Paul Ackroyd, Author at North West End UK

2May

By Paul AckroydNo Comments

London

Mass – Donmar Warehouse

This is a play about restorative justice. Two couples, the parents of their sons who were involved in a school shooting some years ago meet for the first time in a church meeting room. One couple are the parents of a child who was shot and the other of the shooter. Both sons were killed in the incident. As would be expected there was a substantial amount of apprehension on the part of both couples about meeting face-to-face for the first time. They sit one on each side of the table and talk. That is basically all that happens in this play for 90 minutes of its 1 hour 40 mins playing time. We gradually learned about the events which happened on that fateful day, and the background, particularly of the shooter in the years preceding and the anguish of both se...

Invisible Me – Southwark Playhouse Borough

13Apr

By Paul AckroydNo Comments

London

Invisible Me – Southwark Playhouse Borough

Three individuals, turning 60 and leading solitary lives, starting to explore new horizons, eventually meeting up, may sound a bit of an artifice for a plot. But with a tightly written text by Bren Gosling and first-class acting and direction, it is a theatrical gem. We meet: Lynn, played by Tessa Peake-Jones. Divorced from her uncaring husband and now living in her late mother’s house, working as a cleaner in a Travelodge. A surprise encounter leads to an unexpected foray into the world of online "personal services". Alec, played by Kevin N Golding. A taxi driver, divorced with two adult children who he rarely sees. His tedious world interrupted by an encounter with a mysterious woman half his age. Jack, played by James Holmes. Still in grief over the death of his ...

The Trials of a Gentleman – Brockley Jack Theatre

2Apr

By Paul AckroydNo Comments

London

The Trials of a Gentleman – Brockley Jack Theatre

David Martin is in a police interrogation room, preparing his defence statement for a serious crime. He is not a habitual criminal. He is a man out of his time. Born in the 1960s, he harks back to what he sees as a more glamorous civilised world of the 1940s, informed mainly by the great Hollywood actors of that age: Niven, Grant etc. In fact he was brought up in a modest working-class household, his childhood shattered by domestic violence. In this 75 minute monologue Kit Smith as David Martin explains how he came to be in this police cell, and the values and beliefs which have guided his life. He believes in civility, courtesy and politeness. He abhors much of modern society, with its rudeness, debasement of language and reliance on technology. In his life as a primary school teacher,...

30Mar

By Paul AckroydNo Comments

London

Henry V – RSC, Stratford-Upon-Avon

A major power invading another country on a flimsy pretext. Does that sound familiar? The RSC’s new production of Shakespeare's Henry V has clear current political resonances. This production by the RSC's is superb, well directed, excellently acted and inventive. It uses Shakespeare's text and characters and is mercifully free of the gimmicks which some directors choose to put into the Bard's great works. It starts with a nod to continuity with the scene of the death of Henry IV from Henry IV Part Two. It then proceeds at ferocious pace, never flagging. It has been intelligently cut by the director, Tamara Harvey, to run for 2 hours 50 minutes including an interval and yet includes all the major events of the original text. The cast make a superb ensemble. Many playing several parts. Th...

The Dawn of Reckoning – White Bear Theatre

21Mar

By Paul AckroydNo Comments

London

The Dawn of Reckoning – White Bear Theatre

Two women meet unexpectedly in the lobby bar of a small hotel in Bayswater at 3 am on a cold, foggy January morning. They recognise each other immediately: best friends at university they became estranged later as they sequentially married the same man, leaving a legacy of acrimony and guilt. They are both due to attend the reading of their former husband’s will the following day. Is this a chance meeting or has it been engineered, as they suspect, by their former husband or his agent? As they talk, initially in a spirit of confrontation and hostility, fuelled by alcohol obtained from the bar, home truths begin to spill and a degree of understanding, if not empathy, emerges between them. This is a two hander, no hotel staff appear. Ruth played by Jilly Bond hails from middle-clas...

The Village Where No One Suffers – Jack Studio Theatre

27Feb

By Paul AckroydNo Comments

London

The Village Where No One Suffers – Jack Studio Theatre

Four years on from the start of the disastrous and unnecessary Ukraine war, which has brought so much suffering to the Ukrainian people and changed the world for all of us, is a good time to stage a theatrical drama about these troubled times. But this play written by Polia Polozhentseva and playing at the Jack Studio Theatre is a very odd one to choose. It is located in a village in rural Ukraine which has barely been affected by the war; no missile strikes, no deaths or injuries, no damaged buildings and no conscription. Lukyana has returned from her comfortable life in Poland to visit her late grandmother's house, where she has fond childhood memories of growing up with her grandparents. She is responding to her grandmother's wish that she should spend some time in ...

27Jan

By Paul AckroydNo Comments

London

Masterclass – Brockley Jack Theatre

In a primary school classroom an eminent but ageing actor, Roger Sutherland, is preparing to give an acting masterclass. Unfortunately, only one potential student arrives; a rather brash young Australian Garry Brock and he has forgotten to bring the cash necessary for the class fee. Thus, Tim Connery sets up the scenario for a hilarious and memorable clash between two schools of acting: Sutherland's old school, "learn the words and don’t fall over the furniture" and Brock' s method acting approach of "be who you are". Anyone with any involvement in theatre will recognise the reality between the worlds which are being portrayed here, but it is immediately comprehensible to a wider audience. Connery's script is brilliant. It is extremely funny, full of wonderful one-...

17Dec

By Paul AckroydNo Comments

London

Twelfth Night: RSC at the Barbican

Sometimes a director tries too hard to bring a novel or unusual interpretation to Shakespeare's work, producing a confused and ultimately unsatisfactory production. This unfortunately is the case with Prasanna Puwanarajah's version of Twelfth Night for the Royal Shakespeare Company, recently transferred to the Barbican from Stratford. There is much to like about this production. The acting was universally good and used Shakespeare's words for the most part, only annotated with the occasional modernism, and the delivery of the lines made the story very easy to understand. Music is intrinsic to this play and the musical score produced by Matt Maltese was excellent. The costumes were eclectic, reflecting a modern era with one or two extraordinary exceptions such as Feste's initial costume,...

The Flowers of Srebrenica – Jacksons Lane Theatre

17Oct

By Paul AckroydNo Comments

London

The Flowers of Srebrenica – Jacksons Lane Theatre

The novel The Flowers of Srebrenica was written in 2022 by Aidan Hehir. In her director's notes Lara Parmiani states that this play is not intended to be an adaptation, but rather the spark for its conception. As a result, the play has a feeling of being devised in a theatre workshop rather than following a prewritten script. It is highly visual with a slight narrative and is performed by actors from three countries that have experienced recent civil wars. The play is performed in English, although some of the diction was not always clear. It tells the story of Aidan, an Irish lecturer, visiting Bosnia to expand his knowledge of the conflicts about which he teaches. He is driven to Srebrenica by Mohammed, who turns out to have been much involved in the conflicts, and who leads Aidan to ...

6Oct

By Paul AckroydNo Comments

London

Blessings – Riverside Studios

The Deacons are a respectable middle-class Catholic family living in an English town, doing their best to raise a family and earn a living. But this is 1969. There is a social transformation going on in England. The permissive society is well on its way, women's voices are becoming increasingly strident, skirts are getting shorter, and pop music is embracing the youth movement. In the wider world: the Americans are getting close to putting a man on the moon and closer to home, the troubles in Northern Ireland are a continual concern. Sarah Shelton's new play, which premieres at the Riverside Studios, shows how the various members of the Deacon family struggle to come to terms with these new external realities and the pressure it places on family harmony. Beneath it all, there are som...