Eleanor Hall, Author at North West End UK

5Oct

By Eleanor HallNo Comments

North West

The Lodger – Unity Theatre

From the creator of ADHD: The Musical comes a semi-hallucinogenic exploration of belonging. After an unsettling welcome paired with deadpan humour, the nameless lodger takes the dust sheets from the objects strewn around the stage and orchestrates the story. I was lost for the few minutes during the lodger’s own initial perspective, but the story soon developed into a compelling journey through place and possession. Dora Colquhoun plays 5 characters and gifts each one their own physicality. Most impressive was her representation of the unspeaking female deer, which was an impressive feat of physical storytelling. Furthermore, the play-world that is conveyed through The Lodger is theatrically inventive and unique. Through the recurring props and reappearing characters - all fighting to s...

Hourglass: A Suffragette Story – Soho Poly

26Jun

By Eleanor HallNo Comments

London

Hourglass: A Suffragette Story – Soho Poly

‘Hourglass: A Suffragette Story’ was advertised as a dark comedy, but I could count on one hand the number of times any audience member could be heard laughing. It felt as though five acts had been thrown into hamster wheel of amateur dialogue and could not disembark. This was not helped by a hefty running time. Set in the time before and during World War One, we watch a mother, daughter and their maid experience and support first wave British feminism. It seems that the men surrounding them has something to gain they seek to protect their social status, defend their gender or make their money. During Act 1, great ladles of pathos were heaped onto Kitty (Penny Bosworth), the maid-turned-beggar, by swamping the audience with repetitive scenes of her begging us. She is then offered reside...

A View From The Bridge – Theatre Royal Haymarket

5Jun

By Eleanor HallNo Comments

London

A View From The Bridge – Theatre Royal Haymarket

Arthur Miller’s encapsulating tragedy of the 1950s stands the test of time. This production remains faithful to Miller’s story centred on an American-Italian family, which brews themes of blood, honour, love and instinct, to ultimately boil beneath the skin of the law and authorities. Eddie, our protagonist, beholds a tangled idea of himself as his niece Kathryn’s father-lover. Throughout the course of the action, he pursues what he believes to be just for his niece. It is in this warped sense of justice that Eddie’s anger and self-martyrisation become wrapped up in his ideals of nationalism, patriarchy, and a fostered fatherhood. The set was comprised of contemporary facades of buildings, perhaps emphasising the protective walls between the immigrant family members and authority, and e...

20Apr

By Eleanor HallNo Comments

North West

Your Flaws: The Musical – Unity Theatre

This fifty-minute whirlwind came as part of the Liverpool Improvisation Festival, which might look to become an annual event for the Unity theatre, following its launch last year. Alongside Patrick Clopon on the piano, Lee Apsey and Emma Wessleus explained their ‘flaws’, distastes and aversions, and invited us to share our own. As we admitted to being afraid of a range of kitchen devices (i.e. potato peelers, sieves, blenders) and taking umbrage with food combinations (i.e. mint and chocolate), the piano began to twinkle… Engaging with the audience’s culinary offers, the trio embarked on a journey through a haunted restaurant with all characters gifted with strange fears and desires which echoed our flaws back to us. We watch the tortured head chef fight for his Michelin star, a chef lo...

5Apr

By Eleanor HallNo Comments

London

Life with Oscar – Arcola Theatre

Life with Oscar is a tumultuous to-and-fro between the cult fever of Hollywood and its horrible shadows, all through the autobiographical perspective of Nick Cohen. We are introduced to a round table of figures, immigrant creatives familiar to Cohen gathered round to discuss the casting of Superman. Soon we are whisked from Lewisham to Los Angeles, all the way back to the dawn of the Academy. It’s not just places and times we encounter; we’re also uncovering the ‘secret formula to winning an Oscar’ alongside Cohen’s persona. We chart Cohen’s quest with a sense of irony, given the show’s semi-autobiographical nature; before our eyes, Cohen is carving out his own Hero’s Journey as a writer. Cohen glides comfortably between portraying characters and describing their actions. Ultimately, hi...

20Mar

By Eleanor HallNo Comments

London

Fat Chance – Theatre503

Rachel Stockdale gives a high-energy performance in this autobiographical and unapologetic confrontation with fatphobia’s entrenchment within modern culture and social attitudes. Consequently, the piece was full of provocations to challenge our prejudices. Clad in a silk robe, Stockdale became “Stocky the boxer”, a clever spin on the rhetoric of ‘fighting’ through weight loss. As she sang and danced and told us of her story, a trio of projector screens acted as windows into Stockdale’s past, displaying the dates during which she worked various jobs and the impact this had on her weight. This was also intercut with statistics to demystify BMI and highlight the great failings of diet culture. Ultimately, the numbers and facts were emphasised by a deep sense of personal indignation. There was...

8Mar

By Eleanor HallNo Comments

London

Uncle Vanya – Orange Tree Theatre

Trevor Nunn directs this powerful reincarnation of Uncle Vanya, which meditates on human love, the spaces we inhabit, and the purpose we cultivate for ourselves. The design and setting of this version remain in 1897 - the time contemporary to Chekhov’s writing - while the written text itself also remained largely faithful to the original. The added humour was refreshing, which invited the essence of the piece into the mouths of the 21st Century actors without diverting or detracting from Chekov’s original. For example, the professor’s demand “Friends, lend me your ears” was quickly followed by the quip “I’ll give them back at the end” - with no harm done to the plot! The acting was simply faultless; phenomenal performances were offered by each and every actor. In particular, Andrew Rich...

1Mar

By Eleanor HallNo Comments

London

Lucy and Friends – Soho Theatre

Dressed as a tree, Lucy McCormick takes the mic aside the tech box. She tells us that there’s a problem with the tech and that the show can’t go on. “Only joking!” she shouts. The fun has only just begun. ‘Lucy and Friends’ is an expectation-defying, fluid-splattering bonanza that leaves you gasping and giggling on repeat. It is a high camp meta-theatrical treasure. But heed the age rating and content warnings… this show is not one to see with the parents! McCormick is an outstanding performer and knows her audience well. Jokes about Arts Council funding requirements were met with bouts of laughter, as she asserted her ultimate goal: to create a community of ‘friends’ within the theatre. From here onwards, audience members were asked to represent people in her life, throw confetti wh...

20Feb

By Eleanor HallNo Comments

London

Dear Octopus – National Theatre

This was a tender play about family dynamics which takes its title from a speech in the second act that praises the family unit as a ‘dear octopus from whose tentacles we never quite escape’. On the eve of World War Two, we bear witness to the reunion of the Randolph family, which forces them and their servants to confront the elements of romance, hatred, jealousy and shame that underscore their interactions. I enjoyed the wit that laced through the piece, as is characteristic of Dodie Smith’s writing. This was present in the conversation of the family quarrels, but also in repeated motifs, i.e. the fact that each character is aware of Fenny’s love for Nicholas, which added a comical touch to the action. A primary issue was the play’s dated narrative; for instance, the reason for Cynthi...

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative ...