Peter Kinnock, Author at North West End UK

27Mar

By Peter KinnockNo Comments

West Midlands

Dragons – Birmingham Hippodrome

Set amidst an effusive of silver piping which wouldn’t look out of place in an industrial park, “Dragons” is a bright, engaging and slightly potty amalgam of dance, movement and physicality which, despite lacking plot, character and much we can get a grip on, proves itself a shining and engaging piece of theatre. South Korean choreographer, Eun-Me Aha, who’s company’s first appearance in the UK this is, presents herself as a book-ended sage opening and closing the show between which six buoyant young dancers carry the bulk of the performance - Gaon Han, Deokyeong Kim, Hyekyoung Kim, Seven Kim, Doohee Lee, Hyeonseo Lee and Yongsik Moon. The energy is palpable and the joy tangible as we are presented with a fluctuating series of vignettes rooted in ancient dance culture but living very much ...

12Mar

By Peter KinnockNo Comments

West Midlands

War Horse – Wolverhampton Grand

Galloping across the country like the noble steed it is, “War Horse” stops off momentarily at the Grand Theatre for some water and hay staying long enough to regale us once more with the stunning and breathtaking tale it has been sharing since it first staggered out of its stable back in 2007. Though initially a book by Michael Morpurgo it was playwright Nick Stafford who trained and groomed it for success with this adaptation at the National Theatre. Handspring Puppet Company have transcended their art and produced creatures which are beyond anything we've before seen - they live, they breathe, they gallop. I defy anyone to see the work and not come away thoroughly convinced they have been amongst real animals. It’s uncanny. You can almost smell them. The image of Joey is now iconic ha...

Chitty Chitty Bang Bang – Birmingham Hippodrome

5Mar

By Peter KinnockNo Comments

West Midlands

Chitty Chitty Bang Bang – Birmingham Hippodrome

“Chitty Chitty Bang Bang the Musical” first took off over 34 years after the original film starring the eternal Dick van Dyke was released based on the original book by Fleming, Ian Fleming with malicious additions by a pre-Chocolate Factory Roald Dahl - who else could have invented one of the most terrifying characters in all cinema - the Child Catcher? Though I’m reluctant to place it among the spate of tribute theatre we’ve seen of late (name a favourite film from your childhood/teens and add “the musical” and wait for the tills ching) it does smack of that genre. Nonetheless, though the film is a haphazard sub-Disney confection, it has wormed its way into our collective hearts not least through an endearing and irresistible score from the ever reliable Sherman Brothers. Our fine fou...

Handbagged – Wolverhampton Grand Theatre

28Feb

By Peter KinnockNo Comments

West Midlands

Handbagged – Wolverhampton Grand Theatre

I overhear the couple behind me, probably in their twenties. One says, “Did you get the references?” the other replies, “I’ve seen ‘The Crown’ so I get the gist…” I suddenly feel very old and the details of Moira Buffini’s play, which were once at the political forefront for all of us over fifty, seem strangely distant and tepid. The Miner’s Strike and Section 28, once viscerally crucial, are thrown into quaint relief by the Trumpian carnival currently erupting across the water. What was once breaking news is now the fading past. Those of us who got the references - and the play is stuffed with them; Heseltine’s hair, Howe’s dullness - are happily served but what of the pair behind me? “Handbagged” appeared in its full form in 2014 within living memory of the events portrayed and only j...

Matthew Bourne’s Swan Lake – Birmingham Hippodrome

8Feb

By Peter KinnockNo Comments

West Midlands

Matthew Bourne’s Swan Lake – Birmingham Hippodrome

This elegant old bird glides into the Hippodrome after swooping across the world for nearly thirty years and proves itself to be in turns vibrant engaging, compelling and comic. Matthew Bourne first envisioned and delivered his barn-storming creation to the world back in 1995 way before most of the cygnets in tonight’s performance were even hatched and it maintains and sustains its artistic integrity, vision and panache without a single feather out of place. Bourne has given the world something stunningly unique and intelligent which remixes the familiar tropes and tunes of the Tchaikovsky ballet rearranges, reimagines and reupholsters them in a breathtakingly new, yet recognisable, manner using the swan imagery as a metaphor for our young princess’s sexual awakening coupled with a thri...

5Feb

By Peter KinnockNo Comments

West Midlands

Community – Birmingham Rep

Farrah Chaudhry’s new play and, seemingly, first play is set in the epicentre of the second city and tells a comedic tale of coming of age, identity and belonging. Zoya and Leyla are ethically, morally and politically in different leagues. While Zoya could be best described slightly spoiled. Leyla is the epitome of nose-to-the-grindstone communal responsibility. When Zoya’s parents decide she no longer has a place in their home (for reasons we’re eager to discover but are never told) she turns to her friend for help, support and a couch to sleep on. Thus begins the story and were this the TV Times, I could add “with hilarious consequences” though that wouldn’t be entirely accurate. Parts are funny, parts are very funny and lots of it works very well. It’s patchy in parts, though, and ha...

4Feb

By Peter KinnockNo Comments

West Midlands

Hairspray – Wolverhampton Grand

“Hairspray” explodes onto the stage of the Wolverhampton Grand with all the vigour, vibrancy and verve one has come to expect and does exactly what it says on the spray tin. It’s a wild effusion of fun and frolics expertly delivered and tempered with a sobering seam of politics of racial segregation. John Water’s originally movie strutted out of the celluloid closet way back in 1988 featuring the grotesque drag artist Divine in the mother role creating a cult sensation. The tradition of casting a male in the female role continues today and it’s an interesting decision in the air of the shifting notions of identity and genre which have emerged since the show's inception especially in a country which already has a long tradition of the dame. However, Neil Hurst is a natural in the role and m...

8Jan

By Peter KinnockNo Comments

West Midlands

Peter Pan – Birmingham Hippodrome

Sprinkled with producer, Michael Harrison’s, hallmark pizzazz and glitter, Peter Pan explodes on to the stage of the Birmingham Hippodrome with all the traditional elements of British pantomime deftly blended with a beguiling swathe of new and exciting ideas. Of course, we know the story, of course, we know the characters, of course we know what will happen - but do we? One of the joys of pantomime is its endless ability to subvert the expectation of the audience and deliver something with proud aplomb which says, “You didn’t see that coming, did you?” - and in many cases tonight we didn’t! Another delight of pantomime is catching up with players we see year in year, year out and Matt Slack is the Hippodrome’s go-to chucklemeister with a vast array of comic routines and monologues dutif...

21Nov

By Peter KinnockNo Comments

West Midlands

A Christmas Carol – Birmingham Rep

Vanity publishing, which in recent years has metamorphosed into the far more respectable “self-publishing”, was once a much frowned upon indulgence reserved for potty poets and rich romantic novelists who didn’t need to make any money. However, it seems a number of well-known titles emerged from the self-funding route - “Paradise Lost”, “Sense and Sensibility”, “The Tale of Peter Rabbit” and Charles Dickens himself wasn’t beyond dipping into his pocket and splurging a few shillings to get a book on the shelves. His investment in A Christmas Carol would make many modern day self-publishers jealous - having never been out of print since 1843. Scrooge must be one of the most portrayed characters on stage and screen after Sherlock Holmes and Jesus and has been played by all and sundry. The ...

5Nov

By Peter KinnockNo Comments

West Midlands

Come From Away – Wolverhampton Grand

From its first thumping, stomping almost tribal driving rhythms at the top of the show “Come From Away” sets out its stall clearly and emphatically not giving an inch and not compromising on its passionate message. As we probably all know by now, the show tells the tale of the little town of Gander in Northeastern Newfoundland, which threw open its doors and hearts to 7000 passengers who found themselves diverted from US air space on that notorious date September 11th 2001. Irene Sankoff and David Hein’s book, music and lyrics summarises the event and epitomise the humanity with panache, respect, dignity and kindness. 38 planes landed unexpectedly in Gander and everyone had to be accommodated. And they were as the entire community came together to help, support and care for hundreds of ...