Theatre at the Tabard Archives

6Sep

By Paul AckroydNo Comments

London

Home at Seven – Theatre at the Tabard

David Preston, an unassuming man, returns home after an uneventful day at the office, travelling on his normal train from Cannon Street. He is greeted by his distressed wife wanting to know where he has been for the past 24 hours. To his horror, he finds that it is one day later than he thought, and he has no recollection of how he has spent the intervening day. That is the first mystery of this intriguing sounding play by R C Sherriff. The second mystery is that in the time when he had disappeared, a theft and murder have occurred. Was he responsible? The play was written and is set in 1950. Although best known for his well-known and much performed Journey's End, Sherriff wrote a number of other plays and was a successful screenwriter. Home at Seven has rarely been ...

Dressing Gown – Theatre at the Tabard

Have you been bed rotting? Are you in your dressing gown? Is it mostly clean? Are you itching to get out and get dressed, or get dressed and get out? It’s amazing how the trappings of coziness can feel so oppressively snug when certain conditions of comfort are not met. The intimacy of the the Tabard Theatre for instance shifts into something else entirely under the influence of Andrew Cartmel’s new bedroom farce, aptly if unimaginatively titled Dressing Gown so called after its leading man’s essential predicament and sole comfort. Jamie Hutchins stars as Ash, a theatre director whose morning recumbence is interrupted by a series of visitors who each come bearing a unique challenge to his efforts to finally clothe himself. Much like the play’s title, its characters and plot are p...

Look Behind You – Theatre at the Tabard

The 25th anniversary performance of Strut & Fret’s Look Behind You features a completely updated book both classic in its recognizable theatrical tropes and urgent in its relevance to the present moment in arts and commerce. Daniel Wain’s love letter to “the bitchiest, barmiest, bravest business of them all,” encompasses the wide range of characters and character flaws that make a theatre tick. Set during the run of Christmas pantomime, Dick Whittington, at the aptly if unsubtly named, “Britannia” this play minces no words. Subtlety is wholly eschewed and in its absence something urgent, theatrical, and true, prevails. No matter how dazzling the script, and believe me it is dazzling, this is the kind of show in which one sour note might poison the whole symphony. Fortunately, each a...