Traverse Theatre Archives - Page 6 of 10

3Oct

By Wendy McEwanNo Comments

Scotland

One of Two – Traverse Theatre

Jack Hunter tells the story of his Scottish childhood, with pre-recorded content from his tenacious twin sister, Bec. Jack and Bec both have cerebral palsy, and Bec, in particular, has really had to fight to make her way in life. Jack is a multi-talented performer: an actor, a writer, and a poet. His humour is playful and acerbic, but there is also a deep anger and a determination to change things. Cerebral palsy affects every person differently. Jack walks with a limp and can’t tie his shoelaces; Bec is a full-time wheelchair user. At high school, they were forced to seek refuge from the other kids in the Base, a dingy “bunker” full of dilapidated furniture decorated with “ancient phallic hieroglyphs”. The playground was not a safe place for them. A teacher rages at Bec for...

22Aug

By Greg HolsteadNo Comments

Scotland

Heaven – Traverse Theatre

This play is a compelling duel monologue between a wife and her husband during the weekend of a spirited wedding celebration in a small town in the Irish Midlands. The dialogue alternates between Janet Moran’s Mairead, a 50-something social worker with a fiery temper, and Mal, her mild-mannered teacher husband who has somehow managed to suppress his homosexual leanings for the last thirty years, but suddenly, with the littlest of pushes, finds a calling to action them. Meanwhile, Mairead finds her own passions reignited in an old flame who she hasn’t seen since she was 20. Beautifully written by Eugene O’Brien, and sensitively delivered with a light Irish brogue, direct to the audience, has everyone leaning in and laughing or smiling knowingly. The set and lighting design are exquis...

After The Act (A Section 28 Musical) – Traverse Theatre

21Aug

By Greg HolsteadNo Comments

Scotland

After The Act (A Section 28 Musical) – Traverse Theatre

A law existed until very recently which refused to acknowledge that gay and lesbian existence was normal. Between 1988 and 2003 a local government act was introduced which decreed that councils and schools throughout the United Kingdom be silent on homosexuality and not spend time in lessons discussing or acknowledging let alone normalising its existence. This production by Breach Theatre, written by Ellice Stevens and Billy Barrett, with an original score by Frew, After The Act takes as it’s starting point the Danish children’s book Jenny Lives With Eric and Martin, which caused such an uproar when it was launched into schools in the early 1980’s. Set against the suddenly rising AIDS epidemic, people panicked, burned the books, protests against teaching same-sex relationships in school...

20Aug

By Greg HolsteadNo Comments

Scotland

Adults – Traverse Theatre

Back to The Traverse Theatre, which can be relied upon for good quality shows with high production values, great tech and quality actors throughout the year, but really pulls out the stops come Fringe time. So, here comes my review number 4 for the ‘Trav’ this time round. Adults isa slightly awkward three-hander from Kieran Hurley which seeks to challenge our conception of what is sexually ‘normal’, whilst also trying to be a serious commentary on the economics of the sex work industry within the capitalist market economy, and a sex farce. Can it really be all these things? This starts so well and with a swarth of laughs in the first half, the audience lean in as Madam Zara (Dani Heron) realises that the latest customer to her tiny attic flat/brothel is none other than her old in...

18Aug

By Greg HolsteadNo Comments

Scotland

No Love Songs – Traverse Theatre

It probably helps that I was already a fan of the music of The View and Kyle Falconer. This was on my must-see wish-list, and boy was it worth waiting for. Certainly the best show I have seen at the Fringe this year, and I have seen a lot. This is review no. 50! Brilliantly acted by John McLarnon as musician, Jesse andwith an absolutely knock-out award-winning performance by Dawn Sievewright as Fashion student, Lana, the story is a simple boy-meets-girl, which only starts getting complicated when two become three. The simplicity and universality of the story-telling is perhaps this shows greatest strength, for it allows the music to shine – the essential element that brought them together and the one that is tearing them apart. When Jesse leaves to tour America, Lana’s ini...

The Grand Old Opera House Hotel – Traverse Theatre

18Aug

By Greg HolsteadNo Comments

Scotland

The Grand Old Opera House Hotel – Traverse Theatre

A technical Tour De Force, and certainly the most lavish production by the Traverse at this year’s Fringe, with a knock-out set and costumes by Ana Ines Jabares-Pita . Set in an old haunted Opera house, turned 21st century hotel we follow, Aaron (Ali Watt) who has just started working at the hotel, but quickly discovers that hidden just beneath the magnolia painted walls lies the original spook-ridden opera house. It is not long before he meets and falls in love with a strange opera-singing girl, Amy (the wonderfully gifted Karen Fishwick) and he also finds his own opera voice. Once the ghosts and the guests all find their singing voices the real fun starts, let the panto-farce-opera commence. There is some hilarious re-wording of opera favourites, which at least some of the audi...

11Aug

By Greg HolsteadNo Comments

Scotland

Thrown – Traverse Theatre, Edinburgh

Set against the backdrop of the obscure art of Backhold wrestling, Glasgow writer Nat McClearly teams up with director and performer Johnny McKnight to create this none-too-subtle play about racism in Scotland today. Backhold wrestling, a bit like Sumo in a kilt, still thrives at Highland games around Scotland, and as Scotland wrestles with it’s own national identity, this play questions if we really are ready to welcome in outsiders or are we still a colloquial, backward-looking and fundamentally racist nation. Each of the five characters in this play has their own motivations and stories to tell and demons to deal with: Coach Pamela is military in her instruction, ‘validation comes from within’ yet her own identity fears are just barely hidden and ready to burst out. Imogen, a ...

20Jun

By Greg HolsteadNo Comments

Scotland

Haribo Wedding -Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. Tonight is the turn of Thursday 14 – 18 group to strut their stuff, in the third outing of Strange Town in as many days, and it is good to recognise some already familiar faces on stage. The stage is set within the three-sided intimacy of the subterranean Traverse 2. On stage is a tableau of a wedding party, complete with the recognisable bride and groom, best man and bridesmaids, set like statues, or perhaps caught momentarily on camera, fixed in time. But as the lights drop and the action starts it is clear that this is no ordinary wedding, this is a fake ...

17Jun

By Greg HolsteadNo Comments

Scotland

The Kind Complex – Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. With no less than three separate plays kicking off at the Traverse this week, tonight is the turn for Tuesday night’s 14-18 year olds to show what they could do, and they certainly did not disappoint. The talented acting of this magnificent bunch, I counted twenty, combined with Isla Cowan’s thought-provoking futuristic script and Catherine Ward-Stoddart’s crisp direction, is certainly a very watchable combination. Although there is no choreographer or MD mentioned in the programme, the movement and music selection are excellent throughout, from the straight lines...

16Jun

By Greg HolsteadNo Comments

Scotland

Over The Waves – Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. And like all experiments, perhaps not every project works or turns out exactly as planned. There is a feeling, in this hour long show of a great idea which has not been fully realised, and yet should nevertheless be applauded for its vision and its scale and its courage. The stage is set within the steeply banked Traverse 1 with a central great grey monolith carved with lists of faded names, reminiscent of a war memorial. At the front apron of the stage a chalk outline of a body suggests a recent murder. Around the stage buzz five characters questioning each ot...