Wilton’s Music Hall Archives

29Apr

By Kira DanielsNo Comments

London

Moby Dick – Wilton’s Music Hall

You know the story. Boy meets whale. Whale eats boy’s leg. Boy never gets over whale. The enduring power of the novel, Moby Dick is difficult to relate to in this modern day and age for audiences without a special interest in whale anatomy or sperm oil derivation methods. Some productions take on this difficulty by recontextualizing the story, playing up its tragic or romantic elements, and this production, by the theatre ensemble simple8 technically checks both of these boxes. Our narrator/protagonist Ishmael (Mark Arends) and his beloved bunkmate Queequeg (Tom Swale) have more than a hint of chemistry and jokingly allude to a sea marriage. The doomed Captain Ahab (Guy Rhys) and his gloomy mate Starbuck (Hannah Emanuel) both take their respective roles in spreading their component element...

The London Improvathon – Wilton’s Music Hall

13Mar

By Caroline WorswickNo Comments

London

The London Improvathon – Wilton’s Music Hall

After taking time to catch up on sleep and sustenance, it is comforting to reflect on what a special event the London Improvathon is. I covered the whole show but had breaks to grab a couple of hours sleep and to eat, so you could consider me to be a lightweight in comparison with these improvathoners. For cast and audience, there is an invisible bond that forms over the fifty hours, the commitment to perform, or to watch the equivalent of twenty-five shows back-to-back, binds the two together, and the final bows are met with celebration. For those who do not wish to commit to fifty hours, there was an option to buy a two-hour episode ticket. The history of the Improvathon goes back to 1993, when the first Canadian Improvathon took place, and then some years later Ken ...

10Oct

By Alan Stuart MalinNo Comments

London

What It Means – Wilton’s Music Hall

In the realm of theatrical productions that aim to explore important historical events and their relevance to contemporary society, 'What It Means' by James Corley certainly stands out for its ambitious premise. Based on the groundbreaking 1971 article 'What It Means to Be a Homosexual' by Merle Miller, this play endeavours to shed light on the struggle for LGBTQ+ equality, a topic of paramount importance in the current climate. However, whilst the play's intentions are noble, it is, unfortunately, an absurdly and unnecessarily long production that bears a striking resemblance to a dry academic lecture rather than a traditional piece of contemporary theatre, and this ultimately leaves audiences fighting to reach the finish line. The central pillar of 'What It Means' is the (near) solo p...

17Aug

By Carole GordonNo Comments

London

Express G&S – Wilton’s Music Hall

As if Gilbert and Sullivan's operettas weren't already bonkers enough, along comes the Charles Court Opera Company to pile on additional splendid craziness. This is a murder mystery tour in G&S song, with myriad references along the journey to many of their well-known, and some not so well-known works, from Pirates of Penzance and The Mikado, to Princess Ida and The Sorcerer. Some songs are kept intact, others rewritten to fit the narrative. There are puns both subtle and groan-worthy, clues and red-herrings galore, appropriately melodramatic and over-the-top acting by the three cast members and a slew of great sight gags. To make this show work though, it needs the attention to detail that G&S always brought to their writing, the superb diction to perform those word...

A Dead Body in Taos – Wilton’s Music Hall

28Oct

By Riana HowarthNo Comments

London

A Dead Body in Taos – Wilton’s Music Hall

Sam is informed that her mother’s dead body has been found in the desolate region of Taos. She handles the news surprisingly well, but grief turns into anguish as she receives a letter from her mother’s pocket: Do not grieve me, I am not here. It transpires that her mother, Kath has been investing in new technology which allows her consciousness to function after death. As Sam discovers her mother’s past and interacts with her bodiless form, she comes to terms with their relationship and unresolved conflict. Eve Ponsonby is electric as Kath as she is resurrected in snapshots of her life. Brewing with rage and propelled by an interminable search for meaning or truth, Kath jumps between different ideologies. Ponsonby expertly captures her stubborn, unbound spirit governed by a deep inner ...

Only An Octave Apart – Wilton’s Music Hall

3Oct

By Alan Stuart MalinNo Comments

London

Only An Octave Apart – Wilton’s Music Hall

It might sound like an unlikely coupling, a world-famous opera singer and a cabaret legend described as the “the best cabaret artist of [their] generation", but Anthony Roth Costanzo and Justin Vivian Bond really do bring the magic to the stage in their two-person show ‘Only An Octave Apart’, which is currently playing at Wilton’s Music Hall. ‘Only An Octave Apart’ is a juxtaposition of styles in every way possible, vocally, stylistically, and creatively, the pair (with direction by Zack Winokur) have created a fluid and yet genuinely sincere 90-minute musical extravaganza that is truly charming, and that burrows deep to warm the soul. For those unfamiliar with the two performers, Bond, is a pioneer of alternative live performance, a true diva, a legend, with a smoky and inviting ton...

7Jun

By Stewart Who?No Comments

London

Starcrossed – Wilton’s Music Hall

While in Verona a few years ago, I was lucky enough to eat Polpette di cavallo at Osteria Sottoriva, the oldest eatery on the medieval arcade that runs along the bank of the Adige river. That city in Veneto, Italy is the romantic setting for Shakespeare’s Romeo and Juliet and The Two Gentlemen of Verona. One can ponder the balcony and courtyard said to have inspired our William’s tale of feuding families and adolescent co-dependence. Sadly, it’s an architectural fiction (from the 1930s) and a cynical ploy for travellers’ coins. Despite this deceit, it’s a scene of frenzied selfies and chaotic milling from pushy tourists. Truth and accuracy are far less alluring than the illusion of romance. Did Shakespeare visit Verona? There is no evidence of it, so while Romeo and Juliet rema...

12May

By Carole GordonNo Comments

London

As You Like It – Wilton’s Music Hall

As You Like It, thought to have been written in 1599, was historically never one of Shakespeare's most popular pieces, his tortured kings and princes apparently preferred by audiences and critics over his frolicksome pastorals. It has come to the fore in more recent years with multiple adaptations on stage, screen and even radio. Northern Broadsides' production focuses on the power of love coupled with the force of nature to change the world. So "All the world's a stage and all the men and women merely players". Duke Frederick has exiled his older brother, Duke Senior, to usurp his duchy. Duke Senior's daughter, Rosalind, was permitted to remain in court but is then likewise exiled for reasons which are never entirely clear. She leaves with her cousin, Celia, and they disguise thems...

The Ballad of Maria Marten – Wilton’s Music Hall

17Feb

By Caroline WorswickNo Comments

London

The Ballad of Maria Marten – Wilton’s Music Hall

Set in the 1820’s, writer Beth Flintoff and Artistic Director Ivan Cutting were keen to tell this age-old story of the death of Maria Marten from the viewpoint of the victim. The story has been told in many ways previously, but tended to look at the murderer, William Corder, rather than taking an interest in Maria Marten’s life. Maria (Elizabeth Crarer), lived in a small rural village called Polstead where she had grown up in poverty losing her mother at an early age. This led to her looking after the house at age 10, until her father met and married Ann (Sarah Goddard) who was kindly and took over many of these tasks, so that Maria could finally have a childhood. She played with her friends who formed a club called the ‘hazard club’, in which they dared each oth...

10Oct

By Gaurav SinghNo Comments

London

Roots – Wilton’s Music Hall

As I found myself settling into my seat at the historic Wilton’s Music Hall, I registered a strange feeling. Perhaps it was the humdrum of excited, hushed voices that swept the hall or maybe it was the fact that we were all gathered here, together, to listen to some folk tales. However, what followed next completely disarmed me (in a good way) and for the next hour, I surrendered myself to the lure of a good story. Independent performance company 1927’S Roots is a playful, multi-faceted exploration of stories from a simpler time. Written and directed by Suzanne Andrade with Paul Barritt on animation and design, the show is an anthology of ancient folk tales from the Aarne index which has categorized and numbered thousands of stories from all over the world. 1927’s trademark aesthetic combi...