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Friday, April 11

Author: Kathleen Mansfield

Dear Billy – Traverse Theatre, Edinburgh
Scotland

Dear Billy – Traverse Theatre, Edinburgh

Why is Gary McNair’s ode to master comedian, Billy Connoly, Dear Billy, excellent? It is the authentic voice of Scotland. It has perfect comic timing. Every man and woman portayed is distinct in characterisation. The words are all true - not a single piece of fiction. The idea is brilliantly simple while the execution looks simple, but is, in fact, brilliantly compiled, composed and performed - not simple at all. He makes it funny. I take my hat off to you, Mr McNair, and your team of story-gatherers. This is a fabulously funny, tender, and varied piece of theatre which had me in stitches, and I’m not a die-hard Billy Connolly fan, like some of the audience in this full-house. It is the breadth of commentary/recollections that makes this piece sparkle - stories of...
The Shawshank Redemption – Edinburgh Festival Theatre
Scotland

The Shawshank Redemption – Edinburgh Festival Theatre

Ben Onwuke, playing Ellis ‘Red’ Redding, carries this story beautifully. He tops and tails it with a mellow voice and a story-telling style to captivate. No wonder he has numerous audio books to his credit. However, the first half is a bombardment of aggression with little remission. No doubt, prison is like that, yet, undoubtedly, there is plenty of subtle menace and understated tension simmering. A mood of depression must prevail in some corners - hence the high rate of suicide. Here we find a storm of high-pitched savagery. As a result, the director (David Esbjornson) offers the cast little scope to build tension and create climactic power. A little more ebb and flow, a smidgen of the off button in the volume would help build and release tension. Even in the supposed searing heat,...
Matthew Bourne’s Sleeping Beauty – Edinburgh Festival Theatre
Scotland

Matthew Bourne’s Sleeping Beauty – Edinburgh Festival Theatre

IMHO the fairy tale tradition meets tattoos meets masks meets humour meets intense physical creativity meets time … is a feast. Matthew Bourne’s recreation of Tchaikovsky’s Sleeping Beauty is all his Gothic own and yet not. The man himself credits the original dancers with contributing to the exquisite storytelling and, there is no doubt, his long-term collaboration with designer Lez Brotherston is a winning combination. It is a beautiful creation of light and dark. The performers clearly love what they do and their passion bleeds into the auditorium and captures your body and soul. Bourne cares about every detail and he inspires equal attentiveness in his cast and crew. The result is a deeply, deeply satisfying and uplifting narrative. A radical vampiric element is stirred into vari...
Puccini’s Il trittico – Festival Theatre, Edinburgh
Scotland

Puccini’s Il trittico – Festival Theatre, Edinburgh

Puccini’s Il trittico is part of Scottish Opera’s 60th Anniversary programme. The company aims is “to lay the treasures of opera at the feet of the people of Scotland”. It certainly succeeds with this triple treasure of shorts. Death unites this triptych, but the mood of each showcases Puccini’s inventive mind and creative breadth: aching thwarted love (Il Tabarro); misguided penance and cruel inhumanity (Suor Angelica); the delicious absurdity of human relationships (Gianni Schicchi). If one piece doesn’t touch your sensibility, then the others must, surely. This Scottish Opera team is creative. Director, Sir David McVicar, houses Puccini’s music in stunning sets (designers Charles Edwards), costumes to delight (Hannah Clark), perfect lighting (Ben Pickersgill) and a fantastic orche...
Peaky Blinders – Festival Theatre, Edinburgh
Scotland

Peaky Blinders – Festival Theatre, Edinburgh

Attention to detail is powerful and Rambert hits the right note from the get-go. Ushers dressed in waistcoats and peaked caps direct the audience. The request to turn off your mobile could be termed menacing. Even the coasters for your interval drink remind you the venue is under new management by order of the Peaky Blinders - the now famous fictional Shelby family, created by Steven Kinght, CBE, who claw their way up from street hoodlums to legitimate business owners in early twentieth century Birmingham.  The special effects (Filipe J Carvalho), especially the burning barge are bold, unapologetic, theatrical: awesome. And so apt. Peaky Blinders wins at story-telling because it’s “in your face” yet the brushstrokes of anguish and wounds that seep from the past into the present are...
<strong>The Memories Will Mostly Be Bright – Traverse Theatre, Edinburgh</strong>
Scotland

The Memories Will Mostly Be Bright – Traverse Theatre, Edinburgh

Creating and crafting theatre from scratch is a brave endeavour. Part of you is being measured, assessed and critiqued and it takes guts to put your ideas and interests out there for the public to judge. And so, I applaud this young writer and director, Conçalo Gois. Napier University Drama Society is clearly a very active group with 27 members of cast in this production about the nature of memory and significant moments in time remembered differently by different people. It didn’t quite hit the mark but was admirable in concept. Some things that needed attention include sound effects - ease them up, ease them down. Here it was a sudden assault on the senses and just as a surprise when they stopped - bam; lighting - use it to enhance the atmosphere/mood or concept. As this was about ...
<strong>Ainadamar – Edinburgh Festival Theatre</strong>
Scotland

Ainadamar – Edinburgh Festival Theatre

Ainadamar (The Fountain of Tears) is a fusion of dance, visual technology, voices and orchestra, knitted together in bold, beautiful, installation-style art. The opening, a monochrome projection of a bull, is instantly intriguing and the intermittent visual representations cast to the shimmering circular curtain continue throughout the opera, lending depth and coherence not afforded by the libretto (David Henry Hwang). The curtain is easily penetrated and moved aside, suggesting power and vulnerability at one and the same time. The chainmail bullring conceals scene changes and reveals the action with the cast free to move between the interior and the exterior. This metaphor translates to traditional Andalucia and its gypsy customs of Flamenco and bullfighting, which Lorca endeavoured to...
Crocodile Rock – Traverse Theatre
Scotland

Crocodile Rock – Traverse Theatre

Andy McGregor’s Crocodile Rock evokes Elton John and his sexuality through the title, before the actual landmark on Milport in the West of Scotland is overtly referenced. So, the audience is primed to expect a tale with a gay man at the centre. Sexual desire is an old story: as old as time itself. We are not all heterosexual. Some of us don’t fit in. Difference can seem threating. If you stand outside the norm, life can be cruel and folk hard-hearted. Yet, Stephen’s story has a lively freshness that is as unique as Scotland. You can tell that Andy McGregor loves creating stories for wee folk as much as for adults. The sense of fun and his simple rhyming songs appeal to the child in all of us. On this tiny island of Milport, a lost and lonely boy finds his alter ego and his sense of p...
James IV: Queen of the Fight – Festival Theatre, Edinburgh
Scotland

James IV: Queen of the Fight – Festival Theatre, Edinburgh

“I’d no illusions I could match Shakespeare, but I thought someone should try and dramatise Scotland’s history,” said Rona Munro when she set out on the James series of plays. And this latest one, James IV: Queen of the Fight, brought to the stage by Raw Material and Capital Theatres in association with National Theatre of Scotland, is a cracker. The script has humour and is earthy, mixing modern language, clothes and gestures with a set which reflects the sixteenth century and costumes to match. It is framed by the acknowledgement that this is storytelling, based on historical evidence. It is a snapshot in time of James IV and Queen Margaret’s court. It is compelling and exciting in equal measure. The strong king (Daniel Cahill) fights his foes for fun yet has a tender heart and a s...
The Cher Show – The King’s Theatre, Glasgow
Scotland

The Cher Show – The King’s Theatre, Glasgow

Standing ovations have to be earned and the team behind the Toni Award winning musical, The Cher Show, hit the sweet spot last night at The King’s Theatre, Glasgow. The clever staging (Tom Rogers) was sumptuously lit (Ben Cracknell), especially at the finale, and the costumes (Gabriella Slade) were spectacular … especially at the finale, but more than that, it was the tale of an outsider made good. We all love a story of the underdog overcoming seemingly immovable obstacles. And I don’t know anyone who isn’t in awe of some sort of genuinely gifted individual. Cher’s gift is not just her voice, but her resilience, her obstinacy and her rebellious attitude. Who cares if she’s got parts of her body that don’t match her decades on this earth? The woman has given us decades of rousing, deep,...