Sunday, December 22

Author: Scot Cunningham

Miracle on 34th Street – HOME Mcr
North West

Miracle on 34th Street – HOME Mcr

This clumsy interpretation of the classic seasonal flick presents itself more as a school play than an actual musical. Forgettable songs, cracker-quality jokes and unembellished choreography feel like several lumps of coal in the stocking, delivered by the least convincing Santa Claus this reviewer has ever seen. Miracle on 34th Street follows Susan (Karis), a sceptical girl whose doubts about the marvel of Christmas have been handed down by her no-nonsense, workaholic mother, Doris (Jessica Joslin). When neighbour Fred (Matthew Hawksley) hears of Susan’s lack of belief, he makes it his mission to change this. A magical unveiling of Ciaran Bagnall’s charming toy shop set promises something wonderful, with floor-to-ceiling shelves brimming with teddy bears, footballs and rocking horse...
After the Act – HOME Mcr
North West

After the Act – HOME Mcr

A new musical inspired by the nationwide societal impacts of Section 28, After the Act continues its winter tour with a penultimate stop in Manchester- long a welcoming city boasting one of the country’s largest LGBTQ+ populations. Ellice Stevens, Nkara Stephenson, Ericka Posadas and Zachary Willis deliver monologues from those who experienced the oppressive, anti-gay culture of the late 1980s as an ensemble, with Frew providing live music. The Conservative government’s law prevented schools and councils from “promoting” homosexuality. While the source material is discernibly moving, its delivery is drawn out by being overly verbatim: every single “um”, “er” and false start is unnecessary. Where this doesn’t result in anecdotes losing their focus, activity from the non-speaking cast ...
Gwyneth Goes Skiing – Hope Mill Theatre
North West

Gwyneth Goes Skiing – Hope Mill Theatre

It’s barely been a year since Awkward Productions tickled and perplexed Manchester audiences through Diana: The Untold and Untrue Story, yet this queer little theatre company is back at Hope Mill with another not-entirely-accurate story of a style icon to tell. Adversity strikes for the otherwise carefree actress-turned-entrepreneur Gwyneth Paltrow (Linus Karp) after a ski crash with optometrist Terry Sanderson (Joseph Martin) leads to a court battle. The real-life incident occurred in 2016 but wasn’t brought to trial until 2023. An understanding of goop-founding Gwyneth’s background helps to appreciate the humour of this part-musical, part-comedy, as references come hurtling down the Deer Valley slopes thick and fast. The script confidently covers it all, from her incalculable f...
A Chorus Line – The Lowry
North West

A Chorus Line – The Lowry

In 1975, choreographer Michael Bennett turned taped interviews with Broadway dancers into a pioneering musical by giving a voice to those historically-unsung background performers. Having enjoyed a return to Curve, Leicester, A Chorus Line begins its summer tour at The Lowry. As part of the final audition stage for an upcoming production’s ensemble, seventeen hopefuls pitch themselves- and their talent- to director Zach (Adam Cooper) whose final casting decisions will cut their number down to eight. The pieces runs without an interval to mimic the real-time duration of the audition. Collective ambition is energetically established thorough the opening song I Hope I Get It. Sitting through every auditionee’s introduction (name, age, a bit about themselves) after this may border on ted...
North West

I Was Dancing in the Lesbian Bar – The King’s Arms, Salford

In a packed-out King’s Arms, musical stand-up Holly Redford Jones’ tuneful contribution to Greater Manchester Fringe seeks to answer the question: where have all the lesbian bars gone? Redford Jones instantly draws the audience in with a reassuring stage presence, achieving many laughs through the sardonic delivery of her musings. Social critique remains sharp as well as facetious throughout. The show’s description promises many things- including a celebration of queer women of the past, present and future. It was therefore a missed opportunity for the piece to be noticeably light on sapphic content. Where did all the lesbian bars go? A brief history of the country’s venues- from the 1930s’ Gateways Club to London’s newest joint La Camionera- would have been a welcome inclusion. ...
Chris Tavener is Faking Cool – The King’s Arms, Salford
North West

Chris Tavener is Faking Cool – The King’s Arms, Salford

Armed with debonair wit and a trusty guitar, singer-songwriter Chris Tavener - no stranger to a gig - invites us into The King’s Arms to convince another of his audiences that he’s cooler than cool. Threatening to blow his cover, though, are those discordant, intrusive thoughts. It’s immediately made clear just how well Tavener knows his way around a guitar: he plays with instinctive confidence, continuously filling the space with foot-tapping riffs and melodies. His doubting inner voice plays out loud between songs, enabling the audience to hear the anxious musings that contrast Tavener’s tongue-in-cheek lyrics. This largely successful comedic device could be further deployed by using it to string a narrative; as implied by the title, the perceptibly-cool exterior battling with an i...
Bouncers – Octagon Theatre
North West

Bouncers – Octagon Theatre

Since its debut at the 1977 Edinburgh Festival, Bouncers has enjoyed countless revivals and tours. To a first-time viewer, though, this iteration of the classic, northern nightclub comedy suggests that last orders were called a long while ago. An interchangeable quartet of mostly-like-minded bouncers work the doors of Mr Cinders: their interactions and observations are interspersed with the activities of different sets of partygoers, from celebrating girls to pseudo-alpha males. Under the direction of Jane Thornton, the piece promptly establishes exactly who its target audience is, as the doormen proudly declare that, in their pocket of the 1980s, “nothing is woke”. The uttering of this tiresome phrase lays the foundation for the humour that is to follow: fat jokes, gay jokes, women ...
Je Suis Charlie – 53Two, Manchester
North West

Je Suis Charlie – 53Two, Manchester

It only takes a glimpse of 9/11-themed musical Come from Away or Carly Wijs’ Us/Them to appreciate that theatre and terrorism is an atypical yet resonating combination, when handled tactfully. Rough Boy Mcr attempts to do the same with Je Suis Charlie, but this verbose one-acter fails to lift any sort of new, thought-provoking interpretations from its source material. A Grindr hook-up takes an unforeseen turn shortly after the timid and youthful-looking Mike turns up to satirical cartoonist Charlie’s home; the two roles are dutifully played by Ben Bradfield and Ben Rigby respectively. Putting aside its several distracting plot holes, the serious conflict in Je Suis Charlie is interrupted by frequent, formulaic comedy that rarely sits right in the context- though Rigby’s gags and quip...
42nd Street – Opera House, Manchester
North West

42nd Street – Opera House, Manchester

Timeless, famed, genre-defining: all befitting words to describe this classic backstage musical considering its screen debut ninety years ago, later followed by an 80s stage adaptation. Arriving in New York City, wide-eyed, budding performer Peggy (Nicole-Lily Baisden) has her heart set on stage stardom- and the right set of circumstances soon land her a spot in a new musical’s chorus line. As opening night approaches, an accident involving the leading lady then gives Peggy the unexpected chance to make it big. A paper-thin storyline matters little when outstanding tap numbers are in such plentiful supply. Exuberant and unremitting, the ensemble commands attention with their well-honed coordination. Dance sequences in We’re in the Money as well as the titular song make them unforgett...
Kathy and Stella Solve a Murder! – HOME Manchester
North West

Kathy and Stella Solve a Murder! – HOME Manchester

Debuting at the 2022 Edinburgh Fringe, this East Yorkshire-based murder mystery (a Hull-dunnit if you will) has been expanded ahead of a second run. It’s knives out in a new, Northern musical that promises slaughter and laughter - at its final destination of Manchester. Childhood besties and idlers Kathy (Bronté Barbé) and Stella (Rebekah Hinds) share a joint passion for grisly true crime through a podcast that’s about as popular as they are. However, when their favourite author is brutally murdered, the chance to take on a case of their own- and turn ‘Kathy and Stella’s Murder Podcast’ into a sensation- proves too thrilling to pass up. Kathy and Stella gets off to a flying start, with Jon Brittain’s sweary script evoking lots of belly laughter from the audience. We’re introduced to ...