What would you do, if you saw something that you knew wasn’t right, but were on a train when you saw it?
The Girl on the Train has been adapted from the bestselling book by Paula Hawkins, that was turned into a film starring Emily Blunt. It tells the story of Rachel Watson who watches people on her commute into work, then one day a detective turns up at her door to tell her that a lady she has been watching on the train has disappeared. We follow as Rachel becomes involved in the investigation and figures out things that she has blocked from her memory.
Louisa Lytton (best known as Ruby in Eastenders) has taken over the role as Rachel Watson for five weeks and she seems fitted into the cast and the role seamlessly. She really showcases her acting talent in the role and take the audience on a rollercoaster of emotions with her throughout the play and there is a moment in act 2, when she is able to tell the audience what she has just figured out, without saying a word. Her ex-husband Tom is played by Jason Merrells (of Waterloo Road and Casualty fame) and again, his portrayal of the character is like watching a masterclass in acting. It seemed as though not many of the audience had read the book or watched the film, judging from their reactions, many of which were aimed towards Merrells). The company as a whole are clearly dedicated to bringing the story to life and making sure the audience are fully with them at each and every moment.
I was apprehensive of the play, having read the book before seeing the film and I was not a fan of how the film was done. However, Rachel Wagstaff and Duncan Abel’s adaptation is exceptional. I would have much preferred the film if it was done in this way as it was engaging throughout. Mike Ashcroft’s movement was also very well portrayed, as it felt seamless going between scenes and locations and the direction from Loveday Ingram gave a clear focus of what was the intent for the whole piece. Every movement and moment was obvious well thought about, because as an audience, there was no point in which you wondered why a certain thing was done. It flowed easily and was a thoroughly entertaining way to spend a couple of hours.
It is a play for everyone to enjoy, especially those into thrillers and true crime, as if you have no concept of the story, it will lead you in every direction before you work out the truth.
The Girl on the Train is at the Liverpool Playhouse until 17th May, before continuing on its UK tour. Tickets are available from www.thegirlonthetrain.com
Reviewer: Jenn McKean
Reviewed: 13th May 2025
North West End UK Rating: