Wendy McEwan, Author at North West End UK

Tchaikovsky’s Heroines & Heroes – Usher Hall

12Dec

By Wendy McEwanNo Comments

Scotland

Tchaikovsky’s Heroines & Heroes – Usher Hall

This concert comprises scenes from three of Tchaikovsky’s greatest operas, each with a compelling female character at its heart. Their stories of forbidden love echo the composer’s own heartache from living as a gay man in a homophobic culture. In the aria Da, Chas Nastall from Act 1 of The Maid of Orleans, Joan of Arc (Natalia Kutateladze), bids a bittersweet farewell to her homeland. “You meadows and trees, my foster children, you will blossom and wither without me.” The music, and the performance, are filled with drama and passion, contrasting Joan’s intimacy with her childhood landscape, and the bloodstained violence of the battlefield to come. I was struck by the resolute strength that Kutateladze brought to the character. In a scene from Iolanta, Vaudémont (Robert Lewis) falls ...

Dinna Trust Anyone: Witches of Peebles – Eastgate Theatre

4Nov

By Wendy McEwanNo Comments

Scotland

Dinna Trust Anyone: Witches of Peebles – Eastgate Theatre

It’s 1629 in the market town of Peebles. There’s a war on, the harvest has failed, and rumours of witchcraft abound. The ghosts like to gather on Christmas Eve. A modern-day couple (Jennifer Bunyan, David Bon) settle into their hotel room. They gradually become aware that they are not alone. In the first act, the ghosts recount their grim stories. Some were convicted of witchcraft because they were childless, or gay, or foreign. Some seek to justify their role in the executions. But in this Peebles, the Devil wears a cassock. Reverend Syd (Will Tillotson) summons a storm from the pulpit. Examine your souls, my flock. Make a note of who’s absent from the congregation. The devil’s handmaiden has a barren womb. First-time playwright Kath Mansfield knows how to write words that come a...

25Sep

By Wendy McEwanNo Comments

Scotland

FEIS – Traverse Theatre

FEIS is a story of ambition, intergenerational discord and Irish dancing, with a side order of chaos. Deirdre (Louise Haggerty) is seriously over-invested in her daughter Aiofe’s (Leah Balmforth) dance career. Grandmother Maura (Julie Coombe) is delectably unhinged. Deirdre secretly makes ends meet by creating online Irish dance-themed adult entertainment. Family secrets come to light as Aiofe seeks to understand who she is. Anna McGrath’s mercurial script energetically captures the love and battles between three generations of women. Director Laila McGrath keeps the pace just right, giving the actresses space to really go for it with the larger-than-life characters. The belly laughs come from the heart of the story, as the characters raise the stakes to outdo each other. Haggerty an...

11Sep

By Wendy McEwanNo Comments

Scotland

Wallace – Traverse Theatre

Hero. Butcher. Myth. Will the real William Wallace please stand up? This new hip-hop musical examines a giant of Scottish history through three different lenses. Who was he really, and what does that mean for Scotland now? As “Scotsman", Dave Hook recounts the familiar tale, which has inspired generations of Scots as well as a Hollywood blockbuster. His Wallace is simultaneously "just a man standing up for what’s right “, and a heroic colossus, crushing the enemies of freedom with his humongous fists. Manasa Tagika portrays Longshanks as the gangster lord he surely was, oozing status in his blood red fur coat and indoor sunglasses. "I don't think of you much”, he tells us Scots - but he really, really needs us to know that. This was my favourite part of the show but, tellingly, I cou...

Cameron Sinclair Harris: PLANETS!!! – Assembly Rooms

23Aug

By Wendy McEwanNo Comments

Scotland

Cameron Sinclair Harris: PLANETS!!! – Assembly Rooms

What would a planet say if they could speak? For millennia, we have identified extraterrestrial bodies with gods, but maybe it's time to let them speak for themselves. Fortunately for all of us, Cameron Sinclair Harris has travelled extensively throughout our solar system, and they are here at the fringe to present their findings by embodying each planet in turn. Spoiler alert: all the planets are completely insane. Harris smokes a kazoo and wears a bowler hat with a feather in it. “Do you want to be in my band?” they ask. One audience member is given a rattle. Another is instructed to shout out “Boom” whenever Harris points at him. We all sing along to Richard Strauss’s Also Sprach Zarathustra (a.k.a. the theme tune from 2001: A Space Odyssey), with booming sounds provided by ou...

The Sound of My Own Voice – Scottish Storytelling Centre

21Aug

By Wendy McEwanNo Comments

Scotland

The Sound of My Own Voice – Scottish Storytelling Centre

Morna Burdon is a performer and poet who writes in the Scots language. Here she shares some of her own poems, and a few others that take her fancy. Burdon creates a convivial atmosphere in the intimate George Mackay Brown Library at the Scottish Storytelling Centre. It feels as though she is welcoming us into her own home. She comments that the mention of “striking a match” on a bus shows her age, harking back to the days when passengers were “only” allowed to smoke on the top deck. A few young people in the audience gasp in horror at the degeneracy of their ancestors. At least our generation has changed some things for the better. The Living Dead conveys the widespread disgust at Sir Keir Starmer’s attempt, last year, to withdraw the winter fuel payment from millions of pensione...

Frisky’s Reshuffle – Assembly George Square Gardens

21Aug

By Wendy McEwanNo Comments

Scotland

Frisky’s Reshuffle – Assembly George Square Gardens

Frisky and Mannish have been Fringe stalwarts for quite a few years now, and this time Frisky has her own solo show (albeit “with the accompaniment of four accomplished musicians and a great deal of tech support”). Frisky sings well-known songs, but she conspires with audience members to switch up the genre. After some introductory antics, we dip our toes gently at first, with a rock-and-roll version of Like a Virgin. It works, of course it does, and it’s a lot of fun. Then there’s a rave version (with Frisky imitating a vocal breakbeat), and an attempt at traditional Scottish music – a genre with which Frisky is maybe less familiar. Anything could happen. Frisky is very sparkly in a green sequinned playsuit, an entertainer from head to toe, and she builds a great rapport with th...

6May

By Wendy McEwanNo Comments

Scotland

In Other Words – The Studio

When your partner is diagnosed with a life-changing illness, your shared history becomes a prologue. At first, nothing tangible changes between you. But at that moment, you each gain a new identity within your relationship. They are the patient, and you are the carer. And the future you had planned together is revealed as a mirage. As the audience enters, Jane (Lydia White) and Arthur (Matthew Seager) are falling in love. They sit beside each other, blissfully conversing and gazing into each other’s eyes, accompanied by the music of Frank Sinatra. This is the very beginning of the life they will spend together. Then, the lighting changes. Arthur remains seated, but now he is nonverbal, trembling, childlike. Jane comforts him. Photo: Tom Dixon We follow their relationship from t...

Tim Rice – My Life in Musicals: I Know Him So Well – Festival Theatre

23Apr

By Wendy McEwanNo Comments

Scotland

Tim Rice – My Life in Musicals: I Know Him So Well – Festival Theatre

Tim Rice is a man of many words. He’s been writing lyrics for 60 years, collaborating with some of our most celebrated composers - Andrew Lloyd-Webber and Elton John, of course, and more recently, Gary Barlow. He even wrote some lyrics for Elvis. Rice wanted to be a rock star, so he sent demo tapes to all the leading record labels. Impressed by his lyrics, a musical publisher introduced him to Lloyd-Webber, and a great songwriting partnership was born. A teacher friend invited the pair to write a song for a school concert. The result was an early iteration of Joseph and the Amazing Technicolor Dreamcoat. The concert was a great success – “This is the first time the parents have enjoyed a school concert”, said the teacher. One of those parents was a leading theatre critic, and a coupl...

Eliza Carthy and Jennifer Reid – Traverse Theatre

18Mar

By Wendy McEwanNo Comments

Scotland

Eliza Carthy and Jennifer Reid – Traverse Theatre

Jennifer Reid performs nineteenth-century Lancashire dialect and Victorian broadside ballads. She comes from Rochdale, “but I admit it”. Reid sings unaccompanied throughout the evening but provides percussion for one of Carthy’s songs in the form of clog dancing. Eliza Carthy describes herself as a “modern English musician”. She sings centuries-old traditional songs, and more modern pieces including her own compositions. She mostly sings unaccompanied and occasionally brings out her fiddle. Carthy hails from Yorkshire, and a few good-natured cross-Pennine insults are exchanged over the course of the evening. Reid is a fantastic storyteller, bringing life to some memorable characters such as “Frolicksome Kay”, a good Lancashire lass who is disappointed by her new boyfriend from Yo...