Eleanor Hall, Author at North West End UK

20Mar

By Eleanor HallNo Comments

London

Fat Chance – Theatre503

Rachel Stockdale gives a high-energy performance in this autobiographical and unapologetic confrontation with fatphobia’s entrenchment within modern culture and social attitudes. Consequently, the piece was full of provocations to challenge our prejudices. Clad in a silk robe, Stockdale became “Stocky the boxer”, a clever spin on the rhetoric of ‘fighting’ through weight loss. As she sang and danced and told us of her story, a trio of projector screens acted as windows into Stockdale’s past, displaying the dates during which she worked various jobs and the impact this had on her weight. This was also intercut with statistics to demystify BMI and highlight the great failings of diet culture. Ultimately, the numbers and facts were emphasised by a deep sense of personal indignation. There was...

8Mar

By Eleanor HallNo Comments

London

Uncle Vanya – Orange Tree Theatre

Trevor Nunn directs this powerful reincarnation of Uncle Vanya, which meditates on human love, the spaces we inhabit, and the purpose we cultivate for ourselves. The design and setting of this version remain in 1897 - the time contemporary to Chekhov’s writing - while the written text itself also remained largely faithful to the original. The added humour was refreshing, which invited the essence of the piece into the mouths of the 21st Century actors without diverting or detracting from Chekov’s original. For example, the professor’s demand “Friends, lend me your ears” was quickly followed by the quip “I’ll give them back at the end” - with no harm done to the plot! The acting was simply faultless; phenomenal performances were offered by each and every actor. In particular, Andrew Rich...

1Mar

By Eleanor HallNo Comments

London

Lucy and Friends – Soho Theatre

Dressed as a tree, Lucy McCormick takes the mic aside the tech box. She tells us that there’s a problem with the tech and that the show can’t go on. “Only joking!” she shouts. The fun has only just begun. ‘Lucy and Friends’ is an expectation-defying, fluid-splattering bonanza that leaves you gasping and giggling on repeat. It is a high camp meta-theatrical treasure. But heed the age rating and content warnings… this show is not one to see with the parents! McCormick is an outstanding performer and knows her audience well. Jokes about Arts Council funding requirements were met with bouts of laughter, as she asserted her ultimate goal: to create a community of ‘friends’ within the theatre. From here onwards, audience members were asked to represent people in her life, throw confetti wh...

20Feb

By Eleanor HallNo Comments

London

Dear Octopus – National Theatre

This was a tender play about family dynamics which takes its title from a speech in the second act that praises the family unit as a ‘dear octopus from whose tentacles we never quite escape’. On the eve of World War Two, we bear witness to the reunion of the Randolph family, which forces them and their servants to confront the elements of romance, hatred, jealousy and shame that underscore their interactions. I enjoyed the wit that laced through the piece, as is characteristic of Dodie Smith’s writing. This was present in the conversation of the family quarrels, but also in repeated motifs, i.e. the fact that each character is aware of Fenny’s love for Nicholas, which added a comical touch to the action. A primary issue was the play’s dated narrative; for instance, the reason for Cynthi...

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative ...