Traverse Theatre Archives - Page 2 of 9

Natalie Palamides: WEER – Traverse Theatre

14Aug

By Greg HolsteadNo Comments

Scotland

Natalie Palamides: WEER – Traverse Theatre

Clown princess Natalie Palamides has become a force to be reckoned with, scoring huge acclaim with her first Edinburgh outing, Laid, in 2017, which won her Best Newcomer award, and Nate (Netflix special 2020). Last year she directed Bill O’Neill’s superb The Amazing Banana Brothers, a Fringe highlight. Any new work by this performer is now very much on the radar. So, it was an absolute delight to see that the 34-year-old LA-based performer was returning this year with a solo show to world premiere at the Traverse. The show does not disappoint. It’s a hilarious hot-mess of clown mayhem in the style of a ’90s-style romcom, which stars Palamides as a pair of star cross'd lovers, having a quarrel at a party cabin in the woods, before midnight as the millennium fast approaches. Y2K ma...

13Aug

By Greg HolsteadNo Comments

Scotland

Cyrano – Traverse Theatre

European Premier Virginia Gay writes and stars in this acclaimed Aussie deconstruction of the classic romance. Portrayed as a gen-Z, gender-flipped take on Edmond Rostand’s classic story of a shy poet who lends his words to a handsome young man to woo Roxanne, the object of both their desires. The first act of this play promises much, as the chorus, a hilarious double act of Tessa Wong and David Tarkenter, play their unnamed roles like an attentive PA and an aging thespian on his way to a King Lear rehearsal, to a tee. The talented and versatile Tanvi Virmani also wanders onto the stage at one point like a deer in the headlights. The trio are highly amusing as they never leave the stage and query what they are doing in this play, bickering continuously or offering unhelpful advi...

13Aug

By Greg HolsteadNo Comments

Scotland

The Sound Inside – Traverse Theatre

Bookish brilliance! The new Dead Poets Society. Nominated for six Tony Awards, this UK premiere of Adam Rapp’s spellbinding play stars Merchant Ivory’s Madeleine Potter and The Kite Runner’s (Broadway) Eric Sirakian. From director of Psychodrama Matt Wilkinson. Beverley Baird is the unmarried and childless, cat lady, Yale creative writing professor, who tells her students to write with economy and let the reader’s imagination do the heavy lifting. Writing that your character has the ‘eyes of a star-faced mole’, or ‘a mean mouth, like a half-healed axe scar’, will tell your reader more than a page and a half full of flowery description. In reality, she is resigned to the fact that creative writing is all but dead and that her students are more interested in social media than Dostoe...

12Aug

By Greg HolsteadNo Comments

Scotland

So Young – Traverse Theatre

World Premier From the celebrated writer of Decky Does a Bronco and I Can Go Anywhere, Douglas Maxwell’s So Young is an often hilarious, but equally pathos-tinged coming-of-middle-age tale. 40-somethings Davie, Liane, Milo and Helen were once inseparable, three of them studied at teacher training together, but that all changed when Helen died from COVID. Set up as a classic sitcom, like a latter-day kilted Abigail’s Party, nicely constructed traditional sets transport us, with the swish of a curtain, from the bedroom of long-time married couple Liane (Luciano McEvoy) and Dave (Andy Clark) to the faux-chic lounge of recently bereaved pal Milo (Nicholas Karimi) and his new, much younger, girlfriend Greta (Yang Harris). The cliché of the older man’s ch...

13Jun

By Tom ScottNo Comments

Scotland

Lie Low – Traverse Theatre

‘Lie Low’ is a theatrical jewel. This is theatre at its best, a production which deals with serious issues but still manages to be hugely entertaining and genuinely funny. If you possibly can, go and see this amazing show. You won’t be disappointed. ‘Lie Low’ is brilliantly written by Irish playwright, Ciara Elizabeth Smyth. The script won the Best Theatre Script award in 2023 from the Writers Guild of Ireland. It’s energetic, funny, profound, imaginative, inventive and deeply moving. Smyth’s script is superbly directed by Oisín Kearney. The production is perfectly paced and keeps the audience on the edge of its seats throughout the 70 minutes of the show. Charlotte McCurry plays Faye, a woman in her thirties who has been suffering from nightmares and insomnia following a violent ...

7Jun

By Greg HolsteadNo Comments

Scotland

The Last Pearl – Traverse Theatre

This is the last stop on the ’24 tour for The Last Pearl, via Sligo, Dublin and Glasgow. It is a unique show which almost defies review in the theatrical sense, with no words at all but still plenty to relish. The Blue Raincoat Theatre Co.’s voyage started in 2016, hailing from Sligo, Ireland, clearly with an eye to the horizon, devising, amongst others, new works on explorers Shackleton and Darwin. This is a dreamy production which feels at times more like a yoga session for the senses than a theatrical experience. Some exquisite visual memories await the viewer, enhanced by appropriate sound affects; the quiet sea, the sandpiper, the whisper of wind or, in the turn of a moment, the howling gale and the lashing waves. Here, in the opening scene a long strip of fine silk cloth is tra...

5Jun

By Greg HolsteadNo Comments

Scotland

Storm Lantern – Traverse Theatre

They say partnerships are never equal, and such was the case here tonight in this generally well-executed three-hander from Edinburgh youth theatre outfit, Strange Town. This short play follows the true story of Sophia Scholl, the anti-nazi political activist, whose life was terminated prematurely, by guillotine, at the age of just 21, in 1943. Scholl was arrested with her brother Hans after scattering war protest leaflets from the top floor of the atrium of Munich University. Writer Duncan Kidd focuses primarily on the friendship between Sophia and Gisela Schertling, her good friend of several years, who is also romantically involved with her brother Hans. The third character in the piece is Nazi Interrogator, Robert Mohr. Let’s talk about the best bits first. Rebecca Forsyth is ...

22May

By Oliver GigginsNo Comments

Scotland

Dead Girls Rising – Traverse Theatre

The play opens in media res in a dark forest. At a pivotal moment in their lives, Katie (Helen Reuben) and Hannah (Angelina Chudi) accidentally summon The Furies Tisiphone (Izzy Neish), Magaera (Zoe West) and Alecto (Rebecca Levy), the Greek goddesses of justice. A life-time's obsession with murder (one in particular, literally close to home) has brought with it consequences and the two young women might need help. We follow them through a series of moments from childhood to adulthood, themed by reasons women and girls learn to fear men (here played by the cast in masks and androgynous/Michael Myers boiler suits) and linked with Riot Grrl-inspired punk songs written by Anya Pearson and performed by the Furies (plus drummer). At the start, the audience might get a bit caught in the middl...

17May

By Greg HolsteadNo Comments

Scotland

David Bowie and Me – Traverse Theatre

Beg, steal or borrow to see this one, it’s an absolute banger! Now nearing the end of his UK wide tour, the laconic Scots Squad Chief, Jack Docherty, is a man who has found his stride, and his voice. And why not, when you have a script this good to deliver. Funny, heroic, nostalgic, musical, Parrallel Lives always aspires to keep it real and delivers on multiple levels, whipping the audience to belly aching laughter one minute and wiping away real tears the next as Docherty takes us on a whistle stop trip back in time to his 13-year-old self, and his joint first loves, Eleanor Mackie and David Bowie. We are transported back to the 70’s, to a time when Jack’s best friend Mark would sit cross-legged in the school playground, carefully placing pebbles around himself and playing with ...

30Apr

By Greg HolsteadNo Comments

Scotland

Rage Room – Traverse Theatre

Writer Mhairi Quinn, one third of Tandem Writing Collective, returns with a rewritten and expanded version of her new play, Rage Room, following on from an original 20 minute read through at the same venue one year ago. This is part of a series of three new plays under the collective title of Rock, Paper, Scissors, developed with funding from Creative Scotland. Still at workshop stage we are treated to a script-in-hand performance by a trio of fine actors. Kim Allen as the 35-years-old socially inept, introverted daughter April, Natalie Arle-Toyne as the domineering and critical mother and Betty Valencia as Jos, the younger daughter, a socially successful feminist podcaster with thousands of followers. Allegedly, the ‘Number 1 Feminist Podcaster for Glasgow and West of Scotland’, Jos...