Friday, February 27

London

Digging Up Appearances – Old Red Lion
London

Digging Up Appearances – Old Red Lion

Inspired by the 90s British sitcom Keeping Up Appearances, this creative horror-comedy play will delight you with macabre hilarity whether or not you’re familiar with the source material. Decades after the sitcom is set, Sheridan is going through a heartbreaking divorce and, through the powers of a magical amulet, accidentally resurrects his dead mother, Hyacinth. Seeing her son’s life isn’t as wonderful as she hoped or expected it would be, Hyacinth takes it upon herself to guide Sheridan and get his life back on track. She also has an insatiable appetite for human flesh. Hilarious horror-comedy antics ensue. I have never seen a single episode of Keeping Up Appearances but knew just enough from cultural osmosis to not be completely lost while watching this play. Some jokes went over...
Edgar in the Red Room – The Hope Theatre
London

Edgar in the Red Room – The Hope Theatre

All the way from New York, The Shylock Project bring their Edgar Allan Poe - inspired Gothic musical to London. Collaging elements from a variety of Poe’s stories and poems, from his most famous works such as The Raven or The Fall of the House of Usher to multitudinous deeper cuts, Edgar in the Red Room tells an original story exploring the life, death, and legacy of Edgar Allan Poe. Poe aficionados will delight in spotting the various references, while those less familiar with his work will enjoy being exposed to these spooky components for the first time. Poe – played by both Morgan Smith and Sammy Overton – is both narrator and protagonist, but it gradually becomes apparent that he is not in control of the story as it whisks him along on a surreal and frightening journey into the mac...
Exhuming Emily – Etcetera Theatre
London

Exhuming Emily – Etcetera Theatre

Monty Bulmer sits at the bottom of Mealt Falls in the Isle of Skye with a compound leg fracture and the tide coming in. Above him, entombed in the frozen waterfall, is the body of Emily. Monty intends to exhume the body. He beseeches God for a miracle.   In order to convey to God just how important it is for him to exhume Emily, Monty tells the story of what led him to his current situation. With a heavy focus on his tumultuous relationship with his father, Monty recounts his life story. I don’t want to describe the plot further, so as not to spoil any of the shocking twists and turns. I would suggest that those particularly sensitive to upsetting themes around sexual offences use their discretion when deciding whether or not to see this show. Alex Maslin’s richly complex script...
Guidelines – New Diorama
London

Guidelines – New Diorama

The New Diorama presents ‘Guidelines’ by Pip Williams, directed by James Nash. Conglomerate debuts their first show and did not disappoint. We are met in a forest, overhead voices warn us of what we are in for. Starting as a warm and worried mother but slowly distorting and changing into something sinister. This feeling never quite leaves us, always feeling haunted or watched by something. This show explores growing up with the internet at your fingertips, the false promises of safety and how we never quite consent for what we are fed on our ‘for you page’. The setting is never quite clear however as we jump through time we meet a series of people who are all aware of ‘the video’. This town is grieving the loss of innocence for not only who were directly involved but for all the ...
The Gambler – Coronet Theatre
London

The Gambler – Coronet Theatre

This adaptation of The Gambler by Chiten Theatre is an interesting idea but unfortunately is an exhausting experience for its audience. Dostoevsky’s short novel is all about a cast of characters sucked in by the thrill and appeal of gambling and the pursuit of inheritance. Whether it is the central character Alexei (Takahide Akimoto) betting to win his love Polina or the grandmother winning and losing money at the roulette table, everyone seems to succumb to it. This adaptation pairs an absurdist, physical style with large chunks of Dostoyevsky’s complicated text (translated into Japanese). It’s a bold proposition, but sadly it's one that gets quite lost amid the sheer intensity of the production, which leaves the audience inundated. From the very first, the actors’ energy is through...
The Debate: Baldwin vs Buckley – Wilton’s Music Hall
London

The Debate: Baldwin vs Buckley – Wilton’s Music Hall

Timing is everything they say. The Debate: Baldwin vs Buckley could have not come at a better time. Watching a play that asks "Is the American Dream at the expense of the American Negro?", just days before the Super Bowl, amid conservative outrage over Puerto Rican Bad Bunny being "not American enough" to perform at this all-American cultural institution, and against the backdrop of renewed ICE arrests, makes the piece feel disturbingly real and urgently demanding. The play restages the famous 1965 Cambridge debate between James Baldwin, literary leader of the civil rights movements, and William F. Buckley Jr., America's most prominent conservative intellectual, who took place shortly after the Mississippi civil rights marches. Striking in its simplicity, the staging offers only chairs ...
The Ophiolite – Theatro Technis
London

The Ophiolite – Theatro Technis

Theatro Technis was founded in 1957 by George Eugeniou, a Cypriot actor who came to London to study drama. It has a long and strong history of creatively supporting local working class and immigrant communities. The pioneering Eugeniou died last year, aged 93. The theatre's new Creative Director is Kerry Kyriacos Michael, a second-generation North London Cypriot. He was previously Artistic Director & Chief Executive of Theatre Royal Stratford East. It's a fitting tribute to the founder and a return to the theatre's roots, that Michael would choose to launch the 2026 season by directing a new play by English/Cypriot writer, Philip de Voni. The Ophiolite is Voni's first full length stage play. Set in Cyprus and the UK, it looks at a family torn apart by grief and the consequences of e...
That’ll Be The Day The 40th Anniversary Show – London Palladium
London

That’ll Be The Day The 40th Anniversary Show – London Palladium

That’ll be The Day is a three-hour bonanza of music and comedy with a reputation of longevity, showcasing the bygone era of 50’s to the 80’s rock pop and comedy skits. Now reaching their 40th Anniversary Trevor Payne takes it on the road for his farewell tour. This rollercoaster ride of hits takes you right back to the early days of Juke Box Jury, voting on the songs of Blue Moon, by The Marcels, My Guy and Walk like a Man from the Jersey Boys. A show supported by video footage projected on to a screen showing the old film reels that supported pop music through the decades; Top of the Pops, and Sunday Night at the London Palladium variety show first aired in 1955. It was nostalgia at its best for a generation who grew up with black and white showreels of their favourite ‘pop idols’. The Be...
Boxes – Soho Theatre
London

Boxes – Soho Theatre

The titular boxes of Shona Bukola Babayemi's one-woman play chart the character's life from child to adult, the boxes holding Christmas presents and keepsakes, reminders of a life past and present. Referenced only as "biological guardians", her parents may have initially tried to provide a secure, if poor, family setting but this all disintegrates as she moves from the UK to the US and back to the East End of London.  Relationships and friendships come and go; she finds herself homeless and sofa surfing and ends up living in a basic hostel and working a nightshift in a soul-less warehouse. Throughout her difficult life, she somehow stays positive, never giving up and occasionally finding fleeting friendship and help from strangers who show her kindness. All the while, the bits and pie...
Dagmarr’s Dimanche: Songs from the Cinema – Crazy Coqs, London
London

Dagmarr’s Dimanche: Songs from the Cinema – Crazy Coqs, London

I had the pleasure of reviewing Hersh Dagmarr perform in September 2025 and so I was very excited to review this instalment of Dagmarr’s Dimanche. To my delight, this show was even better than the last. Glamorous vampire Hersh Dagmarr, decked out in dazzling sequins, takes a break from the cabaret scene of Weimar Berline to take the audience on a decedent tour of songs from the Golden Age of Hollywood. Accompanied by pianist and arranger Karen Newby, Dagmarr sings a variety of songs from films, some of which I knew and the rest of which I was very pleased to be introduced to. Dagmarr has absolute command of the stage and gorgeous singing voice. He is utterly engaging and captures the emotions behind the lyrics beautifully. Between songs, Dagmarr evangelises about the complex and ...