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Friday, April 11

Author: Kathleen Mansfield

Eric’s Tales of the Sea: A Submariner’s Yarn – Just The Tonic at The Caves
Scotland

Eric’s Tales of the Sea: A Submariner’s Yarn – Just The Tonic at The Caves

Eric, a veteran storyteller, began his career as a submarine sailor at the age of sixteen. As you would expect if you’ve ever read The Tale of the Ancient Mariner at school, Eric has a few tall tales to tell. Dressed in a roll-neck sweater, he looks every bit the fisherman and, indeed, he can make even battered fish interesting. The venue is perfect for this low-key show. You walk up stark stairs, along narrow corridors and through several doors before entering a dark, dank, enclosed cavern with a curved roof. The sound effect of a deeply submerged submarine envelops you in sonar pings and silence. A screen where typed statements magically greet you sets the scene. It is intriguing. Eric appears. A mop of curls crowning a cheeky, bearded face, Eric has a way with the audience. He...
Life of Pi – Festival Theatre
Scotland

Life of Pi – Festival Theatre

Life of Pi at Edinburgh's Festival Theatre is a treat for the senses. Based on Yann Martel's novel of the same name,  the action commences in a bleak, bare hospital ward where Pi (Sonya Venugopal) is hiding under the bed. The clever use of projection (Andrzej Goulding) and sound effects (Carolyn Downing) indicate time and place. It is set pre-computerisation, so letters appear on the wall as if from a typewriter with suitable tap, tap, tap reverberations. As soon as recollections flood the stage, this grey, sterile room transforms seamlessly into a verdant, noisy zoo in India; a colourful Bazaar; and a ship’s deck without effort - as if by magic. Before you know it, the transformation has happened: we are adrift upon an ocean with no land in sight and several dangerous animals for compa...
Chitty Chitty Bang Bang – Edinburgh Playhouse
Scotland

Chitty Chitty Bang Bang – Edinburgh Playhouse

An amazing spectacle and upbeat tunes (plus the most expensive prop in British theatre history), Chitty Chitty Bang Bang, sweeps you along for a few hours of happy distraction with ease and admiration. The lighting, designed by Ben Cracknell and implemented by Ryan Van Delden and deputy head of lighting, Sophie Meredith, is a work of perfection. Gareth Tucker’s set design works seamlessly under the management of Phil Sykes, Lee Harvey and Natasha Wood. The ever-present picture frame and blueprints create a sense of fantasy, innovation and endless possibility. And whatever team designed and created that flying car …  not Caractacus Potts himself, I assume … hats off to you. Thanks must go to Kielan Yates and Ellie Holloway for enabling this amazing star in its own right, night after...
Peebles Orchestra – The Leckie Memorial Church, Peebles
Scotland

Peebles Orchestra – The Leckie Memorial Church, Peebles

Until recently, the Scottish Borders was the only region in Europe without a rail service. I wonder if this lack of transport infrastructure led to a necessary blossoming of home-grown talent of exceptional quality. Peebles Orchestra, formed in 1976, plays a key role in the town's cultural life. Teamwork is found not just on the rugby pitch in the Borders. This collection of enthusiasts prove that talent has no bounds and a job outside of your musical passion is no obstacle to a desire for excellence. The Orchestra is fortunate to attract such prestigious names as Robert Dick to conduct. Dick’s international reputation has taken him around the globe and seen him collaborate with such distinguished soloists as Nicola Benedetti, Steven Isserlis, Anna-Liise Bezrodny and Murray McLachlan...
The Addams Family – Memorial Hall, Innerleithen
Scotland

The Addams Family – Memorial Hall, Innerleithen

The Addams Family, a musical comedy, promises ghoulish jokes and familiar characters. These were dished with aplomb by a society with 123 years of productions under its belt. Innerleithen and District Amateur Operatic Society served its apprenticeship many years ago and, while the name Amateur sticks and the commitment to community involvement is at the very heart of each performance, this circle of talented singers, dancers and actors are anything if not professional in their commitment and style. The main characters are spot on: Morticia, played by Angela Duncan, oozes sensuality and confidence; Gomez (Douglas Russell) has a wonderful voice, fabulous delivery and great comic timing; Erin Thompson as Wednesday is suitably grumpy and very likeable as the crazy love-sick teenager and Ros...
Blue Beard – The Lyceum, Edinburgh
Scotland

Blue Beard – The Lyceum, Edinburgh

In the early 1400s, a French nobleman, Gilles de Rais, was found guilty of kidnapping, raping, torturing and murdering children. He got away with his heinous crimes for longer than he should due to high birth rate and fear, amongst the lower classes, of retribution, should they speak up. This true story became the legend of Blue Beard and the children he murdered morphed into a series of murdered wives, whose mutilated bodies Blue Beard hid in the cellar. The fairy tale explores and warns of the perpetual fear, always in society, of abuse and cruelty forced upon the innocent and the weak. Emma Rice has reworked this famous Bartók opera into a modern-day musical, balancing fresh, boozy, party-loving female confidence against the scales of ongoing malevolence towards specific, known, w...
Hamilton – Festival Theatre, Edinburgh
Scotland

Hamilton – Festival Theatre, Edinburgh

The hype over Hamilton is spot on. This show tells the story of a political man, ambitious to make his mark in a time long gone and it does so with incredible spectacle, drama, humour and pathos. Currently touring the UK and Ireland, I was lucky enough to catch it at the Festival Theatre in Edinburgh. The set is a work of art by acclaimed designer, David Korins. It enables the bold, powerful dancers to tell their story on every level. As the auditorium fills, the empty stage is beautifully lit with a rich, almost visceral palette and Howell Binkley’s lighting design lends nuance and substance to every musical note throughout the evening. Howell Binkley deserves his award for lighting this show. The entire cast did their director, Thomas Kail, and his associates proud. It’s a word-hea...
Guys and Dolls – Edinburgh University Footlights
Scotland

Guys and Dolls – Edinburgh University Footlights

When you witness talent, team-work and dedication combined with youth, you know you’re onto a winner. The Edinburgh University Footlights production of Guys and Dolls was superlative. The orchestra was stellar (musical director, Emily Philips assisted by Amelia Brennan), the colourful costumes spot on (Tara Healey), the set so simple yet so effective (Holly Stephens) and the choreography was sharp, varied and hugely entertaining (Rosie Fletcher with Lyss Britton). Then, of course, there were the performers themselves: wonderful characterisation across the board was matched by confident voices and lithe bodies. Director Phee Simpson was blessed with an abundance of talent on this show. Megan Le Brocq as Miss Adelaide in this classic musical cannot be faulted. She has a rich, wide-rang...
WAKO – The Traverse Bar, Edinburgh
Scotland

WAKO – The Traverse Bar, Edinburgh

Valentine's night with the unpredictability of a  jazz band proved interesting and entertaining at The Traverse bar. Wako, Norwegian Grammy nominees, had several returning fans who saw them in 2020, on their last visit to Edinburgh.  I was joined by a Finnish gentleman, working in Edinburgh. It seems that while Jazz appeals to the older, more sophisticated crew on our island nation, it is very much a young, innovative musical style in Norway and Finland. The government funds music education, having invested its oil money with intelligence and now earning from past investments rather than oil itself. Norway is no longer investing in fossil fuels. It invests in its people and their creative talents. Hence, Wako is a band of four young men who make music together. A collaborat...
[Un]lovable A Scratch Night Performance – St Augustines, George IV Bridge
Scotland

[Un]lovable A Scratch Night Performance – St Augustines, George IV Bridge

[Un]lovable A Scratch Night Performance by Not so Nice! Theatre company is one hundred percent loveable. Each of the five scratch theatre pieces were deftly crafted: the writing was thoughtful and witty; set design simple yet apt; costumes spot on; lighting simple and the quality of acting perfectly matched the rigor of the black box. Performed in the basement of St Augustine’s, this young company is brimming with talent and has a keen following. Not subject to the delays and restrictions of bidding for a grant, Not So Nice! are free to play and create collaboratively and with vigor. Each of the five vignettes on love and the rejection of love were equally as entertaining and thought-provoking. The evening began with It’s Always a Sad Song by Will Evans. In this exploration of wants ...