London Archives - Page 5 of 167

4Jun

By Savitha VenugopalNo Comments

London

Waiting for Godot – Arches Lane Theatre

In a place where time seems to have lost meaning, where memory plays games with the mind, two men wait endlessly under a barren tree. They talk, they quarrel, they make up, they are bored, but they dare not leave. This week, a new production of Samuel Beckett’s most popular play takes to the stage. Directed by Leo Bacica, it has Rich Allen playing Vladimir and Steve Broad as Estragon. Together, the men wait for the mysterious, unseen Godot. Between uncomfortable boots, pockets full of turnip, and kidney trouble, the two men kill their time talking about the mundane and the spiritual, the philosophical and the nostalgic. The monotony of their wait is broken by the rather disruptive entrance of Pozzo and his servant Lucky. Lucky has a rope tied around him, which is controlled by...

Dark of the Moon – Charing Cross Theatre

2Jun

By Paul AckroydNo Comments

London

Dark of the Moon – Charing Cross Theatre

This new musical version by Lindy Robbins, Dave Bassett and Steve Robson is the latest in a long series of versions of this piece. It was first performed as a play in 1942 and a substantially revised version transferred to Broadway in 1945. It was produced in London at the Lyric Hammersmith in 1948 and the Ambassadors Theatre in 1949. The story has not been updated. It is effectively a fairytale about a rural Appalachian community who live in close proximity to a coven of witches in the nearby Smoky Mountains. One of the witches, John (Witch Boy), is enamoured with one of the human girls, Barbara Allen, and seeks to develop a relationship with her, to the dismay of both communities. Its theme is the clash between cultures with the boy/ girl relationsh...

30May

By Alan Stuart MalinNo Comments

London

Second Class Queer – Riverside Studios

‘Second Class Queer’ delivers an emotionally charged and deeply human exploration of identity, belonging and grief. Written, performed and produced by Kumar Muniandy, the one-person play uses the framework of a Berlin speed-dating event to unpack the experiences of Krishna, a queer Malaysian-Indian man navigating racism, homophobia and the exhausting complexities of existing between conflicting cultures. What makes this production compelling is not technical polish, but the honesty of its storytelling and writing and the charisma of Muniandy. The script confronts difficult themes without losing sight of humour or vulnerability, allowing moments of discomfort to sit alongside genuinely touching reflections on loneliness, shame and connection. Muniandy’s performance carries a quiet intens...

30May

By Stewart Who?No Comments

London

Redcliffe – Southwark Playhouse

While gay life has existed as long as humanity, the British history of homosexuality isn’t recorded in any informative detail until the 18th century. It is via court records and lurid newspaper reports from that period which give colour to London’s bordellos, ‘rent boy’ scandals and the plight of poor men who were executed and pilloried for the crime of sodomy. Anyone interested in Georgian queer life should read ‘Mother Clap’s Molly House- The Gay Subculture in England 1700-1830’ by Rictor Norton. It’s academic and brutally comprehensive, but it’s an absolute banger. It is from this arcane world of blackmail, public hangings and graphic pamphlets that Jordan Luke Gage has found inspiration for Redcliffe, his debut musical. Set in Bristol 1752-53, this eagerly anticipated production put...

29May

By Charles PipeNo Comments

London

Black Comedy– Orange Tree Theatre

Aspiring sculptor, social climber, and cad Brindsley Miller is supposed to be hosting both his fiancé’s well-to-do father as well as a famed art collector in his unimpressive flat, when a blown fuse plunges the entire building into darkness. What follows is a hilarious cavalcade of slapstick gags and farcical set pieces, as Miller attempts to spin more and more plates and stay on top of an ever-growing web of lies in order to keep his many transgressions from coming to light. Unlike Miller’s evening, this revival of Peter Shaffer’s farce is an absolute success. While the characters are in darkness, the audience gets a clear view of everything, thanks to Elliot Griggs’s simple-yet-effective lighting design (and a lighting desk operator with split-second-perfect timing). While the charact...

Beetlejuice The Musical – Prince Edward Theatre

29May

By Maani WayNo Comments

London

Beetlejuice The Musical – Prince Edward Theatre

Based on Tim Burton’s iconic film of 1988, Beetlejuice bursts onto the West End in musical form with an all-star cast and presents a unique and thrilling piece of theatre. This eagerly awaited stage adaptation has been highly anticipated since its US debut in 2018 and does not disappoint. This is the story of Beetlejuice, the title character: a pale-faced ghoul dressed head to toe in a black-and-white suit, complete with outrageous green hair, trapped between the real world and the afterlife, affectionately known as “The Netherworld”. Beetlejuice has one goal: to be seen and no longer feel invisible. His plan to achieve that involves killing a seemingly ordinary couple and haunting the new occupants of their home. However, it is not until he meets Lydia, the daughter now living in the h...

The Rapping Princess – Polka Theatre Wimbledon

27May

By Michelle KnightNo Comments

London

The Rapping Princess – Polka Theatre Wimbledon

This beautifully crafted adaptation of the book The Rapping Princess by Hannah Lees and Allen Fatimaharans’ tells the story of “Shiloh, a princess with a big love for music. But she’s got one problem, she cannot sing”. Through her dismay and her parents’ disappointment Shiloh embarks on a journey of discovery to only find that she has another hidden talent that not even she expected. With a cast of two performers, they take you on a journey of song through the genres, beat box and rap. Anu Akinseye (once on this Island, Into the woods) plays Shiloh she is joined by Grace Venus (Stalled, Sleeping Beauty) as the Queendom Storyteller, who also voices the King, the Queen, Doctor Grump, DJ Princess Kenya, and various princes. This play incorporates purposeful interaction to encourage the...

23May

By Stewart Who?No Comments

London

The Harder They Come – Stratford East

Here’s the truth. I reviewed The Harder They Come at Stratford East when it opened last autumn. It got an enthusiastic five stars. It deserved every one of them. Spoiler alert- it’s getting five stars again. The fact that I jumped at the chance to repeat the experience is another testament to this show’s joyful power. Jimmy Cliff died at the age of 81, last November, adding a certain poignancy to this welcome comeback. This musical is based on Perry Henzell’s seminal 1972 film The Harder They Come. While casting the movie, Henzell asked Jimmy Cliff, ‘Do you think you could write some music for the movie?’ ‘What do you mean, do I think?’ replied Cliff. ‘I can do anything.’ Cliff’s swaggering confidence not only won him the lead role of Ivan, but he also wrote much of the legendary sou...

Churchill’s Urinal – King’s Head Theatre

23May

By Saloni SanwalkaNo Comments

London

Churchill’s Urinal – King’s Head Theatre

Imagine a zombie Winston Churchill, slobbering and drunk, delivering one of his trademark rousing speeches to you through a hole in a half-destroyed urinal. You’d have a fairly good idea of what it is like to be an audience member in Rosie Holt’s Churchill’s Urinal. The show is 70 minutes of non-stop chaos as the protagonist, played by Holt and heavily inspired by first female Chancellor Rachel Reeves, simultaneously deals with an overbearing boss, incompetent assistant, and indifferent soon-to-be-ex-husband, all while a mob gathers outside her office, calling for her head. The cause? Her wish to remove a urinal from the Chancellor’s private bathroom which was once used by Sir Winston Churchill and is thus classed a national treasure. This sets the stage for a sharply scripted satire...

21May

By Zain RussellNo Comments

London

End of the Rainbow – Soho Theatre

Jinkx Monsoon takes on the role of Judy Garland in End of the Rainbow, delivering a performance that is both captivating and emotionally devastating. Best known by many for their drag artistry and sharp wit, Monsoon proves themself to be an exceptional dramatic performer, embodying Garland with remarkable precision. From the mannerisms and vocal delivery to the emotional vulnerability beneath every scene, the portrayal feels deeply authentic and heartbreakingly human. The production itself is brilliantly written, refusing to romanticise Garland’s final years. Instead, it presents an unflinching look at a beloved icon struggling with addiction, exhaustion, and the crushing pressures of fame. At times, the show is genuinely difficult to watch, not because it lacks quality, but because it ...