Traverse Theatre Archives - North West End UK

15Nov

By Oliver GigginsNo Comments

Scotland

The Brenda Line – Traverse Theatre

Inspired by the lesser-known history of the Samaritans in the 1970s and ’80s, The Brenda Line is about Karen (Charlotte Grayson) and Anne (Fiona Bruce), a new-start and an old-hand during their first Samaritans nightshift together. Both are there to answer the phone and help callers (voiced here by Colin McCrodie, Eden Barrie, and Ali Watt), with Karen also hoping to get inspiration for a book out of them. However, reality and experience don't always live up with ideals, not least of which through the existence of the Brenda Line, the Samaritans philanthropic sex-line. Grayson and Bruce effectively anchor the show through their performances, with Bruce in particular conveying well the earthy weariness of reality against Grayson's two-dimensional idealism and imagination. Harry Mould...

The Tailor of Inverness – Traverse Theatre

15Nov

By Greg HolsteadNo Comments

Scotland

The Tailor of Inverness – Traverse Theatre

The Tailor of Inverness is not so much about the capital of the North or about the profession of tailoring, rather it is about identity, about truth (or lack of it) and about home. Actor/writer Matthew Zajac plays his own father and then himself as well as multiple other characters in between, in an absolute tour de force, a performancenot to be missed. History is written by the winners, as they say, and for the Tailor, winning was always going to be measured by simply being alive at the end of the Second World War, by whatever means possible. A history lesson, a geography lesson, a survival lesson. A story told how the titular tailor would like to have you believe it, followed by the truth, told by the son who eventually draws all the threads together, however unpalatable. The...

9Nov

By Roger JacobsNo Comments

Scotland

Bright Places – Traverse Theatre

‘This is a serious piece of small-scale, subsidised theatre,’ quips one of the actors at the beginning. One sincerely wishes it wasn’t. Small-scale, that is. A graphic, thorough depiction of Multiple Sclerosis (commonly known as ‘MS’), the title stems from the manifestation on an MRI scan of the lesions on the brain indicating the disease. Regarding the darkness and despair the condition generates this couldn’t be more ironic. If only that was all a sufferer needed for a confirmed diagnosis. There’s also the lumbar puncture procedure, which is just one example of the humorous light writer Rae Mainwaring manages to shed on the matter, as Junior Doctor McHotty applies himself to our heroine Louise. ‘Serious’ it does become towards the end but in the main it’s chock-full of laughs, the aff...

The Election Monologues – Traverse Theatre

5Nov

By Tom ScottNo Comments

Scotland

The Election Monologues – Traverse Theatre

It was a privilege to be part of the audience for this unrehearsed reading of ‘The Election Monologues’ in the bar of the Traverse. This was a global theatrical event with readings also taking place on 4th November in England, Australia, Greece and the USA. Suzie Miller’s powerful script is based on interviews with librarians and doctors working in the state of Idaho, USA. Conceived by Abigail Gonda, this is intended to be a wake-up call on the eve of the US Presidential election. The message is clear: there is an attack on liberal democracy. Rights and freedoms we have taken for granted for decades are threatened. And the danger is not just to America. Far right activism and populism are evident in many countries including the UK. In 2022 the US Supreme Court overthrew the landma...

3Oct

By Tom ScottNo Comments

Scotland

Ruckus – Traverse Theatre

Jenna Fincken’s revival of her one woman show, which premiered during the Edinburgh Festival Fringe in 2022, is timely. Violence against women was recently declared a ‘national emergency’. Two million women a year are estimated to be victims of violence by men. Nearly 1.4 million women are victims of domestic violence. Fincken has written and performs this intriguing, thought-provoking drama. We in the audience are her confidants, and she promises to tell us ‘everything’. She starts with 824 days ‘to go’ and this is emphasised by the projection of a countdown clock. Lou is a primary school teacher in her late 20s. She meets Ryan at an engagement party for her friend, Jess. Ryan is a manager at a homeless charity. He seems a really great guy, charming and considerate. When Lou gets dr...

20Aug

By Greg HolsteadNo Comments

Scotland

A History of Paper – Traverse Theatre

World Premier Set in a different time, on the eve of the millennium, before the dawn of the paperless office, Oliver Emanuel’s, A History of Paper, started life as a radio drama. Then in 2016, song writer and composer Gareth Williams contacted the playwright to suggest that it might make a ‘good musical’. Tragically, Emanuel passed away from brain cancer in December 2023, aged just 43, so sadly never got to see the finished product. Which is a real shame, because it is a sweet thing. Emma Mullen, and Christopher Jordan-Marshall play journalist and would-be writer as an unnamed couple who sing their relationship into existence. Whilst he is a hoarder of paper memories, she couldn’t care less. He has a boxful of tickets and lists and menus and plane tickets, and a half finish...

18Aug

By Greg HolsteadNo Comments

Scotland

A Knock On The Roof – Traverse Theatre

World Premier A Knock On The Roof, a brand new, and very current, one-person play written by and starring Khawla Ibraheem, which takes us to Gaza as young mother, Mariam, prepares for war along with her mother and 6-year-old son, Noor. The title refers to the, so-called, humanitarian practice of dropping small warning bombs on residential buildings in Gaza, giving civilian tenants five to fifteen minutes to evacuate before a much bigger rocket hits. Whether this happens in reality is anyone’s guess. The family live at the top of a seven-storey tower block, which is good and bad. Good because they will hear the knock on the roof first, but bad because they will have a long way to run to escape the carnage that is coming. Mariam decides to train for the possibility of this Knock...

My English Persian Kitchen – Traverse Theatre

15Aug

By Greg HolsteadNo Comments

Scotland

My English Persian Kitchen – Traverse Theatre

World Premier A unique play involving the live creation (and ultimate consumption) of a popular Iranian soup dish, ash-e-reshteh, which is, we are told, dished out on the streets of Iran every day, as common as Ice cream. Cultural differences are at the centre of this story by award-winning writer Hannah Khalil. Adapted from the real life story of Atoosa Sepehr as she flees from Iran to escape an abusive husband, and her subsequent journey to settle in England. Isabella Nefar (Salome, National Theatre) welcomes us into Traverse 2 as though to a dinner party, smells of chopped onions, herbs and spices waft through the space. There is a buzz of conversation. Food, a bridge of the senses, cultures, the very essence of our being, and within the ceremony of sharing food, the hand of f...

14Aug

By Greg HolsteadNo Comments

Scotland

In Two Minds – Traverse Theatre

Joanne Ryan’s delicately observed portrayal of a mother-daughter relationship complicated by mental illness is beautifully brought to life by Pom Boyd (The Dry), as Mother and Karen McCartney (A Very Old Man with Enormous Wings) as Daughter. In Two Minds finds insight in the darkness, humour in the pain, and tenderness in difficult family dynamics. But don’t expect dramatic revelations or grand gestures, its simply not that kind of play. Sarah Jane Scaife’s unhurried production for Dublin’s Fishamble is light and practical and dwells on the ordinary rather than the extraordinary, a semi-autobiographical scenario, of Ryan’s relationship with her own mother. Set during the extension of her house, Mother has to share a small studio flat with her grown up Daughter for howev...

14Aug

By Greg HolsteadNo Comments

Scotland

BATSHIT – Traverse Theatre

BATSHIT is an unexpectedly funny, but also deeply intimate story of female madness. Created and performed by Leah Shelton (AU) and directed by Olivier award-winning performance artist Ursula Martinez (UK), this is a portrait cum-memoir of Leah’s grandmother Gwen, who was incarcerated for seeking personal independence from her husband in 1960s Australia. It looks like Gwen just didn’t like her husband very much anymore, but in this era that constituted a mental illness which required serious medical interventions. Using Gwen’s actual medical records from the period, real voice over clips, video clips and television interviews, this highly technical show transports the audience back in time to consider what now seems clear, from this evidence, the sexual inequality, of a deepl...