Up ‘ere Productions Archives

Weekly Watch: Souvenir – Up ‘Ere Productions

29Jun

By Paul DownhamNo Comments

North West

Weekly Watch: Souvenir – Up ‘Ere Productions

As Pride Month 2020 draws to a close it’s refreshing to see new writing of this calibre reflecting upon the gay experience and how it affects a person and relationships during a set period of time and change. Up ‘Ere Productions are a new Salford based production company working with local talent to create new work. Souvenir tells the story of sixty year old Iain who having lost his friend of many years decides to take one last trip down to Soho from his native Scotland. This was a trip that both Iain and his friend Kip made on regular occasions. They simply wanted to experience and fully appreciate what it meant to be out in a more open and friendlier environment. Matt Gurr’s script is both sympathetic and insightful and takes into account the changing attitudes of being gay in...

One Good Tree – Up ‘Ere Productions

By the power of Zoom, we are transported to America’s deep South. Written by Robert Barnett, whose other plays include The Hiroshima Daughter, Olympic Notions and Supply, Luke’s Dad, Reckoning Angel and Colors. He also writes radio drama, one act plays, libretti for opera and musical theatre, indeed he is multi-disciplined and seem to be able to turn his hand to any type of writing. One Good Tree has been produced by a Salford based production company called Up ’Ere Productions, who aim to encourage local talent by performing locally and developing new work. They have adapted their strategy to include Zoom performances which enable them to put on live theatrical productions in their ‘Weekly Watch’. This play tells the story of David Onley (Nathan Lea), who is 15 years old and has ki...

Weekly Watch – Up ‘ere Productions

Up ‘ere Productions are currently holding a Weekly Watch on Zoom to keep theatre alive during the COVID-19 crisis. This week’s offering was two new short plays, Chekhov’s Gun by Anghus Houvouras and Where the Time Went by Jim Spencer Broadbent, both directed by Jordi Williams and linked by themes of mental health issues and the overwhelming feeling of reaching the end of your tether. Performed in the actor’s own homes with no set and the bare minimum in terms of props and costume, the Company deserve credit for pulling this off with what can only have been very difficult rehearsal conditions and the need to devise a whole new way of working. The first play, Chekhov’s Gun, opens with two young men, Stuart (Matthew Heywood) and Jonathan (Alan Lewis) bumping into each other outside of ...