London Archives - Page 16 of 95

14Oct

By Stewart Who?No Comments

London

Jock Night – Seven Dials Playhouse

A decade ahead of its arrival to these shores, I was the first journalist in the UK to write about crystal meth in the gay press. In 1997, after spending a deranged summer in San Francisco, I returned to London and in the pages of QX warned readers of a highly addictive new drug that was decimating the community on the West Coast. That same year, I wrote and performed ‘Twisted’ with Wayne G, arguably, the first ‘chemsex’ dance tune. That portmanteau had yet to be coined by the late, great David Stuart, but excessive drug use and epic sex sessions were the central themes of that record. They are also the driving forces in Jock Night, a new play by Adam Zane. Methamphetamine hydrochloride (aka ‘ice’ ’Tina’ ‘crank’ ‘meth’ ‘tweak’) took almost 20 years to get a foothold in the UK, unlike i...

14Oct

By Riana HowarthNo Comments

London

Delinquent Dad – Tabard Theatre

This kookily animated production took me back to watching My Parents Are Aliens on the TV. Yet, this play is set six months into the future, envisioning increasing rent bills, crypto cases, and an elevated housing crisis. Its incidentally interweaving connections tie into the small-world-feel of the sitcom trope, and the gloriously indifferent, haphazard Dad (John Gorick) makes for a likeable and oddly believable protagonist. A young couple, a pair of millennials as they call themselves, are baffled when what is meant to be a meal for the rents turns out to be a savage split, as Matt’s Dad is dumped on his doorstep with a holdall catapulted into the room by a furious wife. The timing couldn’t be worse – Matt (Bradley Crees) and Cara (Elizabeth Back) are in the midst of a rent strike, t...

A Night with Me, Myself and Bipolar Brenda – Etcetera Theatre

14Oct

By Zoё MeeresNo Comments

London

A Night with Me, Myself and Bipolar Brenda – Etcetera Theatre

I’ve struggled with writing this review, as I have in the past when I've felt that the line between entertaining and educating are blurred in a production. In creating “A Night with Me, Myself and Bipolar Brenda”, actress and writer Natasha Rae has used her own experiences with bipolar disorder and anxiety to paint a brutally honest picture of how she experiences life and motherhood under the cloud of mental illness. Rae is passionate and engaging, her manic energy on stage mirroring the periods of mania she has experienced as part of her illness over the years. She reflects on the impact bipolar has had on her loved ones, covers her coping mechanisms as well as her darker times which felt refreshing, and washes the show through with a thorough dose of self-deprecating humour. That...

An Evening of Burlesque – Adelphi Theatre

12Oct

By Michelle KnightNo Comments

London

An Evening of Burlesque – Adelphi Theatre

This variety show of burlesque was introduced as the longest running burlesque show in the UK. It contained magic and artistic performances were a stark contrast to what may have been known as burlesque ‘Victorian or French style’. The show opened with the host Ivy Paige who explained her career as a previous lap dancer, show girl and alluded many times to her experiences and cosmetic enhancements. She encouraged greatly audience participation, photography and to cheer “her girls and boys on”. Featuring strip tease, tantalising dancing provided the audiences with appreciation of the world of tease and burlesque. The nudity was tasteful and within the context of dance and flexible extensions and body control, which was artistic. The nudity did not appear shocking and ...

12Oct

By Khushboo ShahNo Comments

London

The Empress – Lyric Hammersmith

Tanika Gupta takes on the mammoth task of weaving three narratives spanning over 13 years marking the golden era of the British Empire under the rule of Queen Victoria with her Golden Jubilee celebration. Directed by Pooja Ghai, The Empress reveals the larger truths about Asians, especially Indian Ayahs and lascars in Victorian Britain. A boat carries Rani (Tanya Katyal), an Indian Ayah accompanying a British family, Hari (Aaron Gill), a lascar/sailor, political leaders Dadabhai Naoroji (Simon Rivers), Gandhi (Anish Roy), and Abdul Karim (Raj Bajaj), an Indian servant meant to be a gift to Queen Victoria for her golden jubilee, to the cold British Isles, all with different expectations and dreams. As their narratives progress, colonial atrocities are revealed. While a 16-year-old Rani ...

10Oct

By Alan Stuart MalinNo Comments

London

What It Means – Wilton’s Music Hall

In the realm of theatrical productions that aim to explore important historical events and their relevance to contemporary society, 'What It Means' by James Corley certainly stands out for its ambitious premise. Based on the groundbreaking 1971 article 'What It Means to Be a Homosexual' by Merle Miller, this play endeavours to shed light on the struggle for LGBTQ+ equality, a topic of paramount importance in the current climate. However, whilst the play's intentions are noble, it is, unfortunately, an absurdly and unnecessarily long production that bears a striking resemblance to a dry academic lecture rather than a traditional piece of contemporary theatre, and this ultimately leaves audiences fighting to reach the finish line. The central pillar of 'What It Means' is the (near) solo ...

8Oct

By Paul AckroydNo Comments

London

Othello – Riverside Studios

The features which set this production of Othello apart are its length, only 100 minutes without an interval, and the casting of three actors to play the villain Iago. A full production of the Othello text would probably run to about three and a half hours although few productions are totally uncut. So, cutting it down so severely inevitably means that a lot of the background and subtlety of Shakespeare's text is lost, although the main plotline was preserved and presented in Shakespeare's language. The casting of the three Iago's was the defining characteristic of this production. The director Sinead Rushe, had apparently explored a similar methodology with Hamlet and says in an informative interview in the programme that this was intended to underline the conflic...

6Oct

By Khushboo ShahNo Comments

London

Noises Off – Theatre Royal Haymarket

Celebrating the 40th Anniversary production of Michael Frayn’s Noises Off garners peals of laughter for nearly 2.5 hours straight! An exceptional piece of comedy, performed by a stellar cast with supreme comic timing, directed by Lindsay Posner with profound detail, this rendition successfully churns out maximum hilarity from Frayn’s brilliant writing. The play opens with Dotty (Felicity Kendal) who plays Mrs. Clackett, a housemaid for Nothing On. We are in a bright house owned by Mr and Mrs Brent (Jonathan Coy and Tamzin Outhwaite) who are seemingly holidaying in Spain. Director Llyod's (Alexander Hanson) rising frustration is probably at its lowest at this dress run at midnight as Dotty keeps messing up the “sardines”. Garry (Mathew Horne) and Brooke (Sasha ...

Hedda Gabler – Brockley Jack Studio Theatre

6Oct

By Paul AckroydNo Comments

London

Hedda Gabler – Brockley Jack Studio Theatre

The Fish Don't Matter theatre company have produced a pacy but flawed production of Ibsen's classic. Hedda Gabler is one of theatre's great characters often likened to a female Hamlet. A young bride returning from her overlong honeymoon already bored with her academic husband who is more interested in his research then her, is trapped in a relationship and house that she does not like. She takes out her misery on those around her and tries to rekindle relationships with previous admirers but fails to find satisfaction leading to an ultimately tragic end. The Brockley Jack playing area is not large, and the director Scott James had made it even smaller by creating an acting area demarcated by a wooden boundary containing small bunches of flowers. The result was that the cast were ...

6Oct

By Alice RoseNo Comments

London

Shooting Hedda Gabler – Rose Theatre

Jeff James returns to the Rose with another fantastic re-telling of a classic- ‘Shooting Hedda Gabler’ which explores the classic story in a very twisted and modern setting, written and adapted by Nina Segal. Antonia Thomas as Hedda is flown to Oslo to film ‘Hedda Gabler’ and there she meets Henrik (Christian Rubeck) the director with high ambitions and unwavering dedication to getting what he wants out of his actors. Also, on set we meet Berta (Anna Andresen) the AD and possibly the closest character to normality for Hedda as she is pulled into a collapse of self-belief, loss of identity and shame. Henrik believes the separation between actor and character should not exist and therefore creates situations to morph Hedda’s world together: so he hires her Ex to film with her, Ejlert (Avi N...