Paul Ackroyd, Author at North West End UK

Ali in Wonder(Eng)Land – Jacksons Lane Theatre

15Jul

By Paul AckroydNo Comments

London

Ali in Wonder(Eng)Land – Jacksons Lane Theatre

This rather clumsily titled play is the “rabbit hole” to a rather fascinating 75 minutes of devised drama by the LegalAliens Theatre’s Tottenham Project which reimagines Lewis Carroll's famous Alice in Wonderland as the experience of an immigrant trying to negotiate the English immigration system and cultures. Directed by Lara Prlmiani the play was first created in 2023 and has now been updated for the current production at the Jacksons Lane Theatre. Each successive cast, all of whom are immigrants from a wide range of countries, bring their own perspectives of their challenges in settling in England to the text. The use of Lewis Carroll's famous story as a template was an inspired idea since nothing could be more English and yet it is very effectively and humorously used to illus...

9Jul

By Paul AckroydNo Comments

London

Richard III: The Cockpit Theatre

This is an extraordinary production. Directed and starring Nicolas Perez Costa it was per formed to great acclaim at Madrid’s Teatro Infanto Isabel. It is in English but with a largely Spanish speaking cast it is a highly physical, visceral and arresting interpretation of Shakespeare’s classic play about power, ambition and evil. The cast paint their faces white with heavy black make up, along the lines of the Joker in the famous Batman films, and are dressed in dysfunctional costumes of black, translucent tops and heavy ragged cloaks. Something like a cross between grunge and steam punk. The set consists of nothing more than six oil drums and two wooden ladders. These the cast move into the positions required for each scene often standing atop them. The most amazi...

9Jul

By Paul AckroydNo Comments

London

Romeo and Juliet – Greenwich Theatre

Greenwich Theatre’s current production of Shakespeare’s much loved play has some interesting and innovative features. Romeo is cast as a woman, apparently as a tribute to the Pride movement, and it makes extensive use of music played and sung by the six performers who are all talented musicians. Whilst I was initially unsure about the same sex leading couple it worked well and appeared natural. The music was very pleasant although somewhat idiosyncratic, including at, one time, one of Simon and Garfunkel’s numbers, the relevance of which to the plot was not clear. An impressive backdrop had been constructed with a large steel balcony which was used, obviously, for the famous balcony scene but when it was used for dialogue between other characters, for example, in Lord Capule...

26Jun

By Paul AckroydNo Comments

London

Sting – Young Vic

This is a confusing and poorly constructed play. According to the publicity and the programme it is about witchcraft and how persecution of women through the ages has led to the current appalling levels of domestic abuse. That sounds intriguing, but the play lost its way several times. Photo: Helen-Murray It starts in an archive where archivist Lily, played by Phoebe Ladenburg works, although there was not much evidence of that on her empty desk. Enter her new assistant the effervescent Ash (Adelle Leonce), dressed and hung over from a wild night out at a nightclub. Despite appearing to be totally unsuitable for a role in the archive she is actually a very bright individual with a considerable knowledge of the history of witchcraft. She has, however, a dark personal history. Ne...

Cyrano de Bergerac – RSC – The Noel Coward Theatre

26Jun

By Paul AckroydNo Comments

London

Cyrano de Bergerac – RSC – The Noel Coward Theatre

Cyrano De Bergarac is a classic 1897 play by French playwright Edmond Rostand, and has been performed numerous times and starred many famous actors over the years. This is a new version for the RSC by Simon Evans and Debris Stevenson, making its London transfer from the Stratford stage, and it is a corker! Evans and Stevenson have kept the original plot and managed to retain much of the poetic style while making it up-to-date, lively, very funny and fully engaging. Highly theatrical from the very beginning, Christian Patterson comes onto the stage as Ragueneau to welcome the audience and explain that in theatre we are separate from "The world out there, Us quiet in here". The cast makes full use of the theatre space, entering through the auditorium, appearing on balconies and in the box...

19Jun

By Paul AckroydNo Comments

London

Miraculous – Kings Head Theatre

This is a play about the Christian religion, authority and the interpretation of the Bible. It takes place in a Christian camp in the Oregon Mountains where Josh, a young student has been sent by his parents, and the retreat is overseen by a zealous young pastor, Paul, who has daily mentoring sessions with Josh. In these sessions Josh, at best a lukewarm Christian, tests his pastor's faith with challenges about what he reads in the Bible and Christian interpretations of sex, forgiveness and miracles. This is not a play with deep theological debate. Josh's questions are fairly simplistic; the sort everyone asks from time to time, and Paul's responses are less satisfactory and thoughtful than one would expect from a well-educated cleric placed in a position of authority over young p...

Dark of the Moon – Charing Cross Theatre

2Jun

By Paul AckroydNo Comments

London

Dark of the Moon – Charing Cross Theatre

This new musical version by Lindy Robbins, Dave Bassett and Steve Robson is the latest in a long series of versions of this piece. It was first performed as a play in 1942 and a substantially revised version transferred to Broadway in 1945. It was produced in London at the Lyric Hammersmith in 1948 and the Ambassadors Theatre in 1949. The story has not been updated. It is effectively a fairytale about a rural Appalachian community who live in close proximity to a coven of witches in the nearby Smoky Mountains. One of the witches, John (Witch Boy), is enamoured with one of the human girls, Barbara Allen, and seeks to develop a relationship with her, to the dismay of both communities. Its theme is the clash between cultures with the boy/ girl relationsh...

18May

By Paul AckroydNo Comments

London

Player – Riverside Studios

Actors like nothing more than talking about themselves and their profession, and this wonderful little play at Riverside Studios, written by Matthew Lyon, is an ode to the joys but mainly pains of trying to make a career in the theatre. It is almost all written in rhyming couplets in a faux Shakespearean style, which makes it a delight to listen to. Lyon himself plays the actor struggling through the various stages of life in the theatre from initial stirrings of interest at school and home, not always encouraged, through the agony of endless auditions until at last reaching the zenith of actually having a script for the part of “seventh spear carrier on the left”. Ola Forman plays all the other pa...

14May

By Paul AckroydNo Comments

London

1536 – Ambassador’s Theatre

In 1536 Anne Boleyn, then married to Henry VIII, was accused of treason, locked up in the Tower of London and subsequently executed. Her only real crime, not providing an heir. From the publicity material surrounding this play you would think that that is what it is going to be about. It is not. The setting is a village in Essex, in a small clearing with a large tree stump and tall grasses. Here three village women, Anna, Jane and Mariella, live out their intertwined lives in a highly patrimonial society where women's status and lives count for little. They hear the stories of the arrest and fate of the Queen which they can scarcely credit, but it has little relevance to their lives. Or does it? In their rural microcosm they are subjected to the same misogyny and arbitrary male decision...

12May

By Paul AckroydNo Comments

London

The Wasp – Southwark Playhouse Borough

Two school acquaintances meet in the courtyard of a pub, having not seen each other for several years. Their lives have diverged: Heather, is married, childless and prosperously middle-class; Carla is pregnant with her fifth child and definitely working class. They seem to have little in common, and indeed, as their conversation develops, it is clear that they were not exactly friends at school. So why has Heather suggested this meeting? As they circle each other warily we learn more about their backgrounds, and then Heather offers Carla a very large sum of money to undertake an outrageous task for her. Carla is initially resistant, but she needs the money and it is clear that Heather, although not having been in direct contact, has learnt a lot about Carla's family situation a...