Paul Ackroyd, Author at North West End UK

7Oct

By Paul AckroydNo Comments

London

Juno and the Paycock – Gielgud Theatre

Juno and the Paycock is widely regarded as Sean O'Caseys's theatrical masterpiece. Set during the Irish Civil War in 1922 the first act starts almost as a melodrama with " Captain" Jack Boyle( Mark Rylance) and his dissolute companion "Joxer" Daly (Paul Hilton) indulging in drunken excess and an attempting to avoid all forms of work while dodging the wrath of Juno Boyle (J.Smith-Cameron), the redoubtable female head of the household. The impoverished family’s fortunes seem to take a dramatic turn for the better when they are informed that Jack Boyle has received a large inheritance from a relative. As the second act opens, we see them in the same rundown dwelling, but now bedecked with new expensive furnishings and the family wearing new clothes for which they ha...

3Oct

By Paul AckroydNo Comments

London

Look Back in Anger – Almeida Theatre

Renowned as a theatrical landmark, John Osborne's 1956 play changed the face of British theatre forever with its gritty realism. For such an important play it is surprisingly infrequently performed. I have only seen it once before and had forgotten what a powerful piece of drama it is. Staged at the Almeida Theatre in repertory with 'Roots', Arnold Wesker's renowned play of the same era, it forms what they have titled 'Angry and Young' season. The most striking thing about director Atri Banerjee’s production is the dispensing of a realistic set, which was one of the hallmarks of the original production and presenting it on a bare circular stage with an outer ring revolve and an inner ring lift. The lift was used for raising the few pieces of set furniture that were needed, a table and t...

29Jul

By Paul AckroydNo Comments

London

The Box – The White Bear, Kennington

Brian Coyle’s tense, intriguing exploration of a couple in a relationship crisis. Although the reason for the crisis does not become evident until later in the piece Initially the couple Tom and Kate appear to be playing games with each other assuming alternate identities. They continually compare themselves unfavourably with the relationships of other couples they know who to them seem more " normal". Coyle is fascinated by deception. In the play he claims that lying is inherent almost everything we do, in work, in relationships, and even with those we are closest to. The setting was simple with the audience on two sides of the White Bear's playing area dominated by a large box wrapped in paper. The purpose of this box is not clear, although it is obviously very important to both t...

19Jul

By Paul AckroydNo Comments

London

The Defamation – Riverside Studios

Presented as part of the Riverside Studios Bitesize Festival, this is an intriguing piece of theatre written by Zen Tucker. Said to be inspired by the events of the Depp versus Heard defamation lawsuit in the US, it is situated in a liminal space between life and death. Five of Shakespeare's best-known female characters are obliged to spend interminable time awaiting the decision of an afterlife court as to whether they should be dispatched to heaven or hell. The setting is a library with somewhat irregular shelves and two small tables. The characters are Desdemona, Lady Macbeth, Hermione, Ophelia and Hero. For those not familiar with Shakespeare, the character sheet provides a useful summary of their roles their respective plays. The play, which is written in blank verse, involves the ...

ShakeiTuP: The Improvised Shakespeare Show – The Other Palace

10Jul

By Paul AckroydNo Comments

London

ShakeiTuP: The Improvised Shakespeare Show – The Other Palace

How do you review a show which changes every night? Which is what ShakeiTuP: The Improvised Shakespeare Show which is currently playing at the Other Palace Theatre studio claims to do. The format of the show is that at the beginning of the first half the audience is asked, by acclamation, to choose which of the three genres of Shakespeare's plays; histories, comedies and tragedies they would like to see. On press night we chose histories. The audience is then then asked to suggest a lead character. Avoiding obvious suggestions like King Charles, possibly for fear of litigation, an audience member suggested a friend of theirs, an entrepreneur and horticulturalist: so, King Keith it was. Suggestions were then asked for a location and from various improbable suggest...

24Jun

By Paul AckroydNo Comments

London

My Father’s Fable – Bush Theatre

Faith Omole' first produced play is a real cracker. It tells the story of Peace, a young black woman of Nigerian descent, who is living with her partner Roy, a mixed heritage man, in their comfortable middle-class home in England. Their lives are disrupted when Bolu, Peace’s half-brother from Nigeria of whom she was not previously aware, contacts her via social media and comes to England to stay with them. The domestic situation is further complicated by the fact that Peace's mother, Favour, also arrives, ostensibly ill and needing to be looked after. The play then becomes a fascinating psychological thriller as the four characters interact. Mysteries and suspicions abound. Who actually is Bolu? And why did he come to the UK at this time? ...

17Jun

By Paul AckroydNo Comments

London

Longitude – Upstairs at the Gatehouse

There seems to be no story which cannot be made into a musical nowadays. The fascinating history of the struggle to devise a marine navigational aid to accurately measure longitude is the latest, in a new musical written and produced by Kaz Maloney. The story focuses on John Harrison, the northern carpenter and clockmaker, who responded to the Board of Longitude's appeal in the early 1700s for solutions to this navigational dilemma, which was causing the loss of thousands of lives at sea. For the most part, the narrative of the story accurately follows John Harrison's story and his interactions with the Board, who were made up of well renowned establishment figures of the day. The style of the production was an interesting contrast between the more or less realistic ...

21May

By Paul AckroydNo Comments

London

The Book of Grace – Arcola Theatre

This is an outstanding production of a gripping drama, written by Pulitzer Prize winner Suzan-Lori Parks in 2009. The Arcola Theatre presents the UK premiere of a revised version, with an all-black cast. The play tells the story of Vet and his second wife Grace who live on the Texas Mexico border. They receive a visit from Vet's son Buddy, who has been away and out of contact for 15 years. He has returned for his father's award ceremony, recognition for his single-handedly having detained a large group of illegal migrants on the border. The border runs through Vet's life: he is a very proud member of the border force, his house is within sight of the border fence and he has a live stream of the fence playing in his house. Borders generally are very important to Vet,...

16Feb

By Paul AckroydNo Comments

London

Lear’s Shadow – Jack Studio Theatre

The pandemic was, of course, a disaster for theatres and those involved in the performance arts. But it is striking how many of those affected used their time to develop their creative skills and produce new work, which would otherwise possibly never have seen the light of day. One such is Lear's Shadow devised and performed by Colin Hurley, and now performed in the Brockley Jack Theatre. The Jack performance space is almost bare except for a round wooden table and a bench. Enter an old man with dishevelled hair and greying beard, dressed in a dressing gown and long johns, with bare feet. He carries a modern looking box full of his props. Although looking like a Lear, the programme notes make clear that this is not Lear: it is an actor very familiar with the Bard's w...

22Jan

By Paul AckroydNo Comments

London

Fire Embers Ash – Barons Court Theatre

This play by Hailey Mashburn tells the little-known story of the establishment by the Soviet Union of the first all-female aviation regiment to fight against the Nazis in the Second World War. Apparently, the regiments were created by Stalin after pressure from one of the early aviators Marina Raskova, portrayed in this play by Henrietta Laursen in the role of commander. The establishment of the unit was controversial and looked down upon by many of their male colleagues. They were only allocated old and decrepit planes and had to wear ill-fitting male uniforms. Nevertheless, they distinguished themselves, and were nicknamed by the Nazis as the " Night Witches". The title which they adopted themselves with pride. To overcome the deficiencies of their equipment...