Traverse Theatre Archives - Page 4 of 9

10Feb

By Greg HolsteadNo Comments

Scotland

Tess – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Tess is an ambitious retelling of Hardy’s famous tale, Tess Of The D’Urbervilles, through a feminist lens by the acclaimed UK circus theatre company Ockham Razor. The original tale was set in Victorian England, but there are plenty of moral and ethical lessons which translate very easily into today’s Britain. The story of a naïve young girl, forced into low paid work by poverty, and then abused and violated by a rich arrogant seducer, seems all too familiar. The fact that the abuse becomes her almost unbearable cross to bear and yet means little or nothing to him also speaks volumes. In this production there are two Tesses, actor Macadie Amoroso who speaks the tale and Lila Naruse who physically enacts it. They are joined on stage by five...

10Feb

By Greg HolsteadNo Comments

Scotland

Pickled Republic – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Pickled Republic is advertised as an existential dip into the pickle jar of life from Glasgow-based creator/performer Rudy Cantir. Originally from Moldova, where apparently every food is pickled, this one-woman show sees Rudy morph into various pickled vegetables to highlight the universal themes of abandonment, being unfulfilled and unwanted, the fundamental need to be loved, or in the case of the pickled tomato, just eaten would be nice! It sounds zany and it is! Sound designer John Keilty creates an atmospheric, gastric gurgling soundscape and I assume also writes the witty songs which pepper this dish. But the real driving force behind this show are the consumes, which are fabulously conceived by Fergus Dunnet, and which takes t...

Evahisseurs (Invaders) – Traverse Theatre

6Feb

By Greg HolsteadNo Comments

Scotland

Evahisseurs (Invaders) – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Evahisseurs is a one-man show directed and performed by Olivier Rannou for Compagnie Bakelite. With tongue firmly planted in dead-pan cheek, Rannou shows that language is no barrier at all as he clowns his way wordlessly but very effectively through this short but nicely formed nostalgic, alien invasion caper. With little more than a table, and a handful of props, Rannou weaves his unlikely story, with just the hint of a glint in his mischievous eye! Featuring UFO abduction, human experimentation, dog decapitation and exploding jelly aliens, there are certainly plenty of laugh-out-loud moments. Rannou’s actions are nicely backed by a prerecorded soundtrack of weird and wonderful sounds and a miniature screen with scratchy black and white ...

6Feb

By Kathleen MansfieldNo Comments

Scotland

The House – Traverse Theatre

The House is a fantastic little puppet world centered on the Warehouse Family Funeral Home. This particular cremation business is burning the midnight oil to please a manipulative, greedy woman. It is chillingly superb. The set is clever, revealing room upon room where unspeakable deeds are carried out. On her deathbed, the undertaker, Mrs Esperanza, changes her will which does not please some. And so begins the shenanigans of hidden identities, lost souls and nonsensical goings on with open and closing doors offering just one more opportunity for farcical fun. This magnificently bizarre horror story made me smile from ear to ear. It’s surreal, funny and enticing. Sofie Krog and her talented partner, David Faraco, clearly love their jobs and, as a result, they are master crafts...

5Feb

By Greg HolsteadNo Comments

Scotland

Plinth – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Plinth is created and performed by Glasgow-based, Al Seed. A darkly intense, wordless portrayal of human conflict, and a timely reminder that actions speak louder than words. A show that comes with a warning, that it contains loud music/sounds, flashing lights and smoke effects, and rightly so. At times this was certainly in the ‘uncomfortable’ zone. But then again, you could argue that the depiction of war should be uncomfortable. Reminiscent of one of my favourite shows from last year, As Far As Impossible (Lyceum), which questioned why some medics continually return to conflict zones, Plinth asks some similarly unanswerable wordless questions about the inevitability of conflict and the human thirst for ascendancy. Seed’s unquestion...

29Jan

By Wendy McEwanNo Comments

Scotland

Protest – Traverse Theatre

“This is a girl”. Three primary seven girls seek to address injustice in their everyday lives. Inspired by previous generations of women, they begin to find their voices. As soon as I saw the set, I just wanted to play on it. Amy Jane Cook’s design invites spontaneous, joyful movement. There is a winding path for the girls to run around, curved frames to climb and swing on, and platforms to rest, spin and jump on. The actresses are adults, but their performances are so convincing that it is easy to forget this. Movement director Nadia Iftkar has done an amazing job, and the girls move playfully, running with arms outstretched one minute, sitting cross legged and fidgeting the next. They beautifully capture the delight in movement that characterises childhood. The costumes, a...

Same Team – A Street Soccer Story – Traverse Theatre

16Dec

By Greg HolsteadNo Comments

Scotland

Same Team – A Street Soccer Story – Traverse Theatre

From the pens of Robbie Jack and Jack Nurse, comes the story of five disparate women all struggling in their own way, but brought together as a team to represent Scotland at the Homeless World Cup in Italy. Created alongside the women from the Dundee Change Centre, an initiative which uses football to inspire and empower the excluded, the marginalised and the homeless. The high-charged atmosphere of the five-aside pitch is brought brilliantly to life in a cleverly conceived gymnasium set by Alisa Kalyanova, complete with floodlighting and pitch lines. The Traverse 1 auditorium could hardly be better proportioned, with its steep terraced seating and wide rectangular stage, and successfully turns normally placid audience into screaming spectator by the end of the production. ‘The Bee’,...

Mark Thomas In England & Son – Traverse Theatre

8Dec

By Roger JacobsNo Comments

Scotland

Mark Thomas In England & Son – Traverse Theatre

Raw, brutal, honest, comic. Of the latter Mark Thomas is a master but so equally effective is he at the first three elements that the grim message of violence and trauma begetting more of the same, generation to generation, is diluted not one jot. This is heavy, intense, choreographed by Movement Director Simon Jones, its rhythm well-punctuated by sound designer MJ McCarthy and Lighting Designer Richard Williamson. Proceedings commence with an introduction from Mark describing how he met writer Ed Edwards several moons ago at the festival. Ed, serendipitously, was behind Mark as they left his show ‘The Political History Of Smack And Crack’, perfectly positioned to overhear the pronouncement; ‘That’s the best thing I’ve seen in fuckin’ ages.’ Five years later, beyond creating some incred...

27Nov

By Greg HolsteadNo Comments

Scotland

Play Pretend – Traverse Theatre

A brand new play from writer Katie Fraser, directed by Laura Walker for Framework Theatre, a Scotland-based charitable organisation which supports emerging and early-career theatre makers. This play certainly has the feel of a development piece, a bit rough in places, but also fresh with clever ideas, enough to keep you leaning in and invested to the end. Chemistry, synergy, comradeship, trust, improvisation; all elements of acting which are extremely important and which are played out as exercises in drama schools everywhere. But in today’s society have the methods of building on-stage and on-screen relationship with your fellow actors become outdated, dangerous even. And how close is too close today? This play-within-a-play sees seasoned actor Greg rehearsing his role as Bonnie Pri...

20Nov

By Kathleen MansfieldNo Comments

Scotland

Learning to Fly – Traverse Theatre

James Rowland’s one-man show, Learning to Fly, is engaging, heartwarming and very funny. He is a gifted storyteller with a tender heart and a grand sense of the absurd. After a tough week, he really lifted my spirits. His tale is personal. It’s about growing up and having an unusual bond with the old lady across the road. He lives it on stage and so do we. There’s something about his face and expression that transforms into a twelve-year-old with all its innocence that I found charming. He embodies the three characters he portrays with simplicity. It’s not a show of gymnastic characterisation, it’s a confessional, sharing a poignant and funny episode between people from different age groups, growing closer over classical music and cups of milky strong tea. Some people had seen...