions, but unfortunately the resulting production falls considerably short of its ambitions. Elizabeth Wood’s story centres on Karwan, a 17-year-old asylum seeker who finds himself navigating the prejudices and petty territorial disputes of a provincial allotment. There is undoubtedly fertile planting ground here for satire, particularly around immigration, xenophobia and attitudes towards belonging. Yet despite positioning itself as funny and provocative, the production rarely achieves either. The principal problem is the score by Elizabeth Wood, Tess Adèle Glinert and Scarlet Billham. A mammoth eleven original songs are packed into an hour, yet few feel sufficiently devel...
Can You See Me? – Museum of Comedy
London

Can You See Me? – Museum of Comedy

I got a U (ungraded) for ‘O’ Level Physics and failed my Maths four times. My attempts to defeat these numerical frailties via exams, evening classes and persistent application continued into my early twenties. For decades, I believed that STEM subjects were my Achilles heel and leaned into the Humanities with avant garde enthusiasm. In retrospect, this mix of avoidance and failure was fuelled by uninspiring teachers and shame-based anxiety. My life could have taken a different turn entirely if my early education had been blessed with a teacher like Vivien Puppa Kocsis. Can You See Me? is a pop-science seminar which serves as a cool mix of entertainment and education. Is it a stretch to define such an event as ‘theatre’? Probably. However, this show was staged as part of the Camden ...
The Show That Goes Backwards – Camden Comedy Club
London

The Show That Goes Backwards – Camden Comedy Club

The premise of the improv show is that it begins at the end, and the improvisers must build a back story for what happens in a reverse timeline (if you know what I mean).   To begin the show the company ask the audience for a word, any word.  Someone suggests beans – and we’re off!  The play ended with a bean induced slippage in aisle seven, but the improvisers must now create their story. Sainsburys is the supermarket of choice, and the couple who were shopping in the store were rather heavy handedly admonished by security.  We then move on to a rather murky discussion by executives about a merger of all supermarkets, yes, they are going to include the Co-op.  This will lead to total domination of the supermarket sector and unchallenged pricing.  ...
The Comedy About Spies – Adelphi Theatre
London

The Comedy About Spies – Adelphi Theatre

There are productions that make you smile, productions that make you laugh, and then there are those rare productions when “surrender” is the only option. ‘The Comedy About Spies’ belongs firmly in the latter category. Mischief Comedy’s latest theatrical assault on the funny bone is riotously entertaining, breathtakingly well executed and, quite simply, one of the funniest shows I have seen in a very long time. Written by Henry Lewis and Henry Shields, the play takes the familiar world of the 1960s espionage thriller and gleefully scrambles it into an ingenious comic farce. In London’s Piccadilly Hotel, spies from opposing sides (CIA and KGB) converge in pursuit of stolen top-secret documents called Project Midnight, plans for a deadly new weapon. Throw an actor aspiring to play Jam...
Getting Ready – Etcetera Theatre
London

Getting Ready – Etcetera Theatre

Set in Lucy’s bedroom post-University, Lucy (Naoise White), Cara (Maisie Hogan), and Faye (Luisa Fischelt) are to spend their last evening celebrating the end of university, and the beginning of their new journey’s.  Lucy is travelling to Copenhagen, Cara and her boyfriend Ethan are beginning a new life in Sydney, Australia, and Faye is staying at home as her Paris plans did not work out. We soon learn that Lucy and Faye live in the same town and have been friends for many years, and Cara met the two of them at university.  As the friends get ready for their night out at the local pub, they explore their friendship, their future, and whether they feel that these changes are for the better.  At first impression, Lucy appears to be carefree, but as she opens up, we s...
The Silliad: Improvised Myths and Legends – Museum of Comedy
London

The Silliad: Improvised Myths and Legends – Museum of Comedy

Ancient Greek myths, what can be more tempting to improvise, and with the name of the improv troupe adding some silly into Homer’s Iliad, we have a huge hint as to what is coming.  As we are seated, we are asked to complete a card with an idea, and then they select a card out of pandora’s box.  The question that they must answer is – Why do humans have hair?  And it will take place in a basement.  The audience is also asked to vote on what type of myth they would like, Greek, Norse, or Egyptian.  It was a close-run thing between Greek and Egyptian, but Greek was slightly ahead in the vote. The players today are Zack, Ollie and Jane, and we begin by King Minos of Crete announcing that he has opened his basement up to the public, so Athena and Alan decide to g...