Riana Howarth, Author at North West End UK

A Doll’s House Part 2 – Donmar Warehouse

24Jun

By Riana HowarthNo Comments

London

A Doll’s House Part 2 – Donmar Warehouse

A dark house lifts off the stage to reveal its interior, and we are drawn into the intimate space. The story follows on from Ibsen’s classic, presenting their world fifteen years later. Nora has found purpose as a famous writer under a pseudonym but returns home to settle pressing legal matters. The set designed by Rae Smith has a cool, clinical feel like it hasn’t been lived in as none of the characters are truly settled and its initial state is mysterious and bleak, like it holds a chamber of secrets. Noma Dumezweni’s Nora is controlled and meticulously crafted. With a fierce moral code and ideals, she is earthy and wise yet there is something indefinable about her. As Nora’s interacts with the other characters, she is fluid and playful yet grounded by her unswerving principles. ...

18Jun

By Riana HowarthNo Comments

London

Darkie Armo Girl – Finborough Theatre

Karine Bedrossian stuns in her fast-paced one-woman play. Her rollercoaster of a journey begins as a sprightly eight-year-old with a passion for dance who struggles with a lack of belonging and isolation due to her Armenian heritage. As she grows up and as her unhealed wounds take hold, she relentlessly searches for some kind of peace or fulfilment amongst chaos. Bedrossian’s writing is excellent with witty dialogue, dark humour, and a strong narrative thread. It is almost like reading a diary, with its intimacy and unabashed truthfulness. The events are retold in an unanticipated and sporadic way, much like Karine’s buzzing character which is exciting and dizzying to watch. She is emotionally raw and engaging without any indulgence or pretence. There is an honesty and concentration ...

BenDeLaCreme is… Ready To Be Committed – Leicester Square Theatre

11Jun

By Riana HowarthNo Comments

London

BenDeLaCreme is… Ready To Be Committed – Leicester Square Theatre

BenDeLaCreme oozes charisma in her spectacular solo showcase. The show begins with her preparing for marriage, except she is missing a groom and a wedding dress amongst other “small” details. Coerced by a feisty and entitled wedding cake topper, BenDeLaCreme’s doubts are pushed aside as she plans her special day. She begins to question the notion of marriage and love, inspired by talking inanimate objects which come to life. Full of colour and range, from historical raps to a medieval version of Single Ladies, DeLa shows her talent as a performer, lyricist and creative director. The dramatisation of relatable events, of rejection, excitement and anticipation are almost cathartic to watch, as she allows her full emotional expression. The Grindr experience in which the men are ken dol...

8Jun

By Riana HowarthNo Comments

London

Foundations – New Wimbledon Theatre

As part of a series of Fringe shows, WrongTree Theatre and Ultraviolet Production’s Foundations had its one-night run at the snug New Wimbledon theatre studio. MJ finds herself dissatisfied with her workplace and out of curiosity, wanders around the factory where she discovers another factory within a different world. This coraline-esque show is dazzling in its fluidity and imagination. It is a tale of friendship but also offers insights about humankind, stimulating for both children and adults. The simple but captivating plot was easy to follow, and the writing was accessible and flowed well. The concept is unique whilst also evoking nostalgia as it reminds me of Charlie and Lola which I watched growing up. The cast brought vividly brought their world to life with cleverly co-or...

Much Ado About Nothing – Network Theatre

20May

By Riana HowarthNo Comments

London

Much Ado About Nothing – Network Theatre

Network Theatre’s take on Shakespeare’s enemies to lovers play is refreshingly modern and original. Beatrice and Benedict’s disdain for each another and their vow of celibacy soon dissolves as their friends conspire to matchmake them. As their defences unravel, the two face feelings of vulnerability and openness. This play is particularly suited for an LGBTQ+ interpretation because of those feelings and the heightened uncertainty that those in LGBTQ relationships may face. It begins with a series of snippets of Beatrice and Benedict together, making the tension in their relationship an undercurrent throughout the play. The whole cast conveyed the story and its confusing plot effectively. The playful dynamic between Naomi Bowman’s Beatrice and Lio Lylark’s Benedict was exciting to wa...

Illicit Signals Bletchley – Crypt, St Peter’s Church

7May

By Riana HowarthNo Comments

London

Illicit Signals Bletchley – Crypt, St Peter’s Church

Transported to London in 1941, we find ourselves signing up to join Bletchley Park’s codebreaking team. As is the case with immersive shows, each audience member can have a different experience. Mine began in Dilly Knox’ office, where amidst waffling and mumbling through his pipe, Dilly and Mavis taught us the basics of enciphering and deciphering. The bustling, buzzing feel was immediately established by their rushing and enthusiasm. The atmosphere soon changes when an inspector arrives and begins interrogating the staff. The characters were fleshed out and engaging as they were based on real people and material was devised and improvised by the cast. The 1940’s idioms and accents were particularly impressive in their consistency and the rapport between the cast members created a...

Five Characters in Search of a Good Night’s Sleep – Southwark Playhouse

30Apr

By Riana HowarthNo Comments

London

Five Characters in Search of a Good Night’s Sleep – Southwark Playhouse

Five characters reveal their subconscious minds as they grapple with their day-time angst and woes. They sit in chairs, each in their individual homes but sharing a temporal space in a dream-like lilac and blue clouded set designed by Agnes Treplin. Devised by Mike Alfreds, Sonja Linden and ViSiBLE, it has the feel of verbatim as the stories are inspired by the actors’ own lives. All of the cast fully inhabit their characters so that from their first few lines, you immediately get a strong sense of their personalities. The triviality of their problems and their unextravagant, ordinary lives are endearing and poetic in their realism. This and the truthfulness with which these stories are told make it easy to become invested in and hang on their words. Sally Knyvette’s Helen ...

22Apr

By Riana HowarthNo Comments

London

The Burnt City – Woolwich Works

Punchdrunk’s new piece directed by Felix Barrett and Maxine Doyle is an exhilarating immersive experience which has the epic feel of Greek tragedy fused with a modern electricity. Based on Agamemnon and Hecuba, the story follows the characters as the mythical world comes to life. Audience members enter an exhibition which suddenly lurches into this realm, where space and time feels suspended. We are free to follow whatever takes our interest as a multitude of scenes occur simultaneously across the different spaces. There isn’t a huge amount of audience interaction, but it is visually and mentally engaging throughout as you endeavour to piece together the plot and choose where to go. For a venue with a plethora of different spaces, the set designed by Barrett, Livi Vaughan and Beatrice M...

21Apr

By Riana HowarthNo Comments

London

Eating Myself – King’s Head Theatre

Pepa Duarte takes us on a journey into her past struggles with eating, body image and her relationship with her Peruvian heritage. It shows a vivid depiction of disordered eating and the comical absurdity of it all when seen from a distance. The themes of womanhood and culture continuously overlap, as she challenges traditions and reconciles with her roots. Pepa cooks and leaves the soup to stew, and we become immersed in the aroma and her story. The set designed by Laura Arroyo is effectively minimalistic, hinting at a Peruvian kitchen with utensils dangling at the sides and a kitchen top. Michael Harpur’s lighting design highlights dramatic moments and shifts the mood between different scenes. Duarte’s writing is balanced and truthful. The script is written in a way that feels like...

10Apr

By Riana HowarthNo Comments

London

Richard II – The Vaults

This inventive take on a Shakespearean classic finds itself in the grizzly, ambient Vaults. Quandry Collective presents a world in which a woman disguises herself as a man to hold onto the throne. The story follows Richard II’s demise starting from the moment he banishes Bolingbroke to his bitter end. The cast is all male with the exception of Coco Maertens who plays Richard. They convey a harsh, sterile environment full of dormant aggression and angst which often explodes into violence and you appreciate her precarious position as a woman. The set designed by Valentine Gigadet is cluttered with pieces of fence and other units amongst bric-a-brac that double up as percussive instruments used by the performers. This sets an ominous tone and with the pulsating electronic beats, they both ...