Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Friday, March 21

The Brenda Line – Traverse Theatre

Inspired by the lesser-known history of the Samaritans in the 1970s and ’80s, The Brenda Line is about Karen (Charlotte Grayson) and Anne (Fiona Bruce), a new-start and an old-hand during their first Samaritans nightshift together. Both are there to answer the phone and help callers (voiced here by Colin McCrodie, Eden Barrie, and Ali Watt), with Karen also hoping to get inspiration for a book out of them. However, reality and experience don’t always live up with ideals, not least of which through the existence of the Brenda Line, the Samaritans philanthropic sex-line.

Grayson and Bruce effectively anchor the show through their performances, with Bruce in particular conveying well the earthy weariness of reality against Grayson’s two-dimensional idealism and imagination. Harry Mould’s script, though apparently inspired by real-life events in their mother’s teenage life, is at times predictable (I heard at least 3 audience members whisper the punchline to a joke about 2 minutes ahead of the actors), however, with that minor caveat, both it and Ben Occhipinti’s direction ably juggle comedy and drama in a, at times literally, locked room.

Speaking of the setting, Natalie Fern’s design effectively sets the period – aided with some popular introductory Thatcher-bashing in Niroshini Thambar’s sound design – the set also giving the actors geography and props to set business around and immersing the audience in the time and place, with some minor concessions made to reality. We must tip our hats to the usher stationed each night to make sure the audience keeps their dirty paws off the carpet while entering or leaving the space, or to characters apparently able to read a book in the dark.

However, these are very minor quibbles which I am sure even those who notice will not mind in a show which, with both comedy and drama, pulls back the curtain on topics which are both period and present, even when certain facets may not be very well known to us.

The Brenda Line is running at the Traverse Theatre until 16th November 2024. Tickets can be found at: https://www.traverse.co.uk/whats-on/event/the-brenda-line-autumn-24

Reviewer: Oliver Giggins

Reviewed: 14th November 2024

North West End UK Rating:

Rating: 4 out of 5.
0Shares