White Bear Theatre Archives - North West End UK

10Apr

By Klervi GavetNo Comments

London

The Retreat – White Bear Theatre

From the writer & creator of “Peep Show” & “Fresh Meat” comes a disappointing, often predictable farce on spirituality, mental health and the pressure of modern living. Monk-in-the-making Luke (Jed McLoughlin) escaped London’s City life and painful events to find inner peace at a spiritual retreat in the Scottish Highlands. His coke and sex addict of a brother, Tony (Harry Harding), comes to bring him down from his Gaelic cloud and back into carnal reality. Ensues an endless series of easy plot revelations, which sadly turns the play into a classic, yet unimaginative topping improv exercise of “Yes and…” There is little to no subtext here, nor emotional reality to hold on to. The somewhat intimate, confessional moments feel unearned. The childish blaming game gets old fas...

Dracula’s Guest – White Bear Theatre

Brother Wolf presents this creative adaptation of Bram Stoker’s Dracula’s Guest. The title is suitably euphemistic as it is revealed that Mr Renfield is being held against his will as Dracula continually glosses over this with a grandiose/ mocking hospitality. Dracula delves into the past, mapping out the scene to an eventual conclusion in which Renfield is forced to choose between two diabolical options. In the intimate studio space, the stage is minimal with a table, two chairs and a few props. One of which is a rotting pig’s head on a platter, a constant reminder of the grim, uneasy undercurrent. An eerie environment is instantly established as Dracula walks in with an open music box. There is a chilling atmosphere as you envision them surrounded by the gloomy walls and maze of a ca...

Sad-Vents – White Bear Theatre

Graphic. Gut-wrenching. Bold. Brave. Vulnerable. Vivacious. Lively. A tad too long. Sad-Vents is an avant garde show combining more traditional storytelling with pop technology, directed by Annie McKenzie. As writer-performer Eleanor Hill shares her experiences with trauma and mental illness, her real and virtual worlds collide, opening up the invitation to the audience to also engage virtually through the show’s Instagram page, @sadventsplay. Confined to a cosy set, designed by Constance Villemot, consisting of a bed, a bit of carpet and belongings strewn about, the show quickly draws the audience into not just the bedroom but also the life (and mind) of Eleanor. The technological integration led by Matt Powell is a fun experiment and adds a layer to the show. The rawness of the pe...