Traverse Theatre Archives - Page 6 of 9

20Aug

By Greg HolsteadNo Comments

Scotland

Adults – Traverse Theatre

Back to The Traverse Theatre, which can be relied upon for good quality shows with high production values, great tech and quality actors throughout the year, but really pulls out the stops come Fringe time. So, here comes my review number 4 for the ‘Trav’ this time round. Adults isa slightly awkward three-hander from Kieran Hurley which seeks to challenge our conception of what is sexually ‘normal’, whilst also trying to be a serious commentary on the economics of the sex work industry within the capitalist market economy, and a sex farce. Can it really be all these things? This starts so well and with a swarth of laughs in the first half, the audience lean in as Madam Zara (Dani Heron) realises that the latest customer to her tiny attic flat/brothel is none other than her old in...

18Aug

By Greg HolsteadNo Comments

Scotland

No Love Songs – Traverse Theatre

It probably helps that I was already a fan of the music of The View and Kyle Falconer. This was on my must-see wish-list, and boy was it worth waiting for. Certainly the best show I have seen at the Fringe this year, and I have seen a lot. This is review no. 50! Brilliantly acted by John McLarnon as musician, Jesse andwith an absolutely knock-out award-winning performance by Dawn Sievewright as Fashion student, Lana, the story is a simple boy-meets-girl, which only starts getting complicated when two become three. The simplicity and universality of the story-telling is perhaps this shows greatest strength, for it allows the music to shine – the essential element that brought them together and the one that is tearing them apart. When Jesse leaves to tour America, Lana’s ini...

The Grand Old Opera House Hotel – Traverse Theatre

18Aug

By Greg HolsteadNo Comments

Scotland

The Grand Old Opera House Hotel – Traverse Theatre

A technical Tour De Force, and certainly the most lavish production by the Traverse at this year’s Fringe, with a knock-out set and costumes by Ana Ines Jabares-Pita . Set in an old haunted Opera house, turned 21st century hotel we follow, Aaron (Ali Watt) who has just started working at the hotel, but quickly discovers that hidden just beneath the magnolia painted walls lies the original spook-ridden opera house. It is not long before he meets and falls in love with a strange opera-singing girl, Amy (the wonderfully gifted Karen Fishwick) and he also finds his own opera voice. Once the ghosts and the guests all find their singing voices the real fun starts, let the panto-farce-opera commence. There is some hilarious re-wording of opera favourites, which at least some of the audi...

11Aug

By Greg HolsteadNo Comments

Scotland

Thrown – Traverse Theatre, Edinburgh

Set against the backdrop of the obscure art of Backhold wrestling, Glasgow writer Nat McClearly teams up with director and performer Johnny McKnight to create this none-too-subtle play about racism in Scotland today. Backhold wrestling, a bit like Sumo in a kilt, still thrives at Highland games around Scotland, and as Scotland wrestles with it’s own national identity, this play questions if we really are ready to welcome in outsiders or are we still a colloquial, backward-looking and fundamentally racist nation. Each of the five characters in this play has their own motivations and stories to tell and demons to deal with: Coach Pamela is military in her instruction, ‘validation comes from within’ yet her own identity fears are just barely hidden and ready to burst out. Imogen, a ...

20Jun

By Greg HolsteadNo Comments

Scotland

Haribo Wedding -Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. Tonight is the turn of Thursday 14 – 18 group to strut their stuff, in the third outing of Strange Town in as many days, and it is good to recognise some already familiar faces on stage. The stage is set within the three-sided intimacy of the subterranean Traverse 2. On stage is a tableau of a wedding party, complete with the recognisable bride and groom, best man and bridesmaids, set like statues, or perhaps caught momentarily on camera, fixed in time. But as the lights drop and the action starts it is clear that this is no ordinary wedding, this is a fake ...

17Jun

By Greg HolsteadNo Comments

Scotland

The Kind Complex – Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. With no less than three separate plays kicking off at the Traverse this week, tonight is the turn for Tuesday night’s 14-18 year olds to show what they could do, and they certainly did not disappoint. The talented acting of this magnificent bunch, I counted twenty, combined with Isla Cowan’s thought-provoking futuristic script and Catherine Ward-Stoddart’s crisp direction, is certainly a very watchable combination. Although there is no choreographer or MD mentioned in the programme, the movement and music selection are excellent throughout, from the straight lines...

16Jun

By Greg HolsteadNo Comments

Scotland

Over The Waves – Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. And like all experiments, perhaps not every project works or turns out exactly as planned. There is a feeling, in this hour long show of a great idea which has not been fully realised, and yet should nevertheless be applauded for its vision and its scale and its courage. The stage is set within the steeply banked Traverse 1 with a central great grey monolith carved with lists of faded names, reminiscent of a war memorial. At the front apron of the stage a chalk outline of a body suggests a recent murder. Around the stage buzz five characters questioning each ot...

11Jun

By Oliver GigginsNo Comments

Scotland

Childminder – Traverse Theatre

Written by real-life child psychiatrist Iain McClure, the titular ChildMinder (or at least one of them) is Joseph (Cal MacAninch), a man with a secret. Several in fact, and not the kind that live harmoniously with a successful and public career as a child psychiatrist. But buried things often rot and fester, and these secrets have a habit of suddenly robbing even the most pleasant moment of its security as the ground gives out from under him, until the question becomes one of life or death... Or at least that's my byline for the show. The one on the Traverse website talks about "being haunted", "didn't realise", "a modern ghost story" and an "eerie psychological thriller" which, while not entirely inaccurate, really only reflects about twenty minutes in the last quarter of this 90-minut...

Quines Cast Podcast Season Two Launch: RIOT – Traverse Theatre

27May

By Kathleen MansfieldNo Comments

Scotland

Quines Cast Podcast Season Two Launch: RIOT – Traverse Theatre

Disembodied voices snap-chat earnestly. The cast is meritorious. They posit thoughts and summaries upon a serious issue, in this case, RIOT: why riots happen and the impact of rioting. But the disembodied voices are simply sound bites without flesh: skinny starters for discussion rather than a proper, in-depth discourse. If I were one of those bright, energetic, purposeful women who contributed, I’d have shivered to be reduced to a sound bite. But maybe it was ironic? Maybe I missed the point? The voices felt reminiscent of Loose Women: trite opinions aired for entertainment. Having said that, I was won over by Jessica Gaitán Johannesson. She read a piece specifically written for RIOT which was measured, thoughtful, factual and gripping. She embodied all the things that women are per...

Dear Billy – Traverse Theatre, Edinburgh

22May

By Kathleen MansfieldNo Comments

Scotland

Dear Billy – Traverse Theatre, Edinburgh

Why is Gary McNair’s ode to master comedian, Billy Connoly, Dear Billy, excellent? It is the authentic voice of Scotland. It has perfect comic timing. Every man and woman portayed is distinct in characterisation. The words are all true - not a single piece of fiction. The idea is brilliantly simple while the execution looks simple, but is, in fact, brilliantly compiled, composed and performed - not simple at all. He makes it funny. I take my hat off to you, Mr McNair, and your team of story-gatherers. This is a fabulously funny, tender, and varied piece of theatre which had me in stitches, and I’m not a die-hard Billy Connolly fan, like some of the audience in this full-house. It is the breadth of commentary/recollections that makes this piece sparkle - stories of...