London Archives - Page 110 of 150

5Aug

By Robert BartleyNo Comments

London

South Pacific – Sadler’s Wells

For those who missed out on the Chichester Festival Theatre run in 2021, or those who loved it so much they need to see it again, its production of ‘South Pacific’ is back in London until the end of August, prior to a 3-month tour. Assembling the same highly acclaimed cast as last year, the Rodgers & Hammerstein classic sees US Ensign Nellie Forbush falling for French plantation owner Emile de Becque on an island in the South Pacific island during World War 2. Their happiness seems set despite the ongoing threat of war going on around them, while at the same time, young lieutenant Joseph Cable arrives on the island having been sent on a spy mission but is quickly distracted by his attraction to a local girl. Love may be in the Pacific Ocean air for both couples, bu...

4Aug

By Alan Stuart MalinNo Comments

London

Jarman – King’s Head Theatre

A mighty spirit is about to reawaken. Yours! Over 80 intense minutes, Writer/Performer/Producer Mark Farrelly embarks on a journey to map out the life of Queer filmmaker, painter, gay rights activist, writer, and gardener Derek Jarman, from troubled childhood, through career achievements, illness, and death in his highly acclaimed solo play ‘Jarman’, which is being shown as a unique double bill as part of the Camden Fringe Festival. Jarman was an icon in the gay community, a trail blazer politically, socially, and creatively. One of the first public figures to announce his HIV status to the world, he called for us all to “be astonishing” and that is exactly what Farrelly achieves with this highly thought provoking and beautifully written piece of theatre. Farrelly’s writing is incred...

2Aug

By Robert BartleyNo Comments

London

Chess – Theatre Royal Drury Lane

One of the key players in the ‘MegaMusicals’ club of the 1980s, ‘Chess’ was a megahit on both sides of the Atlantic. Springing from the minds of ABBA geniuses Bjorn Ulvaeus and Benny Andersson, with lyrics by Tim Rice, the musical became of staple of the decade (despite being about a chess tournament being played at the height of the Cold War), with its hugely memorable synth-rock score which included the worldwide smash “I Know Him So Well”. Now, over 36 years later, the musical is back on the West End at the Theatre Royal Drury Lane, for three performances only. Set during the height of the political tensions of the 1980s, ‘Chess’ sees the American world champion Freddie Trumper (played here by Joel Harper-Jackson) preparing to defend his title against the Russian challeng...

29Jul

By Caroline JamesNo Comments

London

Tom, Dick and Harry – Alexandra Palace

Tom, Dick and Harry is a flamboyant, fun, family friendly version of what most people will recognise as The Great Escape. After extensive research, a more truthful, less Hollywood retelling is what this play gives its audience. The title, Tom, Dick and Harry reflects the research undertaken by the writers by using the code names given to the tunnels which the prisoner’s of war use in an attempt to escape German capture. Written by Michael Hugo, Andrew Pollard (both of which perform in the play) and director Theresa Heskins, the writing brings levity and humour to what could be a long and historically heavy play. The scenes can linger a little on humorous asides and there is a lack of tension in places but the pace picks back up in the group scenes. Set in the round in the beautiful Alex...

The Lion, The Witch & The Wardrobe – Gillian Lynne Theatre

29Jul

By Maani WayNo Comments

London

The Lion, The Witch & The Wardrobe – Gillian Lynne Theatre

“It’s all in the wardrobe like I told you” The story of The Lion, The Witch & The Wardrobe by C.S. Lewis has been engrossing all readers, both young and old, for over 70 years. Selling over 85 million copies and in 60 languages, this book has been one of the ten best-selling books of all time and will continue to enchant readers and now viewers. As the audience arrive, they are immediately transported back in time to World War II as we are welcomed by a solo pianist playing on stage. Starting the show with the piano and a rendition of “We’ll Meet Again” is an emotional opening, reminding audiences of past turmoil and loss, while setting the scene for where the story and the opening of The Wardrobe. Music is tremendously important throughout the show and the choice to have the ens...

Sister Act: A Divine Musical Comedy – Eventim Apollo

28Jul

By Clare ChandlerNo Comments

London

Sister Act: A Divine Musical Comedy – Eventim Apollo

This latest revival of Alan Menken, Glenn Slater, Cheri Steinkellner and Bill Steinkellner’s divine comedy has been a long time coming. Initially conceived as an opportunity to return Whoopi Goldberg to the role she created in the hit nineties film, the planned second coming fell foul of the pandemic. So, two years after its planned debut Beverley Knight is rocking the habit, and the Eventim Apollo, in Bill Buckhurst’s revised production. The production is not short of spectacle with Knight and the singing nuns bringing enough glitz to hold their own amongst the long list of performers who have graced the Eventim Apollo stage over the years. The musical is fairly faithful to the film’s plot - having witnessed a murder Deloris Van Cartier is forced to hide out in a convent helping her ‘s...

24Jul

By Maani WayNo Comments

London

The Gunpowder Plot – Tower Hill Vaults

“Remember, remember the 5th of November” The Gunpowder Plot is a new, innovative and immersive experience set in the heart of tourist London. The experience takes place in the Tower Vaults, at the UNESCO World Heritage Tower of London. At once, you feel immersed in history as the vaults under Tower Hill are famous for where much of the prelude to the Gunpowder Plot took place. As an immersive experience, there was huge anticipation before the show started and a tense atmosphere. The introduction by one of the cast members provided much excitement, giving a background to the lead up to the Gunpowder Plot and to life in London in 1605. The show’s concept is for the audience to live history, instead of watching it. This is not an ordinary format for a show, and for the majority of th...

101 Dalmatians – Regent’s Park Open Air Theatre

23Jul

By Robert BartleyNo Comments

London

101 Dalmatians – Regent’s Park Open Air Theatre

Loosely based on the 1956 classic tale by Dodie Smith, ‘101 Dalmatians’ see Dominic and Danielle literally bumping into each other and falling in love while out walking their dotty dogs Pongo and Perdi. Local influencer Cruella DeVil thinks the dogs would look great in her upcoming photoshoot, but during the shoot, the dogs severe dislike of Cruella causes one of them to bite her. She attacks the dogs with a stick, and her retaliation is caught on social media, going viral within minutes. Cruella quickly swears revenge on the dogs, and plots to dognap the spotted pooches and make herself a coat that no-one will ever forget. It’s a timeless story that audiences already knows, but does the Regent’s Park production have legs, or is it more of a dog’s dinner? Visually, the show ...

22Jul

By Zoё MeeresNo Comments

London

Mosquito – Seven Dials Playhouse

The role of the ‘other woman’ in popular culture over the years has tended to sit at either end of a spectrum. Typically speaking she is either sexy, fearless, bordering on cold-hearted, a temptress, or she is meek, downtrodden, obsessed with a man who she knows will never leave his wife for her and suffering from low-self-esteem. Lemy (Aoife Boyle) is very much in the latter camp. When we first meet her and her love interest James (Seamus Dillane) we quickly establish that they are – or were – having an affair, and that James has now tired of Lemy and is returning to his wife and baby. James is cold – polishing off his Pret lunch while he ends his affair to enable him to get straight back to the office – while Lemy is clearly anxious and unsure, swinging from begging James to stay to s...

22Jul

By Riana HowarthNo Comments

London

Closer – Lyric Hammersmith

An obituary writer’s life is changed when he meets Alice, a reckless free spirit. Her habit of not looking as she crosses the road lands her in hospital where the two have flirtatious banter with Alice seeking intimacy through bizarre personal questions. From there unfolds the messy interweaving of four characters’ lives as they struggle and scheme to hold onto love or what they think is love. Patrick Marber’s play, first performed in 1997 feels as relevant and as shocking as it would have been then. With hints of the 90s as well as modern aspects and a minimalistic bright red stage designed by Soutra Gilmour, it gives the story a timeless feel. Marber’s dialogue fascinates and entertains, particularly the consistently surprising quips from Larry’s character. It was engaging and intrigu...